Soundtrack for the ADAM Audio Soundtrack Competition.

"Moon" By Aeron Aether #adamaudio #moon

[ ▲A p o l l o § A r †▼ ]
[ T w o H u s s a r s ]
[ E c c 3 : 4 ]
[ S t e r e o s c e n i c ]

"Under the ban, --
So, ye have wrought me
Designs on the night of our knowledge, -- yea, ye have taught me,
So,
That haply we know somewhat more than we know.

Ye lispers, whisperers, singers in storms,
Ye consciences murmuring faiths under forms,
Ye ministers meet for each passion that grieves,
Friendly, sisterly, sweetheart leaves,
Oh, rain me down from your darks that contain me
Wisdoms ye winnow from winds that pain me, --
Sift down tremors of sweet-within-sweet
That advise me of more than they bring, -- repeat
Me the woods-smell that swiftly but now brought breath
From the heaven-side bank of the river of death, --
Teach me the terms of silence, -- preach me
The passion of patience, -- sift me, -- impeach me, --
And there, oh there
As ye hang with your myriad palms upturned in the air,
Pray me a myriad prayer.
My gossip, the owl, -- is it thou
That out of the leaves of the low-hanging bough,"

“The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”

https://www.everydayknow.com/positive-words-that-start-with-k/

"The keynote of the stylization achieved in ballet is: weightlessness. Paradoxically, ballet presents man as almost disembodied: it does not distort man’s body, it selects the kinds of movements that are normally possible to man (such as walking on tiptoe) and exaggerates them, stressing their beauty—and defying the law of gravitation. A gracefully effortless floating, flowing and flying are the essentials of the ballet’s image of man. It projects a fragile kind of strength and a certain inflexible precision, but it is man with a fine steel skeleton and without flesh, man the spirit, not controlling, but transcending this earth . . . .

Strong passions or negative emotions cannot be projected in ballet, regardless of its librettos; it cannot express tragedy or fear—or sexuality; it is a perfect medium for the expression of spiritual love."

"As Opposed To What?"

"Almost every wise saying has an opposite one, no less wise, to balance it."

“All the works of man have their origin in creative fantasy. What right have we then to depreciate imagination?”

[ H y p e r b o r e a ]
[ T h e E a s t E n d ]

#new #release 'Colors' 7" single on Móatún 7 https://moatun7.bandcamp.com/album/sunday-coma-colours

Rayspark Industries has been producing music for over 25 years. The hardware years 1994-2002 and the software years 2010-now. Currently his studio consists of Ableton Live Suite with sounds and sequences sourced from various iOS apps, software synths and utilising Native Instruments' Reaktor 6 ensembles and instruments. It is this approach that has opened up a whole new era in sound design and compostional approaches and gives the freedom to experiment like never before. As organised sound, he uses music as a platform for his explorations of new sounds he has found or created, many unheard and many certainly unused in the context of composition. It is this thirst for auditory discovery that keeps his sound fresh and ever-changing and is the well-spring of his creativity. For his latest work (and archive) listen here https://rayspark-industries.bandcamp.com/ 

Also out on TreeTrunk records
Rayspark Industries - Klonk Klang EP
http://www.archive.org/details/Klonk_Klang_EP 

Other releases:
Various - Mekandroids (EURK 2001) [CD]
http://www.discogs.com/release/204120 

Rayspark Industries  - Structured Chaos (1999) [limited release cdr]
http://www.discogs.com/Rayspark-Industries-Structured-Chaos/release/549646 

Rayspark Industries - Funkmission One (1998) [limited release cdr]
http://www.discogs.com/Rayspark-Industries-Funkmission-One/release/549638 

Extended bio:
Rayspark Industries started his adventures in sound, learning various instruments in a music workshop in early 1980's. 

After pushing various CasioTone keyboards to their limits in the late 80's he started to compose his first sample-based tracks using the Amiga software, Octamed. His limited yet highly effective arsenal of these early forays were a Roland Alpha Juno 2 and an 8bit sampler. 

As technological advances during the 90s opened up whole new areas of creativity and experimentation future tracks were composed using the Korg MS20, 05R/W, Poly800, Yamaha CS5, TX81z, various analogs, effects and an Amiga A1200 running MicroIllusion's Music X. The track "Shuffle" (under the name "RSI"), featured on the accompanying CD of"Future Music" magazine, Issue 58, July 1997 displaying his heavy bias towards analogue and analogue-esque sound sources. By this time he was now composing on the PC using Cubase VST, early indications of the future evolution of his approach to composition. 

Rayspark Industries have now completely updated (and downsized) his studio which consists of Native Instruments' Reaktor and various other plugins run through Ableton Live Suite. Rayspark Industries believes this approach has opened up a whole new era in his sound designing and compostional approaches and gives him the freedom to experiment like never before. As organised sound, he uses music as a platform for his explorations of new sounds he has found or created, many unheard and many certainly unused in the context of composition. It is this thirst for auditory discovery that keeps his sound fresh and ever-changing and is the well-spring of his creativity.

Main influences:
The early sounds of Jean Michele Jarre, OMD and the Human League and also the more current sounds of Plaid, Autechre, Orbital and LFO to just name a few...

Limitation = Imagination!

Comments appreciated - am i heading in the right direction?

Aeron Aether (Gábor Kovács) is a Hungarian composer, producer, engineer, sound designer, audio software developer and “experimentalist” of electronic sound. A prolific artist, Aeron has produced chart-topping tracks in various sub-genres of electronic music, including breakbeat, progressive house, electronica, and chill-out. In addition to studying electrical engineering, Aeron has dedicated much of his life to producing music and exploring all aspects of the electronic audio world. He currently runs his own studio, Aetheron Audio, offering audio engineering, music production, and sound design services. He also develops audio plugins for Karanyi Sounds and works as the chief mastering engineer for Monstercat Silk.