When it comes to Hardstyle, it’s impossible to argue the fact that any artist has had a bigger impact on the genre than Headhunterz. From the moment his first records were released, his unique melodic and energetic take on the genre sparked a new movement within the international music scene. A rise unparalleled, Headhunterz continues to take Hardstyle to new heights. 

Willem Rebergen, better known as Headhunterz, kicked off his DJ career over a decade ago. A visit to Qlimax 2003 lit a spark in Willem, leading to an uncontrollable wildfire, as he dedicated himself to becoming the best producer in the genre. His originals, as well as the album he made with Wildstylez under the Project One moniker, redefined the hardstyle sound of the late 2000’s. Headhunterz’ new take on hardstyle music made the genre grow into an international phenomenon and become something worldly. 

From 2014-2017, Headhunterz took on a new challenge and found himself headlining major festivals like Ultra Music Festival, Coachella and EDC, making him explore the boundaries of his own, musical imagination and discover new parts of the world as well as different territories within the electronic dance scene. Though it did trigger his creativity, Willem became homesick, missing his beloved hardstyle scene. In 2017, in front of 60,000 ecstatic fans who thought they had lost their hero, he announced his comeback to hardstyle at Defqon.1. With open arms, the community embraced him, as he travelled the world to celebrate his return with fans, old and new. It took him to 125 performances across 34 countries in 2018 alone, a journey which inspired him to create ‘The Return of Headhunterz’, an album that tied past, present and future together. Surpassing 15 million streams on Spotify, the album – along with his No. 28 position in the 2018 DJ Mag Top 100, showed that, no matter the adventures Headhunterz would undertake, he’ll always find a warm welcome in his home base.

The album also marked the launch of a new label – ART OF CREATION, with his colleague Wildstylez. A creative and dynamic platform that bridges the gap between music makers and community. At the same time, Headhunterz relaunched the HARD with STYLE Podcast, recorded live from a brand new studio, with state-of-the-art equipment and sound. This is where new Headhunterz music comes to life, plans to conquer new territory for his tribe are forged and the one thing reigns that will always remain Headhunterz’ greatest achievement; the music from within.

The Power House!

Contact: djstyline@gmail.com
MGMT & Press: jacob@thepowerhouse.io

Producing his own distinctive Power House Genre, Styline is taking on an innovative role in the electronic music scene, aligning his characteristic sound right in-between the mainstream and the underground.

Solidified as a house music tastemaker and now expanding his Power House outlet to take on and showcase other artists progressing in a similar direction, Styline delivers a full on Power House experience to fans across the globe.

His performances are sought after worldwide and have received mighty receptions in venues from Miami to Ibiza, Amsterdam to Bali and all throughout China. With his dynamic sets and fully customized visuals, Styline genuinely knows how to read a crowd. Whether at massive festivals such as Corona Sunsets, Now Or Never and STORM Festival or more intimate club shows such as Eden in Ibiza, 1900 in Hanoi and M2 in Shanghai, he always creates a truly unique vibe.

Styline’s releases have widely been picked up by the leading artists in the industry, including Axwell /\ Ingrosso, David Guetta, Danny Howard, Kryder and Hardwell and have been signed to many of the most prominent electronic music labels such as Spinnin' Records, Armada, Sosumi, and Ministry Of Sound.

His high-energetic DJ style and top notch productions will see Styline reach even greater heights - hosting Power House Nights around the world, releasing massive collaborations, and fully establishing a new home for the music, artists, and experience that Power House represents.

The official Halo music hub of 343 Industries.

Music Without Limitations.

https://youtube.com/nocopyrightsounds

Zomboy came crashing head first into 2016 with the game changing single ‘Like A B*tch'. Taken from his hotly anticipated Neon Grave EP, the track became the go-to set opener for the likes of Skrillex, DJ Snake and almost every bass DJ at Ultra 2016.  

While the EP Crushed the charts, the 'Neon Grave' tour saw Zomboy sell out venues all over North America and has set the tone for an incredible 2016 for the producer.
 
Never one for slowing down, he's since remixed the Chainsmokers' huge crossover hit ‘Don’t Let Me Down’, and has embarked on his annual festival run, destroying crowds one by one with his inimitable energy and stage presence

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Belgian born Mark Carpentier, aka Mark With a K, is one of the biggest names in the hard dance scene, known for his energetic dj performances. 

Starting from a residency in clubs like Highstreet, he got asked to play at some of the biggest events and festivals (Tomorrowland, Reverze, Bassleader, Q-Base, Defqon 1, Decibel,...) and in the most prestigious clubs.

In 2009 he released his first solo album entitled 'My World'. In 2010 his second album 'Harder' was released. In 2011 he released his third album Roll With Me. The album was a great success from the moment it was released and made Mark With a K one of Belgium's most popular hard dance producers.

2012 was one of the greatest years for Mark With a K. He released his biggest hit entitled Music is My Alibi followed by Darkside, Fly,…

Mark With a K started his own recordlabel/branding entitled NOIZE JUNKY. By starting his own label, Mark With a K expanded his own horizons and allowed young hard dance producers to launch new and exciting music into the hard dance scene. 

That year he released a new album entitled 'Forever Young'. This album was really successful and thanks to Bass Events, Mark With a K received the opportunity to have his own event in the Lotto Arena. 

After a sold out edition in 2012, a second event in Lotto Arena took place. 2013 was the year of 'The Next Level', his latest album. 

2014 was a year of change, Mark With a K started performing internationally and one of his dreams to work together with Chris Willis came out. The name of the collaboration is called ‘Something More’.

2015 will be The Next Level for Mark With a K, definitely go check him out somewhere!

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

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