Analog jam with worst bits edited out and sped up from 128BPM which was a bit slow. I like the sound of the analog cymbals sped up.

Bear in Coconut

Thank you all for the support! In lights of myself hitting the 200 followers mark i have given out this track for free download! Enjoy, repost, comment and share! Thank you all!

Crucially Submissive (Original Mix) [Free Download]

Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard. 
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK.  Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982. 

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.

Severed Heads - Dead Eyes Opened extended 12" mix

A Mix of some stuff i like..

Circle Traps - Fjord
Facta (feat Hodge) - Tungsten
Minor Science - Hapless
Jonas Woehl - Stockholm
General Ludd - Burning Mack
Jamie XX - Sleep Sound (Edit)
Dark Sky - IYP
Sam Matters - Weight Off My Mind
Margot - My Sisters (Edit)
Calibre - Getter Go
Yasuharu Motomiya - Niigata
Radioactive Man - Gugs (Christopher D Ashley Morphine Remix)
Nubian Mindz - Hacker Wacker
DynArec - Safe Scouting Guide (RadioNasty Remix)
Invisible Conga People - Can't Feel My Knees
Baba Stiltz - Transit
Wesley Matsell - Bismuth

Extrawelt is "Not A Deejay" Mix1

Container

A collection of tracks for peer assessment and review, slated for release.

Canno

Observer 2

Live jam, Waldorf Pulse analog rackmount sequenced with a Yamaha RM1-X, circa 2002

Dark Pulse

The Jarts - Party In The Street

Sequencer Test

Electronic music enthusiast since forever, I enjoy making dark sounding beats and ambient soundscapes with whatever I've got - generally midi sequencer drum machines and some analog synths.

As a Sydney based raver, I was Influenced by the acid sounds of the 90s, hip hop and minimal techno. 

My music is a blend of whatever I'm feeling at the time. In the 90s I played at numerous raves and crazy house parties, the Big Day Out with Clan Analogue and a live set on FBI radio later in 2004 or so. 

My gear has included Roland SH-05, Roland SH-09, AKAI VX90, Waldorf Pulse, Korg Wavestation, Yamaha RM1X, Ensoniq ASR-10, Yamaha RS7000, and various mixers, effects racks and compressors. 

I play with computer based production, but prefer to jam live and record a track straight up with no edits. Now I live on the South Coast of NSW and enjoy making sounds & digital media including web design and development. Check our day job stuff here: https://fissedesign.com.au/content-social-media/

Dark Pulse

Type3