that was a very hopeful and uplifting thing to hear on a sunny saturday morning ^_*

Compositions

In the tessellations of twilight, shards of selves converged. Whispered certainties crumbled, releasing wisps of forgotten cadences. Faded topographies of forgotten hours unfolded, their cartography inscribed on the walls of the soul.

Within this liminal realm, echoes of what once was and what could have been twirled, a dervish dance of the forgotten. Each step forged a labyrinth of memories, each memory a threshold to doors of the past.

Shadows sculpted the contours of the self, casting silhouettes of possibilities. The air vibrated with the hum of what lies beyond the veil of perception, an unseen melody orchestrating the symphony of remembrance.

As the protagonist traversed the terrain of their own consciousness, the echoes of the past coalesced into a chorus of discordant harmonies. The whispers of forgotten lives wove a tapestry of longing, each thread a fragile filament of identity.

In this dreamscape, where certainties dissolved and ambiguity reigned, the protagonist began to re-member the shards of their existence. Each memory a fragment of truth, each truth a doorway to the unknown.

As the darkness thinned, the protagonist's essence took shape, a flickering luminescence casting an uncertain glow. In the depths of their consciousness, a story unfolded, a hieroglyph of the self.

_̴͈̲-͊–̴̣̲̲̠ͬͦ_ͫ./̶̢̧̲͔̲̬̱̜ͨ̑̉̈͟͜͞ͅ/̸̹͌̒͗͗͑͘_̙̼̮͛̑̔̈̈͆̍́͞/̵̛͈̠̘̠̹͚͖̠̀̿ͫͥ̓ͤ͗̾͛̄͟'̫_̨̭̗ͅ

Phoebe: For Piano

Uploaded for the disquiet junto 0666

This week marks the 666th consecutive weekly Disquiet Junto project. Many numbers along the way, since the Junto first began in January 2012, have inspired interpretation. This particular one has hovered on the horizon for a long time. And now we’ve arrived. Take a moment to go dark and make some noise.

Beauty and the Beast (disquiet0666)

more new hobbies lurk in the future

Nocturne No.6 Op.19

Timing 6/8
Tempo 170 BPM
Tuning 432Hz A & Drop D
Roots F / D


https://on.soundcloud.com/a8Gna
Wrote this 
Eileen, My Nana and Aileen whom I've started working with musically are inspiring this song...
Finish for 2025 Album

My Nana gave me my first ever piano lesson. I remember it like a video. in this song I used the speed finger/thumb cross over technique she showed me early on. I think of her "Every time" I do it 😊

-try add slide guitar for a change

Lyrics

So she answers,
All the time,
Gone from here,
But still shining down.
It's her presence,
Everyday.
A photograph,
Eternal memory
With you Eyes so Lean
You see my clean... 

The perfect human form
Words can't describe that
Warm, Beautiful, Kind ,Brave, In tune, In time,
Such care
My favourite line 

Call your clean
Prove and grieve
Presence is forever when you remember 

Remember her
Remember him
Remember them
Feel their good clense

Remember her
Remember him
Remember them
Remember everyone

Eyes so Lean (Extended Demo)

She is burning like liquid fire... and he is  as cold as ice and as receptive as a stone.... Funny thing passion... those who have it suffer for it... those who don't do not understand it... I turn it into this...

Unreciprocated

Random Thoughts (2023) Anthology CD2 Track 10

Octobre 22 2024

Another one from well it must have been 2008. This was one of Obama's songs I made back then and it sat on My space for a while...

George Bush get destroyed in this haha... Honest John McCain gets a poke too but sure that was poking his sith party...


Lyrics

Gold carbon cold
Old matter wasted
Oh I won't sell my soul to use
Uncle Sam, Don't fight
Ground zero ~ Gaza site
Come on.... the truth is light...
Move on dear bros
Bin that racist prose
True Peace means dark to light
Be with God
I know true might in life

And, oh don't impose or preach your prose
Teach our youth where to go
Our lows I suppose breed strength and hope
Suffer your pain alone... 

Too much fear?
Look for love
TED comes, high 🌿 with the wisdom of crows 🐦‍⬛
Don't rush your mind
Be fit in body to grow
Sith insane no gain
Let's ease that future pain
PLEASE don't make your votes insane again 
November 7th 2028 Hey redemption day!

Our moments are now let's change
Together let's dream 
Peace and love and hope
Let's kill the hate and evil and war once and for all
Sith got no blood in his veins
I see his neroli pain
Drill brown liquid to brain
Next life he'll suffer his pain

In time all evil will cry
We need no proof why they lie
All foxed up nazis will die
Sith tower truths... I sigh 
But I know my space on fire 
Fuck you and your orange satire 
But give me your hearts
We're all sick of your blows
You're orange tyrannical nose...
But give me your hearts
We're all sick of your blows
You're orange tyrannical nose...



My Aunt always says.... Carl leave the names out... ok I get ya now.... 🤣 They are the sith forever...


Fuck you orange sith

📜My Space on Fire (2008 Original Version Acoustic Live)

Assembly/Delivery is a 3-minute piece for Chamber Orchestra that I wrote and produced in June of 2019. My first foray into writing for chamber orchestra, I found the prospect daunting at first, but I knew the piece would revolve around marimba, which I used as my way into the piece. I loaded up a marimba sample and started to improv on my keyboard. The central Marimba line came out very quickly, though it required extensive cleaning and culling to make it a more cohesive and organized line. Next up, when I felt I’d exhausted that idea, was the trumpet line in the second “section”. I don’t feel that writing melody is my strength (yet…) and I’m far more apt to write extended chordal progressions (see: the first half of the piece) but I wanted to have a solo trumpet melody in the piece and I didn’t know that it would fit over the marimba line. Once the framework was in place, I began to flesh out ideas, writing counter-lines and adding harmonic support, primarily with woodwinds in the first section and leaning heavily on the trombones and horns in the second part.

Assembly/Delivery

The three-body problem describes the intricacies of plotting future position and motion for three or more masses given their initial positions and velocities.  In Three-Body Problem, instruments connect and circle each other, interacting, before parting as other relationships form and are lost.

The Three-Body Problem

Demo reel of snippets from 5 different styles/genres of film music.

Film Scoring Demo

Little Objects

How do you deal with shifting time in a musical context?  How do you deal with shifting time in real life?

Voice, effects, and Moog Subharmonicon.  Features sections of text from "In Search of Schrödinger's Cat" by John Gribbin.

Arrow Of Time

(they/them) LA/NY-based artist, composer, and technologist.

Little Objects

Hawthorn

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