Forró com o Wilker - 2

Adelmario Coelho - Amor não faz mal a ninguém

Tem receita nova saindo! Um repente todo temperado com beats perfeitos pra pista!

Para fazer esse “Baião Temperado”, adicione os ritmos apimentados de Afterclapp ao clássico dos Barbatuques, acrescente voz e palavras condimentadas das Clarianas + Iara Ferreira, remexa tudo e pronto! Tá aí uma releitura do sucesso “Baião Destemperado”, feito há duas décadas pelo renomado grupo de percussão corporal.

A sonoridade nordestina do forró e baião, misturada ao marcante som do pífano, palmas e estalos do clássico lançado em 2002 ganha um elemento extra com a adição de beats orgânicos e de uma nova canção. 

A letra composta por Iara Ferreira é uma celebração da força do povo brasileiro unida ao clamor por uma luta pela cultura e através dela, sem violência. Nessa ode à história de Pernambuco, figuras do cangaço nordestino como Lampião e Maria Bonita são comemorados.

E eu cantei esse baião destemperado, como faz um bom soldado que não quer saber de guerra/ Meu verso corta mais do que peixeira, tem sabor de macaxeira e faz poeira levantar!

Ao lado de Iara, as Clarianas dão voz ao novo baião - Martinha Soares, Naloana Lima e Naruna Costa se propõem mais uma vez a investigar a voz da mulher "ancestral" na música popular do Brasil. 

A admiração do produtor com o Barbatuques é antiga. Afterclapp costumava ir aos shows do grupo nos SESC de São Paulo desde os anos 2000. Há um ano, o primeiro trabalho entre os dois foi lançado: um remix de “Do Mangue a Manga”, uma mistura quente de brasilidades com eletrônico. 

Os dois lançamentos saem pela da Gyra Records e estão disponíveis em todas as plataformas digitais.

Free Download

Baião Temperado (ft. Clarianas & Iara Ferreira)

C๏sʍ๏tunes ★107 @djfgon
Release date: December 1, 2022
Label: @cosmovisionrecords
Download all our free edits here : soundcloud.com/cosmovisionrecords/sets/cosmos-edits-free-downloads
https://hypeddit.com/cosmovisionrecords/gonzaguinhagalopefgonrework
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About this edit :
Release: Gallope was originally released in 1974, the year I was born. The simple lyric, but with a strong and real content until today.
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➤ Connect with Us:
SC: @cosmovisionrecords
Youtube : bit.ly/36ZITqw
FB: www.facebook.com/cosmovisionrecords/
Insta: www.instagram.com/cosmovisionrecords/
BC: https://cosmovisionrecords.bandcamp.com/
Spotify: spoti.fi/2OIxXpp

FREE DOWNLOAD

FREE DL: Gonzaguinha - Galope (Fgon rework)

Chop Shop

Take Me Higher

Tudo E Forro

Lenha

O Melhor Dos 3 Do Nordeste

Pra virar Lobisomen

Alceu Valença e Aurinha - Coco do Rala Coco 
Forró de Todos os Tempos

Edit que resolvi fazer pra comecar o ano bem!!!!

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Edit that I decided to make just to start the year well!!!  


Enjoy ;)

><>

Bandcamp

Rala Coco (ElPeche Edit)

Ascensão

Exu (feat. Luê, Zé Celso Martinez Correa & Karina Buhr)

Meu Acordeon

Lamento Nordestino

The producer has no profit intention on this release.

Original track: Sustenta a Pisada (Cátia de França)

Album: 20 Palavras ao Redor do Sol (Epic/CBS - 1979)

<a href='https://theartistunion.com/tracks/dc69ff'>Download for free on The Artist Union</a>

Cátia De França - Sustenta a Pisada (corazón EDIT)

Criolo - Lá Vem Você ( Hajna Remix )[2019]
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FREE DOWNLOAD

Produced in Toulouse - France

With samples from :

Criolo - Lá Vem Você 
album : Espiral de ilusão (Oloko Records) [2017]

<a href='https://theartistunion.com/tracks/99f310'>Download for free on The Artist Union</a>

Criolo - Lá Vem Você ( Hajna Remix )

Remix de Fulaninha da Luisa Maita

<a href='https://theartistunion.com/tracks/914322'>Download for free on The Artist Union</a>

Luisa Maita - Fulaninha (DigitalMandinga Remix)

C๏sʍ๏tunes ★ 20 - @barrio-latino-music
Pinduca - Coco Da Bahia(Barrio Latino Edit)
Release date: April | 2019
Label: @cosmovisionrecords
Mastering : @FelipeNadeau
Cover art : Khalil.m
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About the edit :
We are really happy to welcome our friend @barrio-latino-music in our for ''Cosmotunes" Serie. He made a really groovy  edit of "Coco Da Bahia " by  Pinduca aka the King of Carimbó. 
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About Barrio Latino : 
Sergio Falomir created Barrio Latino as a project to help to expand Latin culture and folklore through music, film and photography.
The edits are a way to make people discover new artists, can play them in clubs and slowly get new people to join the World Music movement.

He has also a charity project helping bands to record and preserve their music.
www.youtube.com/watch?v=KvkfwJNbbR4
And a residency in London with live music, photography and film in a unique night every first Friday of the month. Get connected and join the journey!
Fb :  www.facebook.com/wearebarriolatino
Mixcloud :  www.mixcloud.com/Falomir/
Bandcamp :  barriolatinomusic.bandcamp.com/
Youtube : youtu.be/D3ATmsq8RFk
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About Pinduca:
Pinduca (baptized as Aurino Quirino Gonçalves) or King of Carimbó  is a Brazilian musician, singer and songwriter in the Carimbó genre and rhythm from Pará in Brazil.

Belonging to a family of musicians, Pinduca began his career at the age of fourteen singing carimbó, being also called "Rei do Carimbó" disputing the title with Mestre Verequete, another singer and composer from the state of Pará. Pinduca is part of a generation of musicians who dared to transform popular rhythms from the interior of the state of Pará into radio hits, with the inclusion of innovative elements, musicians such as Mestre Verequete, Mestre Vieira and Mestre Cupijó.
From his first album, which he recorded in 1974, he inaugurated the sirimbó, a suitcase word which designates the fusion between the siriá and the carimbó, the tubes of which he was quick to shed (Sinha Pureza, Vamos Farrear…). 

He is then 37 years old, an advanced age for a first album, but he makes up for it by publishing during the decades which follow an album per year, with a regularity of metronome. After all, rhythm is his field and he proves it by creating many styles throughout his career. If not all have gone down in history, this is the case of the famous lambada that he inaugurated in 1976, even if his paternity is disputed by Mestre Vieira. Each in their own way, modernizes the carimbó by filling it with Caribbean rhythms and swapping the banjo for the electric guitar.
In 2017, his album No Embalo do Pinduca was nominated for the 2017 Latin Grammy for Best Brazilian Root Album. 
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buy original song here from the album Jambú e Os Míticos Sons Da Amazônia on Analog Africa.
https://analogafrica.bandcamp.com/track/coco-da-bahia

<a href='https://theartistunion.com/tracks/d24a47'>Download for free on The Artist Union</a>

FREE DL : Pinduca - Coco Da Bahia (Barrio Latino Edit)

www.facebook.com/kkmusika >> www.mixcloud.com/kkostov >> 
Download wave >> https://kkostov.bandcamp.com/track/trio-ternura-a-gira-boogy-mash-mix

Another remix of one of my brazilian fav tunes. I start workig on it after my good fried DJ Paulao showed me the istrumetal, valeu bro :) Big thax to Samuel Tegaro for special mix and mastering!

Trio Ternura - A Gira (Kosta Kostov Boogie Mash Mix)

Ruy Maurity - Ponto Final (REIS Edit)

Aluá, aluê, passarinho do mato é sofrê
Saia de roda tá fora de moda
Cacimba não dá água de beber.

Aluá, aluê, passarinho do mato é sofrê
Cobra verde mordeu o caipora
Lá fora tá no tempo de chover!

Composição: Ruy Maurity/José Jorge

DOWNLOAD FREE.

Ruy Maurity - Ponto Final (REIS Remix)

Ruy Maurity - Ponto Final (REIS Edit)

Afterclapp is a creative metamorphosis of music producer and DJ Rodrigo Vellutini, driven by his long-standing desire to test boundaries between musical styles. Exploring the infinite possibilities of Brazilian music by mixing it with unusual rhythms and sound elements.

The artist's solo project digs audio relics and adds tones of electronic, dance, hip hop, jazz, lo-fi, soul and more to spice up the beats with a danceable grip, perfect for different types of sets and thus illustrating all the colors of the “brasilidades”.

Bookings
bookings@afterclapp.com

Baião Temperado (ft. Clarianas & Iara Ferreira)

AFTERCLAPP

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