I like how the lead line just floats on top but it's not in your face

A deep respect for your guitar playing Hiroshi. Never stop tracking my friend!

As i seek out old & new routes on my e-bike through the windmills of time the landscape always changing it brings on deep thoughts of reflection change & new high's 🤗 .Thanks for listening 😊🙏 artwork is a shot from along the Thames Estuary.Thurrock.

Pensive Pt 2

An electronic instrumental composed using the generic synthesisers and sequencers in Garage Band and Logic. No real instruments were used on this one.

© 2023 Dairv Dubbleyew

Chasing the Dream

The 1st movement of the String Quartet No. 18 "No Silence" (2023-2024).

Pawel Strzelecki: 1. Prelude [String Quartet No. 18 "No Silence" (2024)].

Impressions from the Celestial Couch

What if the stars
And cars
The oceans and hills
The moon
And houses
Were all just 
beautiful dust
What if all these things 
Had just
Grown too huge for us
Now impositions
Making all the rules
Where once it was said
By you 
By me 
By us
What if the stars and cars
The oceans and hills
The moon and houses
were all just 
Beautiful dust
I love to gaze up high
I love to drive real fast
I love to dive deep in 
And climb up hillsides
I need shelter from storms
And from the night
And i love to watch the moon
Mocking in her flights
What if all these things 
Were only beautiful dust.

Beautiful Dust

Child Of Nature

Tribute to the Trees (Radio Remix)

Screams that say nothing, firecrackers in the parks, shotguns in the fields.
Art with Canva

Above The Noise

Whole Live Long Theme


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

Music : Janne Hennie & PJ Project
Vocal & lyrics : Janne Hennie

Lyrics:

You tighten your grip that you have on me
Iam so scared
Baby , why can't you see
That you got me exactly where you want..
When you say you're leaving
I beg you Please baby, don't!

If you tell me to jump
I will only ask: how high?
with no other questions
I will never ask you why
Please don't leave me, baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

You can take all my money
Spend it your way
You can take whatever you want
As long as you stay..
You don't have to love me
Or tell me that you do
You can do what the hell you want
As long as i have you!

If you tell me to jump
I will only ask: how high?
With no other questions
I will never ask you why
Please don't leave me , baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

If you tell me to jump
I will only ask: how high?
With no other questions
I will never ask you why
Please don't leave me, baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

Desperat Love W/ Janne Hennie

Here's my original track I made after a long long time...
dedicated to the loners who had envisioned a design for his/her ideal city during late modern times, which has never been realized because of its radical idealism and criticism against the reality of materialistic world.

It's an instrumental blues rock, but actually, I wrote the draft at first as a song with lyrics a couple of years ago, but I couldn't finish the lines, and let it alone... then almost have forgotten... but I found it on my HD a few months ago, then have revised it as a completely instrumental version...
I hope you enjoy. Any feedback will be appreciated...Thank you in advance.

[Ain't the one - Music info]
- Music Composition, Instrumentation (Guitars, Bass Guitar and Drums) and Production: Hiroshi Kohno
 - All were played and recorded in the studio (live, open-mic-rec)

This time, I didn't use any distortion effector...instead, done with minimal overdrive of amps to avoid the undesired turbidity of sounds while picking the several strings at once, since I found that my strat had the problem with intonation tuning on the high position, which I couldn't adjust myself...

- Guitar: Fender USA Stratocaster '58 extra re-issued(tuned to one semitone dropped down)
 w/ Fender '65 Deluxe Reverb Amp.
>> Lead(on the right) & Some other small fills (various position): 
 Front-PU, w/Boss CS-2, Vintage CE-1 & Maxon AD-9. 
 Additionally, Boss BF-2 for Choir-like fills.
 >> Rhythms (on the left): 
 Half-tone(front-middle PU), w/Maxon RTC600, MXR Phase90 & Maxon AD-9.
- Bass: Fender USA '66 Precision-Bass 
 w/ Fender Bassman Amps, plus Boss CS-2.
*All effectors were anterior use to amps. 
- Drums: Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
- Mixing and a few minor edit (revision) of drums : DAW.

© 2017 Hiroshi Kohno

Ain't the one

Ain't The One - aerogene070

Thank you for your visiting, listening and supporting.

I'm a spare-time musician, usually working as an architect (running own atelier) on an average day.

I play: Guitar & Drums (respectively since 11 years old & 9 years old, since late 70's, quite intermittently, though; skipping some years not playing them while dedicated myself completely to architectural study and practice incl. working in  Europe),
and a little of Keys & Bass guitar (both of the later were started 10 years ago or so)

Roots: Classic Rock, R&B and Funk Rock, 70's Progressive Rock, 70's-early 80's HR/HM, also interested in many kinds of music and sound-art.

Ain't The One - aerogene070

aerogene070

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