Name: Initiate by AEONN in Piano..
Duration: 5 min 38 s
Description: Inititate is a unique track. Its very organic piano playing enables to forget any technical stand point in order to focus on the feelings it conveys. This track is an attempt to translate the feeling of willpower at the genesis of everything we create: an ode to the first impulse.

beautiful and powerful composition. Looking forward for more :)

Just want to say your work is amazing dude. It's so inspiring for me and literally gave me goosebumps listening to this track! I'm working on my first album at the moment and feel like I've gained so much energy to get down and work on my stuff, so thank you and keep it up :)

@milton-esperanza-381734715 Thank you very much, glad to read your interpretation of the track !

I was sleeping with music in the backround, this track stayed in my dreams. Wonderful melody, full of enotions, bravo 🙏🏼

All I can say is I cannot use words to describe the feeling how much I like it.

Piano..

The new album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: http://www.erasedtapes.com/store/index/ERATP055
US order link: http://www.midheaven.com/item/spaces-by-frahm-nils-cd

9/10 Drowned In Sound · 9/10 Clash · 4.5/5 Fact · 4.5/5 Resident Advisor · 9/10 Popmatters · 9/10 The Line Of Best Fit · 8.5/10 Under The Radar · 8/10 Exclaim! ★★★★1/2 Music Omh · ★★★★ The Irish Times · ★★★★ Arts Desk

‘Frahm truly excels’ 9/10 Uncut 
‘Frahm works his magic’ ★★★★ Mojo
‘The infinite elasticity of sound’ 7.8 Pitchfork 
‘Improvisatory, wild, heartfelt’ Interview Magazine
‘A fantastic record’ The Guardian Album of the Week 
‘Frahm creates something mesmerising’ ★★★★ The Observer
‘My favourite new piece of music this year’ Mary Anne Hobbs, BBC 6 Music

erasedtapes.com · nilsfrahm.com

Spaces

Says

Buy 2xLP/CD/DL

Nils Frahm - Says

In March of 2018, German composer and pianist, Tim Linghaus, released his debut full-length, titled Memory Sketches. I have immediately connected with his sonic palette and the concept of capturing a memory with music [for preservation and materialization thereof], and have subsequently selected the album as one of the best of the year, in Music For Watching The Snow Slowly Fall In The Moonlight list. Brian Housman of Stationary Travels has also picked up this fragile work, and in his syndicated words for Headphone Commute acknowledged that “bring this to realization in a sincere and compelling way that deeply affects the listener requires tremendous sensitivity to mood and texture…” Of course, I tend to agree. Following the release, Linghaus appeared on Sound In Silence with a collection of “B-sides,” and then again, a year later, with a 30+ min album of sixteen vignettes, titled We Were Young When You Left Home (Schole Inc., 2019) examining [his?] childhood emotions experienced during a parental divorce. Today I am premiering a brand new track for you, this time is taken from Tim’s upcoming release titled Memory Sketches II, which, as you can tell from the title, is a follow-up to his debut, once again focusing on shaping and archiving the memories with beautiful sound.

"Sometimes it can be felt. This sort of fact that a certain moment is a crucial one in our lives. But mostly we breathe and walk and talk and act without recognizing how huge the moment actually is, how important the memory of it will become for us. As for my part, Memory Sketches II is the second try to give my most precious memories a shape because, otherwise, they might disappear together with the person, the scent, the sound or whatever it is that the memory is about." — Tim Linghaus

The rhythmic journey of adolescent immediacy through rushing emotions, the discovery of new experiences, and, much later on, reflection on these initial feelings, are all conveyed in this very first track appearing on the album. On the fifteen successional pieces, Linghaus explores further recollections of heartbreak, repetitive school daydreams, and projected fantasies of a childhood long gone. The piano is occasionally gently cradled by lo-fi treatments, some strings and synth sequences and pads. It’s all rather lovely, a bit introspective, nostalgic and melancholy. Just how I like it… as if these memories were mine. Stay tuned for the full-length, released on the Japanese Schole Records on a CD, and Swedish 1631 Recordings on digital, on October 29th, 2021. This single is out this Friday, and then you can pre-order the album from Bandcamp.

Memory Sketches II

Running To School With S

TRACK PREMIERE : Tim Linghaus - Running To School With S

from 'Walizka' [CD|LP|DIGITAL]
Denovali Records · den201
available on all formats at [http://denovali.com/johnlemke]

Working across a variety of media John Lemke explores all things sonic through live performance, sound design and his work as a documentary film composer. The Walizka EP is his latest solo release on Denovali Records.

Three items in a suitcase, a clarinet, a looper and a microphone - is how it all started. 

A free improvisation with friend & collaborator Łukasz Bernacki (on clarinet) sparked John’s desire to bring his compositional and production approach back down to the most basic elements. Creating simple, yet distinctive rhythms only through tapping contact microphones run into noisy guitar amps became the base for the EP’s three tracks, consequently inspiring its live, lo-fi feel. Written and recorded between John’s native Berlin and his adopted home of Glasgow, Walizka (Polish for ‘suitcase’) somehow absorbs the defining atmospheres of both cities in its core.

Previously released digitally as a teaser for John’s debut album, the Walizka EP actually presents newer material, progressing the electro-acoustic nature of ‘People Do’ towards more dub drenched territories. Refining John’s blend of prepared piano and field recordings with hand crafted beats and swampy bass lines, this deeply moody and danceable release bends genres with refreshing ease.

The EP is furthermore enhanced by a second half of remixes by fellow Denovali artists Piano Interrupted, SaffronKeira and Petrels and the ever elusive Everyday Dust. Far from conventional remixes, these pieces fall more in the category of re-imaginations, complementing the EP’s first, more rhythm anchored half with a coherent ambient counterpart.

Written, performed, recorded & produced by John Lemke in 2013
Mastered by Alex Gámez at Störung Studio
Artwork by Łukasz Bernacki

Walizka

John Lemke - Walizka (Piano Interrupted Remix)

This album is a compilation of XI Horam's compositions that previously aired on his monthly show ''Excursion'' on Montreal web radio https://lafaceb.live

XI Horam:
https://xihorammusic.bandcamp.com/

more music at: 
www.pertin-nce.ca
www.pertin-nce.bandcamp.com
www.the-end-is-near.bandcamp.com
www.mixcloud.com/pertin 
www.facebook.com/pertinnce
www.facebook.com/then2014
www.soundcloud.com/pertin-nce 
https://archive.org/details/@bleupulp
https://hearthis.at/maxime-tanguay-4x/
www.pertin-nce.blogspot.com 
www.variousanduneasy.blogspot.com 
www.lafaceb.live

spotify

5 XI HORAM - NALEDI A

Inititate is a unique track. Its very organic piano playing enables to forget any technical stand point in order to focus on the feelings it conveys. This track is an attempt to translate the feeling of willpower at the genesis of everything we create: an ode to the first impulse.

Instar

Initiate

a warm wintermix. build around 'Restoration', a song for PianoDay 2015, by Ed Harcourt.

more earconditionings on mixcloud.com/thehunter


tracklist:

1. Far From Land — Nest
2. To Speak Of Solitude — Brambles
3. Never Ending January — Espen Eriksen Trio
4. Restoration — Ed Harcourt
5. Own Frequency, Own Time — El Fog
6. Frost — Swod
7. Stellify — Federico Albanese
8. 03:06 — Olafur Arnalds & Nils Frahm

winterdipsaus

Taken from the EP Forgotten Postcards.
Release date: March 28 (Piano Day) on 1631 Recordings.

Read more about Piano Day: http://www.pianoday.org/
#PianoDay

Luke Howard - Atlases

Cover artwork by Melanie Kurhan
Mixed by Jacob Pavek & Hannes Kretzer
Mastered by Jacob Pavek

Download

Jacob Pavek - Hello Montevideo

Autumn

Autumn Sky

Buy on Bandcamp

Madeleine Cococlas - Autumn Sky

The Lost

Otto A Totland - Vates

Drops in an Ocean

Madeleine Cocolas - Hartigan Blue Bathers

Listen / Purchase: https://lnk.to/dcad

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence: Music For Film Volume I & II

Reshuffle the Deck

Buy Album

William Ryan Fritch - Reshuffle the Deck (from Deceptive Cadence: Music For Film Vol. I & II)

The music of Christoph Berg is the soundtrack for many moments in my daily life. He is my beloved mate and friend from Berlin and i did this track to feel much more connected with him. Enjoy. 

Field Rotation - Sleepless rework by Hior Chronik

Industrial rock / Cinematic music 

Composer / Multi-instrument player / Singer / Mixing Engineer

https://geo.itunes.apple.com/us/album/instar/id1090747640?mt=1&app=music

Initiate

AEONN

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