Un piano solitaire et minimaliste qui explore les fêlures de l'âme. Une mélodie suspendue, dédiée à ce qui reste brisé malgré le temps qui passe. Une pause musicale empreinte de nostalgie, idéale pour accompagner une lecture profonde ou un moment de recueillement.

Ce qu'on ne répare pas

Une pièce qui s'appuie sur la puissance évocatrice des registres graves du piano. Le rythme régulier et les accords profonds installent une tension dramatique qui évoque la résistance et la solitude, tel un dernier rempart face à l’adversité. C'est une œuvre introspective oscillant entre mélancolie et force intérieure.

This piece relies on the evocative power of the piano’s lower registers. The steady rhythm and deep chords establish a dramatic tension that evokes resistance and solitude, like a last bastion against adversity. It is an introspective work, oscillating between melancholy and inner strength. 

Dernier rempart

„Stuck somehow. A new improvisation. Piano solo. Recorded today, March 5 2026 Hamburg Germany“

Improvisation 05*03*26 Stuck Somehow

Traccia strumentale solo piano dall'album "Uno" (2014)

Alle luci accese

"Silence. A quiet piece. A new improvisation, recorded March 6, 2026 at my private recording studio." Marcus Loeber

Improvisation 06*03*26 Silence

Discover the spark that never goes out. 'Inner Light' was composed to remind us that even in the darkest times, there is a glow within that leads us home. A song of hope and spiritual connection.

Inner Light

Exploration de la répétition. Ce qui ressemble à un exercice mécanique devient, avec le temps, une forme de méditation sonore. 

An exploration of repetition. What begins as a mechanical exercise evolves, over time, into a form of sonic meditation.

Hypnose

Piano Etude "Revolt"

Cette pièce minimaliste se veut une exploration de l'évanescence. Chaque note semble tomber comme une goutte d'eau dans un puits, créant des ondes de résonance qui forcent l'auditeur à une écoute active. Entre tension chromatique et silences habités, ce dialogue entre registres graves et aigus invite à une méditation sur la fragmentation du temps et la beauté du dépouillement.

This minimalist piece is an exploration of evanescence. Each note seems to fall like a drop of water into a well, creating waves of resonance that compel the listener into active engagement. Between chromatic tension and inhabited silences, this dialogue between deep bass and crystalline treble invites a meditation on the fragmentation of time and the beauty of stark simplicity.

L'Espace et le Vide

A tranquil piano solo featuring silk-smooth arpeggios and gentle, lingering reverberations.

Silky Air

Echoes of Us' is the hauntingly beautiful first chapter of 'The Synthesis Trilogy' by Bradlux Music. Dedicated to the memory of Judit, the track explores the eternal connection that remains through sound.

- Featured on Slash Music - Over 1,400+ views on YouTube in the first 48 hours

A journey through deep melodic pulses and emotional techno landscapes. Turning grief into sound, and silence into hope.

Des esquisses musicales captées telles quelles : une prise brute, simple et directe, très naturelle et presque sans retouches. 

Nous y expérimentons différents instruments :  
un piano digital Donner DEP‑20 et ses 238 sonorités,
un dulcimer des Appalaches Merlin M4 de Seagull,
une guitare espagnole Raimundo 104‑M,
et un violon ZEV‑VLN44.

Toutes les pièces sont enregistrées avec l’application « Enregistreur de voix facile Pro » de Digipom ou avec l’enregistreur Sony ICD‑PX312.

Pour un traitement minimal — coupes, fondus d’ouverture ou de fermeture, quelques effets — nous utilisons Audacity.

« classique » « néo-classique » « classique contemporain » « instrumental » « minimalisme »

[démo] [improvisation] [piano Lo‑Fi] [enregistrement brut] [traitement minimal] 

***

Musical sketches captured as they are: a raw, simple and direct take, very natural and almost unedited.

We experiment with different instruments: a Donner DEP‑20 digital piano with its 238 built‑in sounds, a Seagull Merlin M4 Appalachian dulcimer, a Raimundo 104‑M Spanish guitar, and a ZEV‑VLN44 violin.

All the pieces are recorded using the “Easy Voice Recorder Pro” app by Digipom or with the Sony ICD‑PX312 recorder.

For minimal editing — cuts, fade‑ins or fade‑outs, a few effects — we use Audacity.

“classical” “neo-classical” “contemporary classical” “instrumental” “minimalism”

[demo] [improvisation] [Lo‑Fi piano] [raw recording] [minimal processing]

Solo piano improvisation, music for media, sound finder, photographer, sounddesigner, father and family man
Traveling between classical and contemporary music, Jazz and filmscore. Loving electronic music, too. Real music has no boundaries. Please follow and feel free to comment.
Profile photo by (c) Anatol Kotte, 2024
Design by JDS  Joniel da Silva

Cantautore e metà del duo Zoostat. Dagli esordi indie-pop negli anni '00, ho pubblicato quattro dischi. Cantautorato italiano, contaminazioni rock e wave, musica elettronica.

Il primo album "Chi Cerca Trova!" (2010) è accompagnato da un lungo tour promozionale unico nel suo genere: un'azione di cd crossing che ha toccato 15 città italiane e raggiunto migliaia di persone, in collaborazione con radio, clubs, biblioteche e associazioni culturali.
Fra il 2011 e il 2015 ho scritto e portato in scena due spettacoli di teatro-canzone e pubblicato il mio secondo album "Uno", dove le sonorità pop degli esordi lasciano spazio ad un mondo sonoro diverso, sapore vintage, indie rock, new wave italiana, post punk.
Nel 2019 ho fondato con il produttore genovese Giulio Gaietto il progetto Zoostat, elettronica e cantautorato, musica per sincronizzazioni e spettacoli. Come Zoostat (trovi tutto sul nostro sito www.zoostat.it) abbiamo pubblicato l'EP "Cancellature" nel 2021 e l'album "Crash Test" nel 2023.

Sempre aperto a nuove collaborazioni. Soundtracks, musiche per spettacoli teatrali, performance e installazioni.

📧  info@zoostat.it
🎵 Ascolta Zoostat su Spotify: https://open.spotify.com/intl-it/artist/2TgRqgvsksJPJogRI9OCX9

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