Sets

"The trash fence was fluttering in the wind on the northeastern side of the city.
Luna's portals were aimed straight at the fireball rising from the horizon, as well as the door to the steam room.
The first rays of the sun were blinding, prompting thoughts of sunglasses and sunscreen. Another unforgettable night had just ended.
In the "Amethyst" parked at the back, the steam almost ended, but the dancing didn't stop.
In the rays of the scorching sun, it was difficult for me to distinguish pink moths from invisible unicorns.
I did what I was destined to do by name.

With love, 
Last Gentleman On Playa"

About Last Gentleman On Playa:
https://soundcloud.com/last-gentleman-on-playa
https://open.spotify.com/artist/6vrFZxTLED3HOdTe8jFXa5
https://lastgentlemanonplaya.bandcamp.com/

Last Gentleman On Playa - Luna The Artcrane - Burning Man 2023

Radio Tourism Special: "Svoboda Zvuka" Presents — Last Gentleman on Playa @ Silver Rain Radio (www.silver.ru/programms/Svoboda_Zvuka)

Last Gentleman On Playa @ Silver Rain Radio - Svoboda Zvuka - 31.05.2025

Poseidon by Ebip Serafedino (2022) Serafedino has long been recognized for a painterly language rooted in expressionism, marked by bold color, textured surfaces, and a distinctly Mediterranean vibrancy shaped by his cosmopolitan life. Having studied and worked in cities such as Rome, Florence, Venice, Berlin, and later Paris, Serafedino developed a style that avoids rigid figuration in favor of dynamic, gestural abstraction. His canvases are built upon energy, rhythm, and a tactile dialogue between form and color.

Created in 2022, Poseidon is one of the works in which Serafedino engages directly with mythology, though in his own idiom. The painting invokes the god of the sea not through narrative illustration but through atmosphere and intensity. The composition, dominated by layered textures and assertive strokes, recalls the raw, ungovernable character of the sea itself. Areas of concentrated density meet looser, more fluid gestures, producing a rhythm that can be read as a metaphor for turbulence, depth, and shifting force.

The palette reinforces this elemental presence. Instead of theatrical blues or decorative embellishment, Serafedino works with earthier, more grounded tones echoes of rock, water, shadow, and storm. This approach positions Poseidon not as a decorative mythological tableau but as a symbolic evocation of natural power. Viewers may see the painting less as a portrait of a deity than as a meditation on energy, scale, and permanence.

Serafedino’s broader practice emphasizes the physicality of painting: thick layers of pigment, worked surfaces, and an immediacy of gesture that gives his canvases a sense of both permanence and movement. In this context, Poseidon reflects his interest in reducing subjects to their essence capturing not the story of a god but the sensation of what such a figure represents. Just as his earlier works drew from the Mediterranean landscape and the vitality of color, here he channels the immensity of myth into a visual language of tension, weight, and flux.

Although Poseidon draws on an ancient theme, it is ultimately contemporary in execution. Serafedino avoids literal representation, instead offering a work that can be read as both abstract and symbolic. For some, the canvas may suggest the primal energies of the sea; for others, it may stand as a metaphor for resilience, instability, or humanity’s enduring attempt to translate nature into image. This openness to interpretation is central to Serafedino’s practice.

Through Poseidon, Serafedino demonstrates his continued ability to bridge the timeless with the modern. The painting exemplifies his expressive vocabulary dynamic brushwork, layered surfaces, and a chromatic sensibility shaped by Mediterranean fervor and Parisian refinement while at the same time inviting viewers to confront myth not as a story of the past, but as an active, living presence.


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For this edition of MuséeCast, Anna presents a carefully constructed DJ set that reflects both her technical precision and her thoughtful approach to musical selection. Rather than relying on spectacle, the set is defined by its coherence and steady progression, where transitions are handled with restraint and clarity.

Anna moves through her selections with a focus on atmosphere and continuity, creating a soundscape that is balanced rather than dramatic. Each track is placed with consideration, allowing the set to unfold in a way that emphasizes structure and flow over immediate impact. The result is a listening experience that invites attention to detail the textures between tracks, the subtle variations in rhythm, and the understated dialogue between sound and silence.

Follow the artist:
@anna_waffel
@doktor-waffel
@dr-uff-anna-tanke
www.instagram.com/annawaffel.bln/#

MuséeCast 029 by ANNAWAFFEL

Last Gentleman on Playa @ Skypark!live 2025 [live rec]

Last Gentleman On Playa @ INSIGHT art car AfrikaBurn 2025

Last Gentleman On Playa | Its good to be a tree @ZORKA Panoramic Terrace & Club

Tracklist:

1. Incognito - apaj & Flaoh
2. Jaxa - Avangart Tabldot
3. Le Plus Grand Amour - Moontide
4. Antigua - Moontide
5. Pace (KOYENGA Remix) - Nikosh
6. La Persistencia de la Memoria (Farn Remix) - Julian Schraven
7. Path of Nuwa (Club Dub) - Trippin Jaguar
8. Light (ft Iorie) - Gorje Hewek & Alexey Union
9. Alegria - Jonas Fasching
10. Fjord - Atlantik
11. Waiting Ashes - Erhan Yilmaz
12. Morning Haze (bawab & Farn remix) - Monkyman & Pshiuu
13. Rodonit - Jonas Fasching
14. Shukura - makeke
15. Hin Oreri - Moon's Voyager, Socko
16. Shimmer - Theo Gramal

Formless Flow

chameleon #81 by moosen is a smooth and heartfelt take on the classic downtempo sound we all know and love. The mix flows with unhurried ease, as it layers soft rhythms and mellow textures into a cohesive whole. There’s a quiet intimacy in its pacing, where each transition feels natural and carefully placed. It’s the kind of set that lingers—comforting, reflective, and full of understated feeling.

@mo_moosen

➤ moosen

chameleon #81 - moosen

by ~~ @mikalaton

"Ever newer waters flow on those who step into the same rivers." (Heraklit)

Everything flows, nothing will ever remain the same and all there is, is subject to change ~~ a universal principle to which music is no exception. It's rather perhaps the most striking and sophisticated way for humans to symbolize this exact principle and to demonstrate their humble recognition thereof. ~~

cover art ~~ Manolis 
https://www.instagram.com/manolisdesign

~~ PANTA RHEI ~~ Mikal Aton

performed with new puma jogger & adidas originals
@ Beate Uwe, Berlin - October 26, 2025.

Luca Musto in Adiletten bei Beate Barfuß | 26.10.25

éner | Something Slow 0175
https://on.soundcloud.com/OsL2ZDRrRexLVgeCiL

soundcloud.com/ener-music
artwork: gate.sc/?url=https%3A%2F%2Fww…c17c7-1-1762881012239


https://on.soundcloud.com/JGsL069iDGP9kDY7d7

https://on.soundcloud.com/1OPMCsbnZFEudHLhrV


Artwork:

https://www.instagram.com/lisa_liess?igsh=OGt3N2RhZXozdmlk

éner | Something Slow 0175

I don’t play many shows. Maybe five this year. That small number makes each one feel strangely huge to me. Every gig snaps me out of my creative lulls and into that beautiful pressure zone where things finally start to flow. I can get in my own way a lot, but when there’s a deadline on the horizon, something switches on. No overthinking, no second guessing, just music finding its shape.

When the chance came up to play again in my new hometown of choice, Mexico City, it stirred something deeper. I’d been pushing myself to sound a certain way, stuck in the idea that I’m supposed to be a downtempo artist. Letting go of that opened the door for everything else. I just wanted to make what moved me. What touched me. What made me smile or groove or sit with a feeling for a second.

This set ended up being all of that. It moves from 108 to 130 bpm and back - pensive in moments, funny in others, occasionally ambitious, occasionally lazy, with a few punches thrown in...In a weird way, it feels like a good snapshot of who I am. My essence always sneaks into the music, even when I’m unaware of it while creating.

I’m genuinely grateful for the people at Re:Integra who helped make this night happen and for everyone who danced with me. To everyone who came up afterwards with a kind word or a pat on the back. That stuff really stays with me.

I’m going to put myself out there more again. Promise.
Hope you enjoy this little piece of the journey.

Deisen *live en CDMX -- NOV 2025 -- Re:Integra

dissolve

#DeepHouse
#HouseMusic
#ElectronicMusic
#TechHouse
#ProgressiveHouse
#DeepHouseVibes
#HouseNation
#UndergroundHouse
#EDM
#ClubMusic
#HouseLovers
#ChillHouse
#NightlifeVibes
#DJLife
#HouseBeats
#DeepHouseMusic
#DanceMusic
#ElectronicBeats
#FestivalMusic
#MusicForTheSoul

Tropical Chill Deep House Mix 2025-Relaxing Summer Mix 1245 Beats Vibes USA

this album serves as a personal musical diary, capturing my emotions and experiences over the past few years. trouver la paix, finding peace reflects my journey toward closure and peace moving forward from the past. each song holds an emotional meaning, but how you connect with them is entirely up to you. that, for me, is the most rewarding part of this entire experience, and the true purpose behind my brand, Almost Like We Met. - Tom Kench 

Download//Stream

Tom Kench - no one but u [Almost LIke We Met]

Last Gentleman on Playa - is a music producer, digital nomad and active burner.

He is traveling around the world in search of fresh grooves and new collaborations.

As one of the creators of the evergreen record label @itsgoodtobeatree, he channels the ethos of growth and natural harmony into his music.

Bookings: LastGentlemanOnPlaya@gmail.com

)'(

Last Gentleman On Playa | Its good to be a tree @ZORKA Panoramic Terrace & Club

ZORKA PANORAMIC TERRACE & CLUB

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