Violinist, founder member and DYI artist at Amadeus Electric Quartet 🇹🇩 #violin #violinist #newclassical #yamahaviolinist

Fluidian (Emil Gherasim, b. 1973) composer, musician, sound artist. His work includes electroacoustic and electronic art music, chamber music, film and theater music, sound illustrations for contemporary dance and visual performances, minimalist textural music, sound paintings and ambient soundscapes.

His music is very personal and deeply meditative, with huge visual emotions, combining minimalist sound textures with a specific manner of improvisation. Due to his playing techniques like wind-guitar (blowing across the strings) or bowed-guitar (using a violin bow), manipulated with electronics and using his own minimalistic textural concept, his music transforms into a contemplative, floating soundjourney.
Initially self-taught, he studied and graduated in music composition, mentored by award-winning composer Ede Terényi, at The National Academy of Music in Cluj-Napoca, Romania.

Fluidian is best known for his solo performances, but has also been collaborate with artists like Arve Henriksen, Tibor Szemző, László Gőz, Ede Terényi, Petre Ionuțescu, Paul Taylor, Sándor Szabó, Roland Heidrich and many more. In addition, he composes original music for theater plays, dance performances, films and new textural electronic art music for different sound ensembles.

Among his collaborative projects from the last years could be highlighted the "Opaque Lights" album created in collaboration with Norwegian trumpeter Arve Henriksen, the "Pendular Emotions" album with Romanian trumpeter Petre Ionuțescu, a soundtrack co-written with Arve Henriksen for Anastasia Isachsen's audio-visual light art installation "Perspective" premiered at Fjord Oslo Light Art Festival, Norway and the "Clouds of Wonder" album with Hungarian guitarist Roland Heidrich.

Composer ... Arranger ... Producer ... Music for Film, Television, Theater, and Multi-media. 
His works have won several competitions in Europe and the US.

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music for throats, fingers, and oscillators 

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Sungji Hong’s music has been described as “a work of iridescent freshness” (BBC Music Magazine), “the sound is utterly luminous” (Fanfare Magazine), “it had fantasy, colour and drive” (Nottingham evening post), “outbursts of rhythmic energy” (The Irish Times), and "a virtuoso exploration of the technical and sonorous possibilities” (Daily Telegraph).

She has won the Franz Josef Reinl-Stiftung (1st Prize), the Magistralia (1st Prize), the Seoul Spring Festival Composition Competition (1st Prize), the Jesus Villa-Rojo (1st Prize), the European Competition of the State Conservatory of Thessaloniki (1st Prize), the Temple Music Composition Prize (1st Prize), the Crwth Competition (1st Prize), the international competition for original ballet music at the ISCM World Music Days – Slovenia (1st Prize), the Montserrat International Camera Music Composition Competition (1st Prize), the Theodore Front Prize (IAWM) and the Yoshiro Irino Memorial Prize (ACL).

Her works have been commissioned by the Fromm Music Foundation (Harvard University, USA), the Tongyoung International Music Festival (Korea), the Seoul Philharmonic Orchestra (Korea), the Keumho Asiana Cultural Foundation (Korea), the Foundation for Universal Sacred Music (USA), the International Isang Yun Music Society (Germany) and the MATA Festival (USA). Her music has been performed in over 42 countries and 145 cities throughout Europe, the United States and Asia. Her music has been widely broadcast in more than 17 countries (35 channels) and has been recorded and released on the Soundbrush, Elektramusic, Atoll, Dutton label and by ECM Records. 

Sungji Hong, born in South Korea in 1973, studied composition in Seoul before moving to England where she completed her Master in Music at the Royal Academy of Music in London and a PhD in composition with Nicola LeFanu at the University of York in the UK.

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