Palms Trax is a producer and Dj based in Berlin, Germany. His first record was released in October of 2013 on London-based imprint Lobster Theremin.

For bookings: matt@octopus-agents.com

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

Marcelo Espinosa discovered his passion for music at just 8 years old, inspired by iconic DJs like Carl Cox, Sven Väth, Seth Troxler, Funkagenda, Ricardo Villalobos, Nic Fanciulli, and Joris Voorn. By 12, he was DJing house parties, and a year later, he made his club debut in Nicaragua. Marcelo has played at renowned venues such as Treehouse, Trade, and Club Space in Miami, as well as numerous clubs across Nicaragua. A graduate in Audio Technology and Sound Engineering, he is now focused on producing tech house and minimal tracks, collaborating with artists, and building his legacy in the underground music scene.

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

French artist, multi-instrumentalist, and producer, deeply immersed in the underground electronic music scene.

From an early age, he explored music through guitar, piano, and drums, later channeling his passion into electronic music. Over the past decade, he has performed at some of the most renowned clubs worldwide, including City Hall (Barcelona), Space, Privilege & Underground (Ibiza), Bar25, Trésor, C.D.V, Wilde Renate, Kater Holzig & Watergate (Berlin), and many more. His journey has taken him across Europe, South America (D-EDGE, CROBAR, SALON AMADOR) and the Eastern Bloc, with notable stops in Bucharest and Moscow.

Sharing the decks with artists such as Sammy Dee, Sonja Moonear, Nicolas Lutz, Ion Ludwig, Praslea, and Apollonia, his sound blends deep textures, intricate rhythms, and hypnotic grooves. His discography includes releases on esteemed labels like R&S Records (London), Ultrastretch, Subtil, Normandy Rec, Body Parts (digital album & vinyl EP), Silver Network, Sleep is Commercial, and most recently, Brique Rouge.

While his productions have been well-established in the scene for years, his focus remains on pushing the boundaries of sound design and refining his vision for the dance floor. Whether in the studio or on stage, he approaches music with the tact and commitment of a true artist, continuously evolving his craft with an ultimate goal of transitioning into film scoring.

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