BIO:
Dave Clarke dubbed him as “an undisputed hero in techno” (Whitenoise Radio July 31, 2010), while Claude Young has pinned him "a master of his craft," and heralded his records as “the secret weapon of many a DJ”. Best known for his releases on renowned labels such as Primate, Primevil, Kombination Research, Zync, as well as Ben Sims’ own Theory Recordings, Adam’s sound can be best defined as soul infused techno with constant motion. He has toured the world as a DJ and live performer on 5 continents and 20 countries. 

With more than 60 twelve-inch vinyl releases and over 100 digital releases to his name, Adam’s musical palette as a producer extends well into his selections as a DJ, earning him a bimonthly residency in 2008 at the renowned Tokyo club Studio Cube 326.

Constantly pushing to refine his sound, Adam’s own Chroma label was founded in 2010. It represents a modern take on up-front techno with purpose.

An essential live act, Adam's 100% hardware live performances are sought after by techno and electro heads alike.

Info & Booking :
mr.bizz@tiscali.it

Mr. Bizz comprises a perfect duo of two brothers Fabrizio and Matteo Floris,who's several early collaborations with different pseudonyms, including Minimal Cadets, permitted collaborations with the most important labels such as Frisbee Tracks,Multicolor Recordings etc. 
Mr. Bizz, although young,had much early success with releases such as "Eternity"(summer 2009) on the German label "Cocoon Recordings",which was played to death all summer and featured in the compilation mixed by Dubfire and Loco dice entitled "Ten years of Cocoon ibiza".
2010 was a full working year, Mr. Bizz began to release with some classic labels: Tuning Spork, Resopal Schallware,etc and remixed the legendary Hakan Lidbo.In 2011 they became connected with Sian's own "Octopus Recordings" and the Greek label "Material Series" ran by Mihalis Safras,thus began the project in earnest. 
In this year they were also remixed Dj Chus, Mauro Picotto, Mihalis Safras and Pig & Dan. 
At the beginning of the 2012 they started to hit top positions on charts and light up the radar of most big name DJ's. Garnering several hit Ep's on Octopus,with "Exit" and "Broken", and with “Bamboo” for  5 weeks in first position in Techno and appears on “Top Techno Tracks Of 2012 ” for Beatport. 
Their remixed on 2012 best artists as: Stefano Noferini, Lutzenkirchen, Spektre,Yello, Mauro Picotto, Zoo Brazil, Hermanez and more.. 
In 2013 the guys debut on Dubfire’s label “Sci+Tec” and on Monika Kruse’s label “Terminal M” and making some collaborations with Harvey McKay and the belgian duo Filterheadz. 
The brothers have released several tracks on Octopus Recordings, Sleaze Records,Deeperfect,Toolroom,Bitten Records, Suara, MB Elektronics, Blufin, Material, Respekt and many more.. 
They have played in several prestigious clubs such Sankeys Ibiza, City Hall and Mac Arena Mar (Sonar Off) in Barcelona, Monza Club in Frankfurt, Piso 30 and Wild Club in Colombia, WesterUnie and ADE 2014 in Amsterdam, Faktory Club In Lisbon and many other clubs around the world.
The heavy beat patterns and the dark vocal snaps typical of Mr. Bizz ,have defined their unique original style and won them praise unilaterally in the dance community.

KRENZLIN
Will and Persistence against Vitamin B Deficit
Masses over masses try themselves at being a DJ and in the production of techno. Being a newcomer in this overcrowded market doesn't seem appealing at first sight. Putting in a lot of effort to establish one's reputation is not everyone's cup of tea. To stand out of the masses one must buckle down or have the proper Vitamin B. When Vitamins are lacking, what especially counts are a strong will and persistence. Those are guarantors for the opportunity to exhibit one's talent eventually. The rise of Krenzlin followed this principle on one of the surest Newcomer-Floors in the world. After Sebastian Krenzlin started DJing in 2003, it took several years for him to eventually be discovered as a newcomer after his participation at the Tresor Award of Pacou in 2009. Since he played in the Tresor for the first time in September 2010, he is counted among the steady Ensemble of Berlin's legendary club.
With the series of events „New Faces“ and three allies he forms a platform for the performance of new faces. Every first Wednesday in the month he starts his own special event under this flag seeking for new talents who impersonate this spirit.
Even as a producer Krenzlin build up a reputation since 2011. If one reads the list of labels under which he has released since, it is hard to believe that such a fantastic discography can be formed in this short amount of time. With Synewave, BCR, Mastertraxx Records, Slap Jaxx or IF?Records the best pools for exceptional, underground profiles of techno-acts of the last years string together. In the spring of 2012 a co-production with 88uw and Synewave followed and came like a bombshell exactly like the one countless times before in the Tresor... 
Booking Contact:
djkrenzlin@gmx.de

For Bookings email to :
management@spiroskaloumenos.com

Keyfigure of early and contemporary German Techno, EBM-Techno, Acid, Ambient, Industrial & Experimental music. The man behind Drax, Knarz, Welt In Scherben, Silent Breed, AGE, Exit 100, Electro Nation and many more. Owner of AFU Limited and AFULAB. Mastering Engineer at Schnittstelle & Trope Mastering.

Home based in Rotterdam. Owner of Mord Records, sublabel Kazerne and previously Audio Assault/Arms [RIP]. Released on Mord, Mote Evolver, CLR, 47, Perc Trax, Planet Rhythm, PoleGroup, Sleaze...For bookings please contact: mike@berytus.art

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Ibadan Records is an independent record label established in 1995. With a repertoire deeply rooted in the influences of colorful New York life and home to many classic releases, Ibadan Records continues to be a groundbreaking taste maker. You can always expect nothing but the highest regard to quality.

Ibadan Records is controlled and owned by 2012 Odyssey UG.

2012 Odyssey UG (haftungsbeschränkt)
Geschäftsführer: Christine Pedersen
Bödikerstrasse 9
10245 Berlin
Germany

2012 Odyssey UG is registered with the commercial register of the Amtsgericht (local court) Charlottenburg under the number HRB 119989 B

Info/bookings: info@ibadanrecords.com

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