Alexander Baboian is a multidimensional guitarist, composer, and educator from Boston based in NL. He has been described by renowned music educator Hal Crook in JazzWax as a "future major voice in jazz," and by All About Jazz as "a superb composer, an original improviser, and an apt bandleader." Alexander graduated Magna Cum Laude from Berklee College of Music in 2014, where he was awarded the Guitar Department Achievement Award twice. 

As a jazz artist and instrumentalist Alexander has appeared on stage at major venues in America, Europe, and Asia such as Scullers (US), the Berklee Performance Center, A Trane (DE), B Flat, Kunstfabrik Schlott, Klunkerkranich, the Music Village (BE), Budapest Jazz Club (HU), Shinsekai (JP), and All That Jazz (KR); academic institutions such as MIT (US), Harvard University, Jaroslav Ježek Conservatory (CZ), and Serendip Music Academy (KR); and festivals such as the DC Jazz Festival (US), JEN Jazz Conference, Beantown Jazz Festival, Morgenland Festival (DE), Fusion Festival, Lamatin Jazz Festival (HU), and the Goldon Apricot Film Festival (AM). He could be seen on CNN’s On The Road Armenia and was featured in a piece by NBC News during the Pope’s visit to Yerevan in 2016.

Alexander’s debut album as a leader Curiosity (2014), featured his original compositions and arrangements for contemporary jazz trio and quintet and was well received, being described by Hrayr Attarian at All About Jazz as "an intimate, contemplative and supremely lyrical work... sonic poetry." Although his music is deeply rooted in the jazz tradition, it is rich with many other influences such as blues, soul, folk, classical, and electronic music. His broad artistic vision has lead to interdisciplinary collaborations with the visual arts (with painter Oliver Orthuber and VJ Chuu); spoken word (for the Rhode Island University Annual Langston Hughes Poetry Reading); and dance (tap dancer Christopher Erk’s Tap in View and choreographer Katherine Leung’s Dreamscapes). He has contributed music to short films, animations, and video games (Capcom’s Shinsekai:Into the Depths) and participated in art installation projects (Isaac Chong Wai’s Transgression/Creation at CHB Collegium Hungaricum, Berlin and Ana Prvacki’s Performing Daily Practice at the Isabella Stuart Gardener Museum, Boston).

With education as one of his foremost musical passions, Alexander has lead workshops in the US, Armenia, South Korea, The Czech Republic, and Germany. Some of the bright names in contemporary music he has had the good fortune of studying with include David Tronzo, Simon Shaheen, Jamey Haddad, David Fiuczynski, Hal Crook, Greg Osby, Phil Wilson, Greg Hopkins, David Gilmore, Tim Miller, Neil Leonard, Artur Avanesov, and Marti Epstein.

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Thank you for listening! Send me your thoughts!

This is a link to a parallel future dimension of soundscape collages ~
soundcloud.com/chameleontea

細海魚 北海道中標津町出身 N高音研 ソロアルバム発売中！ 

アルバム「LOST」「HOPE」絶賛発売中！
donothing.stores.jp 
 
アルバム「MORI AND GINGA」「とこしえ」 PURE HEART LABELより絶賛発売中！
http://www.apf.co.jp/pureheart/

アルバム「とこしえ」ハイレゾ！！
http://ototoy.jp/feature/20140613

i dont care about internet, just have much time. ich bin auch reproduktiv and play in camera too.

dip, Yapoos, ZZZoo, uminecosounds, Shinya Oe & Super Birds, yeseysesy, missing heads

Tabata Mitsuru is a Japanese guitarist, bassist and composer.
Plays guitar, bass, vocals and noise in the following groups and solo. 

Former bands :
ACID MOTHERS TEMPLE
BOREDOMS
GASENETA
GUILTY CONNECTOR und TABATA
NOIZUNZURI
ZENI GEVA

Japanese web site
http://www.tabatamitsuru.com/index.html
English web site
http://www.tabatamitsuru.com/tabatamitsuru_bio.html

Takahisa Mitsumori is a Japanese artist based in Berlin. He has established himself at the forefront of advanced electronic music movement in Tokyo. 

In 2019, he released “Cntnr EP,” the first release under his real name “Takahisa Mitsumori.” He explored the tripper spaces of glitching, subdued house. Employing a hazy textural palette, Takahisa weaves woozy synths and angular glitches through hypnotic drum patterns.  

In 2011, Mitsumori has released the first album “Invisible Landscape” under his down-tempo moniker “mergrim” and it still remains a stand-out release in its discography. However, it is “Hyper Fleeting Vision” that best captures his talents as a producer. Still today, this album forms a reference point for all Tokyo electronica listeners. His skills as a remixer, has also seen him rework tracks by wide variety of artists, including diamat, GurunGurun, downy, spangle call lilli line, DJ SODEYAMA etc. 

After Mitsumori moved to Berlin in 2017, he has been focusing on live performances featuring modular synths, hardware and various experimental sound equipment. His growth as a live performer has been added by a series of shows at various international locations, including SonarSound Tokyo, Europe tour (Berlin, Rotterdam, Munich, Erfurt, Leipzig, Amsterdam), China tour (Beijing, Shanghai, Hanzhou). He has also done installation in Amsterdam in Netherland, and Laval in France. Since January 2019, he started residency in the club, arkaoda in Berlin. 

Additionally, he also runs moph records, a label he founded in 2007 as a home for his 
experimental electronic music productions. The focus, however, has shifted over recent years, with the label becoming a medium for him to present his more diverse personal tastes and support developing talents. 

He also works as a sound designer for films and commericals, booking director of KGR’n in Tokyo. 

More exciting works and projects to come… 


▼WEB LINK
https://www.mergrim.net/

Electronics Rock'n Roll　Basic concept is" Machine vs human" It is not possible to Categorization. It forms in Osaka in 1994. The activity is continuing repeating the member change.The other electronics sounds listen to here  https://soundcloud.com/nascacarnakaya

Kazuhide Yamaji is following