Pulse Music

Pulse Music I (1976)

I'm happy to introduce you my new mixtape which is called EMPTINESS.
Let this musical journey open new colors of reality for you, just observing all the feelings, thoughts and ideas coming up inside of you while listening.
Feel free to share you feedback in social media.
<3
my Instagram pagе: @pinsiberia

cover is made by contemporary artist Maria Koroleva 
(instagram: @smotrisomnoy)

EMPTINESS

Future Garage, Ambient Techno, Post-Dubstep

Reflect

SWOD
new album " DREI " on City-Centre-Offices ( MORR )
release date : 25.11.11


Swod " DREI " fragments

'Howl' is the new album by Rival Consoles, London-based electronic producer Ryan Lee West, set for release through Erased Tapes on 16th October 2015.

Pre-order it on (Ltd. Red) 2xLP · CD · DL here: www.erasedtapes.com/store/index/ERATP076
or via iTunes: http://snip.ftpromo.net/howl

'Splendid stuff' – Gideon Coe, BBC 6 Music · 'It'll grab you by the lapels' – The Line Of Best Fit

Foremost a guitarist, growing up listening to rock rather than club music, West continues to strive towards finding a more personal balance between music for home listening and larger spaces. The title track was inspired by the howl-like tones he developed by running synths through guitar pedals. 

"By slowly drifting the pitch through distortion and delays, the result sounded like vocal cries – something which was perfect for the song and this inspired me to take on a darker set of tones across the whole album. It was made over the past few years, inspired by capturing small performances on synths, touring with some of my musical heroes, playing with feedback when I should have been catching a train, sampling my voice in unexpected conditions and recording textures in different countries.” 

The album explores a wide range of emotions; from the dissonance eruptions and primal rhythms in 'Howl', to the mournful improvisations of '3 Laments', which features a sample of his own voice. Alongside his performances on Moog, Prophet, tape delay and guitar, West enlisted the help of drummer Fabian Prynn for ‘Low’ and cellist Peter Gregson for ‘Walls’, both long-time collaborators of Erased Tapes peers Douglas Dare and Michael Price.

"This album features a lot of my own recordings, rather than simply using samples that I have sitting on my computer. This gives the album a more personal feeling, which is very important to me because I think we live in a time where there is just so much recorded material out there, and accessible at a click of a button, that the joy of recording your own drum sounds, your own percussion, your own claps, seems redundant – but it’s not! That should be a priority because its often more interesting and makes you choose a different creative path."
 
It’s rarely reported that Rival Consoles was Erased Tapes' very first signing, with a CDR of early demos under the name Aparatec that inspired founder Robert Raths to start the label. Indeed West has more in common with his contemporaries Nils Frahm and Peter Broderick than some might think. His consistent desire to create a more organic, humanised sound sees West often draft early ideas on traditional, acoustic instruments like the guitar or the piano; forming pieces that capture a sense of songwriting behind the electronics. 

"I try to create atmosphere and mood throughout with a less-is-more approach to composition. I'm always trying to find an exciting reaction from a few ingredients, because that is magic to me. To make something interesting with tons of layers of effects just doesn't excite me. But to make something interesting with just three layers requires a special alignment of sounds, ideas and timing. This is my most personal work to date, following on from 'Odyssey' and 'Sonne' which gave me the confidence to continue exploring my own ideas and approach to sound. The essence of this album was made with a few synths, some guitar pedals and lots of cups of tea. I hope you’ll enjoy it."
 
Having repeatedly performed at such prestigious venues as the Tate, and having created a bespoke audio-visual performance for Boiler Room at the V&A Museum, the blueprint for West’s current live A/V show was formed. Featuring self-programmed visuals in Max/MSP has earned him appearances at music festivals around the world including Mutek, Decibel, Big Ears and Berghain’s Pop-Kultur Festival, as well as tours in support of Clark, Nosaj Thing, Luke Abbott and Kiasmos.

Howl

Afterglow

Rival Consoles – Afterglow

From the forthcoming remix album You Ware Nowhere.

Heisenberg (The Sight Below Remix)

Taken from Hannah's new album: 'Mary Casio: Journey to Cassiopeia' 
OUT Sept 22nd 2017
http://smarturl.it/syjioe

**** MOJO / **** Record Collector / **** Loud & Quiet

PRE-ORDER 
Limited Edition Metallic Space Vinyl and CD: hannahpeel.tmstor.es
Itunes: itunes.apple.com/gb/album/mary-ca…eia/id1252718712

Hannah Peel's third album is a seven-movement odyssey composed for analogue synthesizers and full, traditional 29 piece colliery brass band!

 "We have a hundred billion neurons in our brains, as many as there are stars in a galaxy" Theoretical physicist and author, Carlo Rovelli.

LIVE DATES:

29th July - WOMAD Festival
5th August - Edinburgh Festival
23rd Sept - Liverpool - Liverpool Philharmonic
30th Sept - Stockton - The Arc
21st Oct - Barnsley - The Civic Theatre
28th Oct - Basingstoke, The Anvil Concert Hall
MORE TO BE ANNOUNCED...

INFO:
With only a year following on from the release of her second album ‘Awake But Always Dreaming’ to widespread acclaim (Voted No.1 Album Of the Year – Electronic Sound Magazine), ‘Mary Casio: Journey to Cassiopeia’, explores one person's journey to outer space, by recounting the story of an unknown, elderly, pioneering, electronic musical stargazer and her lifelong dream to leave her terraced home in the mining town of Barnsley, South Yorkshire, to see Cassiopeia for herself. With artwork by Grammy award winning designer Jonathan Barnbrook (David Bowie collaborator on albums ‘Blackstar’ and ‘The Next Day’ ) and the complete brass band and rhythm section recorded live on location in The Barnsley Civic Theatre with Peter Gabriel’s Real World studio team, this exclusive album combines Peel’s detailed, analogue synth layered production and her expressive flair for performance with ‘Tubular Brass’, featuring the top UK championship brass band players. It’s a wholly unique, collaborative sound and seemingly, a first of it’s kind both live and on record. 

At the close of the album’s final song ‘The Planet of Passed Souls’, tutti brass jostle with the hiss and crackle of a 78rpm record. An emotionally charged, scratchy sample taken from a 1928 recording of Peel’s own choirboy grandfather in Manchester Cathedral leaves the listener questioning the reality of Mary’s connection with the stars… Did she ever make it to Cassiopeia? Is this all a daydream as she sits in a back garden shed tinkering with electronics and her telescope? Or maybe this is her final breath as her mind and body pass into another realm of life? Is this science or fantasy? And how much is there really a division between the two? 

ALBUM TRACKS:
1. Goodbye Earth
2. Sunrise Through The Dusty Nebula 
3. Deep Space Cluster 
4. Andromeda M31
5. Life Is On The Horizon 
6. Archid Orange Dwarf
7. The Planet Of Passed Souls

Mary Casio - Journey to Cassiopeia

Hannah Peel - 'Sunrise Through The Dusty Nebula'

from best album "fragment 2011-2017"
name your price(I'm very glad,if you donate to me.) 
Thank you.
https://hshirptsubaki.bandcamp.com/album/fragment-2011-2017

fragment 2011-2017

autumn forest

Some raw heartfelt Illuvia dub to complement Goran Geto's sonorous exploration of five rivers around his native country: https://tehnofonika.bandcamp.com/album/goran-geto-a-j

The release also includes a killer version by the one and only https://soundcloud.com/coppice-halifax

Aтмосфера Jедан

Goran Geto - Atmosfera Jedan [part 4 - Morava] (Illuvia Inversion)

PRE-ORDER: http://www.theghostlystore.com/collections/music/products/htrk-tropic-of-cancer-part-time-punks-radio-sessions

Release info: http://www.ghostly.com/releases/part-time-punks-radio-sessions

Reflect

æthernet