released 22 December 2014
myhead.bandcamp.com 

'Bound' and 'Valkyria' written by my.head. 
Produced by my.head and Last Japan ©2014. 

Follow my.head: 
www.soundcloud.com/my-head 
www.twitter.com/myhead3000 
www.facebook.com/myhead3000 
myhead.bandcamp.com 

Follow Last Japan: 
www.soundcloud.com/lastjapan 
www.lastjapan.com 
www.twitter.com/lastjapan 
www.lastjapan.bandcamp.com 

Artwork by my.head


BandCamp

my.head + Last Japan - Valkyria

Astralis

In loving memory of my very dear friend Christoph 🤍

https://www.youtube.com/watch?v=VE_NfY0K4Q0

Christoph

Drained Sky [ET006] 

Cassette & Digital:: 

emergingtechnology.bandcamp.com/album/drained-sky 

Uncanny strings wail through stormy night like songs you’ve heard before. A welcome or a warning; sirens either way. The sounds of a world feebly trying to recreate the beauty of a nature it only somewhat remembers. Shambling, distorted imitations of their original forms. 

Sangam lights the way through troubled corridors of their own creation with dive bombing synths, moaning strings and leviathan bass. Any bright and joyful familiarity is undercut by moody and hostile terrain where humanity is, at best, unwelcomed.

Sangam - Drained Sky [ET006] Album Preview

Roots

Download

in the abyss, nothing will

we skipped down the hallway

O//TXT – ECLIPSE OF FIRE
Recovered from: OBLIVOR://CORE_MEMORY_060_EF
Source: Ashen Horizon Layer // Sensory Drift Archive
Status: Refracted Light / Emotional Echo
IDENTITY: Fading / Radiant Residue
ACCESS: Passive Stream / Burned Thread
Threat Level: LOW / AESTHETIC COLLAPSE

This is not illumination.
It’s the memory of fire.

Eclipse of Fire drifts through the twilight
between what once burned
and what never fully darkened.
A slow descent into emotional static
where the voice no longer speaks
but lingers
like heat in abandoned walls.

The pulse is gentle
hollow
a breath heard through fog
not guiding
just remaining.

Each layer softens
melts
disappears
not with violence
but with reverence.

There is no climax here
only distance
and the silent warmth
of something that chose to end itself softly.

:: Light integrity: diminishing
:: Audio presence: spectral
:: Emotional signature: melancholic drift
:: Archive tag: ECL_FIRE_060_HZN

If all that’s left is the echo of heat
is it still fire
or just the memory
of wanting to feel?

Discover the world of Oblivor
🌐 www.oblivor.net

🎧

Eclipse of Fire

Drifting Between Seasons explores transformations both within and around us, like the shifting seasons of nature. Using fragments from cassette recordings that had been set aside during the production of previous works, the album breathes new life into these sounds, weaving them together with acoustic textures and field recordings. It captures fleeting moments of transition, where the familiar meets the unexpected, showing how echoes of our past quietly pave the way for tomorrow.

Drifting Between Seasons

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #1—The Past, Like A Strange Bird

Aether

the waves are taller

The project explores contrasts in human experience like love and hate, chaos and order, creation and destruction, life and death. It captures the natural push and pull of existence, using sound to reflect the complex and sometimes contradictory nature of life.

https://aetherfall.bandcamp.com

https://open.spotify.com/artist/44c4aYWujt1Ab1G5ZUAdkz?si=ryQr90wwSaaaqyCYOHmMJw

Astralis

Aetherfall