f24Qe2461

el amado es mi la muerte

A hazy, violet-washed morning on the coast. This track drifts like film grain across the sea — ambient, dreamlike, and timeless.

Violet on the mornings cheek (rough)

commissioned by Deutschlandradio Kultur and CTM Festival. Broadcasted on 2.09.2016: http://www.deutschlandradiokultur.de/ursendung-the-dia-grammatology-of-space.1022.de.html?dram%3Aarticle_id=364100

(dia)grammatology of space (full radio version)

Sfär "Ur sprickorna / Ett halvt liv" (Excerpt)

Robe rehearsal 181017

cuts of "der kleine freitag" - session (December 19)
every thursday roundabout 8pm
at pfund & dollar / stockmeyerstr 43, hamburg

you`re welcome to join us!

participants for these cuts:

- rita -
- fool -
- kskefk -
- loco motiva -
- caro -

recorded with TASCAM DR-40
released January 12, 2020

TASCAM_08XX

TASCAM_0829

Andrea Borghi/Giacomo Salis/Paolo Sanna, MOT

Quiet Evenings - Fault (excerpt)

"The four pieces across the two sides of Saxophone Solos – Aerobatics 1 to 4 – are testing, pressured, bronchial spectaculars of innovation and invention and determination. Evan tells four stories of exploration and imagination without much obvious precedent. Abstract Beckettian cliff-hanging detection/logic/magic/mystery. The conic vessel of the soprano saxophone here recorded contains the ur-protagonists: seeds, characters, settings, forces, conflicts, motions, for new ideas, to delve, to tap and to draw from it story after story as he has on solo record after record for 45 years. ‘Aerobatics 1-3’ were recorded on 17 June 1975, by Martin Davidson at Parker’s first solo performance. This took place at London’s Unity Theatre in Camden. ‘Aerobatics 4’ was recorded on 9 September the same year, by Jost Gebers in the then FMP studio in Charlottenburg, Berlin. Music of balance and gravity, fulcra, effort, poise and enquiry. Sounds thrown and shaken into and out of air, metal and wood. It is – as the titles suggest – spectacular." - Seymour Wright, 2020

Quiet Evenings - Fault (excerpt)

Adversary