p*dis sampler 2015.05

A potentially surprising release on Editions Mego. Another planned prior to the untimely passing of Peter Rehberg in 2021. 

Melvin Gibbs is the renowned bass player and producer from Brooklyn who’s vast resume includes playing with Sonny Sharrock, John Zorn, The Rollins Band, Dead Prez, Caetano Veloso and Femi Kuti amongst others. A solid resume, no doubt, but what is Gibbs doing on Editions Mego? 

Behind the scenes, those who know Gibbs knew that amongst all this he was also tinkering away at another form of music, one which skirts around the border between music and sound design. The Wave is the first release that reveals this side of Gibbs’ creative output to those outside his inner circle.

The driving force for this output is Gibbs’ multi-decade friendship with acclaimed  American video artist and cinematographer Arthur Jafa. Over the course of time Gibbs and Jafa have had many conversations about music and the connection between film and music. Jafa’s desire to make film that worked the way Black (as in Black/African-American/ Afro-diasporic peoples) music worked inspired Gibbs to study the filmmakers Serge Eisenstein and Dziga Vertov and incorporate their philosophies and tactics when recording his own music. The two discussed sound design which directly informed Gibbs’ choice of music making tools and led to him acquiring Symbolic Systems Kyma software and hardware, incorporating this as a composition tool and sound design and component in his work. These conversations bore concrete fruit through Gibbs’ work for TNEG, the film studio Jafa ran with filmmakers Malik Sayeed and Elissa Blount Moorhead. Gibbs created the soundtrack for their very first project, the short film “Deshotten 1.0” (2009 - directed by Jafa and Sayeed) as well as their Martin Luther King-inspired meditation on Black life “Dreams Are Colder Than Death” (2013, directed by Jafa)  

The bass-forward music, or ‘sonics’ as Gibbs calls it, emerged from an alternative mode of contemplation, a mode that he sees as closer to the mindset of a rootworker, an African-American herbal doctor who cures psychic ailments using means derived from African spiritual practice, entering a forest to find the right plants for a suffering client than a mediator attempting to invoke mindfulness. Gibbs says this practice yields results that suggest an aural form of creation akin to coagulation, a formal movement that gives the sense that a flow of sounds can emit something bearing resemblance to solidifying objects. 

In 2020 Jafa asked Gibbs to work on the soundtrack for a work in progress called “The Wave''. When they got together to work on the soundtrack, Jafa played Gibbs a selection of sounds that included random moments of (probably unwanted) feedback on 70's Miles Davis records, Pop Smoke's Brooklyn drill, the music of Bernard Gunter and Darmstadt-style compositions made with test equipment. Those sounds, filtered through years of conversation with Jafa about Black creativity and the possible evolution of Black music, formed the sonic vocabulary of “The Wave”. 

Over time the sonics evolved and “The Wave” became the piece Jafa calls "AGHDRA". This soundtrack incorporates and expands upon the sonics composed for “The Wave”. Gibbs mentions although the work with Jafa has always skirted these lines of evolution, this side of his vocabulary has been generally neglected, until now, due to his current jazz musician/jazz festival-centric focus and radar. 

The result of this parallel exploration is a deep excursion into a nuanced sound world. The rich tapestry of textures allows one's mind to explore and project within this bed of curious investigation of sound. The bristling, itching, restless, clicking, diving nature of the electronic sound world presented by Gibbs, is abstract and unearthly on the surface but closer listening (which it demands) reveals a very human quality to these austere shapes.

Anamibia Sessions 1: The Wave

Ibo Code

Melvin Gibbs 'Ibo Code' (EMEGO291)

Charmaine Lee is a NY-based vocalist from Sydney, Australia. Her music is predominantly improvised, favoring a uniquely personal approach to vocal expression concerned with spontaneity, playfulness, and risk-taking. Beyond extended vocal technique, Lee uses amplification, feedback, and microphones to augment and distort the voice.

Charmaine's mix spans across her recorded vocal works from the past 8 years, including previously unreleased and upcoming material of duos with Aaron Dilloway, Ikue Mori, and Conrad Tao. Luke Lund opens with a collage of voice-centric sounds, forthcoming works and sketches that maltreat neural speech recognition models and their false negatives, positives and hallucinations. The episode ends with Charmaine's previous and forthcoming material undergoing Luke's same spectro-dub treatment.

Born out of a pursuit to redefine and reclaim what it means to be a musician and vocalist, Lee's approach is rooted in her experiences navigating the sometimes restrictive world of institutionalized jazz education. While Lee values the technical skills she gained from her formal education, she believes technical prowess should not be fetishized, but used to access something more intuitive and authentic. Rejecting the notion of the voice as a mere communicative linguistic tool, Lee uses hers as a means of exploring complex human emotions and experiences that elude syntax.

From incorporating hi-fi and lo tech equipment to exploring the intersection of human and nonhuman sound, Lee constantly seeks to push the possibilities of her craft. At the same time, she eschews the temptation to exploit extended techniques for novelty's sake. Instead she remains determined to sound out lines between semiology and morphology; abstraction and genuine expression; the links beyond linguistic walls; and connecting on a profound, visceral level.

Tracklist : https://lyl.live/episode/spectral-shock-6

Spectral Shock w/ Luke Lund presents Charmaine Lee (06/03/24)

ᴀʙᴏᴜᴛ ᴛʜᴇ ᴀʀᴛɪꜱᴛ

AGF aka Antye Greie-Ripatti a sound artist and electronic music producer. Her work inhabits an augmented space where pounding {Berlin} experimental after-techno, spoken word, abstract video art, feminism and radical ecology create a self-sustaining environment. Originally from East Germany, she started to develop a DIY approach early on, while also using her voice to fight against oppression by supporting marginalized communities and calling out injustice, most recently through female:pressure, a support community and promotional platform for female-identified electronic musicians. Currently based in Northern Finland, Antye founded the local arts organization Hai Art in Hailuoto. Since its inception in 2011, Hai Art has been involved in numerous sound-related projects, focusing on working with children. Antye acts as its director, curator and workshop instructor. Active since the early 90’s, she has collaborated with strong names in electronic music such as French pioneer Eliane Radigue, German legends Gudrun Gut and Ellen Allien, British avantgardist Kaffe Matthews, Finnish IDM treasure Vladislav Delay and classical composer Craig Armstrong.

http://poemproducer.com/
https://agf-poemproducer.bandcamp.com/
https://soundcloud.com/agf-antye-greie
https://www.instagram.com/poemproducer/
https://twitter.com/poemproducer

🌿 ᴀʙᴏᴜᴛ ꜱᴏɴɪᴄ ᴀɢᴇɴᴄʏ

We stand in global solidarity with the part of our societies that has no part.
We are raising our voice for those who are silenced, unheard and rendered invisible – dehumanised.
We are advocating for peace, justice, equality, and freedom for every human being on this earth.
We protest collectively against oppressive systems and systems based on exploitation, authoritarian regimes, fascist ideologies, and reactionary governments everywhere on this planet.

…being together, in community

Read the full curatorial statement here
strumandiodine.com/article/sonic-agency/

SONIC AGENCY - AGF - "can you hear them"

Giulia Rae “O”, her first release on Riforma, is a two-track EP emblematic of her approach to composition. Working by contrast, the sound materializes a dialogue between algorithmically sequenced synthetic melodies and hazy field recordings recalling a sense of place.

A detailed and immersive sound design, able to re-create environments in which we feel we once have been. Echoing emotional hallucinations, the melodies and textures wrap around the listener, and a sense of falling deeply pervades us. “2023” is atomised and totally reinterpreted by Elif Gülin Soğuksu, where each piece returns feverish, compressed in time, the voice marks a new pattern in the composition. “regolo” was displaced and degraded by going through the procedural machines of C3 S R crew.

Music by Giulia Rae
Reworks by Elif Gülin Soğuksu  and C3 S R
Mastered by Giuseppe Ielasi
Artwork by Luisa Badino

2023

Giulia Rae - 2023

Tracklist:
Harry Gorski-Brown - Dùthaich MhicAoidh
Heelhooks - Let’s Rest Here, Just for a Bit
Mattia Onori - Spazio profundo 
Daniel[i] - Dom Amb
Arigto - Amor Fati
Petteril - Glōm
C.Diab - Surge Savard
Hafez Modirzadeh / Prasant Radhakrishnan - A1. Duo One (Modirzadeh)
Rosso Polare - albanella
Demetrio Cecchitelli - Impermanence
Jake Muir - Silent Sailing
Martin Zvěřina - Vitr Vlhko Nic
Arigto - Lukuss
Asha Bhosle and Mohammed Rafi - Chura Liya Hai Tumne Jo Dil Ko

Gloom Variations w/ Petteril 10/04/24 HKCR

Directions Out Of Town is the latest and teased as (possibly) the last LP by DIY electronic abstract pop wizard Finlay Shakespeare.

Directions Out Of Town is a fierce mix of headstrong pop bangers. Fact. There is simply no one else traversing the field that Shakespeare is exploring. It can be lonely in the desert, Simon says. Lyrically, Directions Out Of Town is dealing with loss; personally, geographically, politically, culturally - a general decay of everything.

This new record is heavily inspired by structural film where the results unravel a method where metaphor is removed from the act of sound synthesis, production and mix of the tracks. Fiercely independent and brimming with integrity this is a deeply effective journey through machines of the human experience.

The track titles are telling: ‘Away’, ‘Get’, ‘Direction’, ‘I go for a walk’, etc. This is sentiment via complex synthesis wrung through patterns of pop. One also finds ways out that only turn out to be false/untrue. “I essentially don’t know where I belong any more. This record is the precursor to that.”

What is ostensibly an electro pop record reveals a multitude of layers and depth as one man and his machines wrestle with the reality of this tangled matrix. If the charts had brains this would be album of the year.

Finlay Shakespeare is an electronic musician working in the UK. His fascination for synthesized sound was born out of his parents’ record collection, leading him to explore the electronic music of decades past throughout his teenage years. While starting to write and record his own tracks, he also began learning analogue electronics, which led him to design and build his own equipment. To date, he has released work on Editions Mego, Superpang, and his own GOTO Records.

Directions Out Of Town

Face Value (Trio Mandala)

Finlay Shakespeare 'Face Value (Trio Mandala)' (EMEGO310)

The Sleeping Cave w/ Sonia Surma - 09/05/2024

Scène XXVIII - 09/05/2024

Shivers Radio w/  SITOI & Euro Loss LIVE 22.5.2024

Gloom Variations w/ Petteril - 12/06/2024

▶ LP / CD / Digital
▶ LP available in-store: 18th April 2015 (List of stores TBA)
▶ Official release for all formats: 24th May
▶ Album Launch Event: 29th-30th May (Details TBA) 

PRE-ORDER NOW:
http://www.kitchen-label.com/ki016-hanging-up-the-moon-immaterial/

Sean: Vox, Guitar
Leslie: Vox, Guitar
Alexius: Guitar, Vox
Victor: Bass, Effects, Vox
Dean: Drums, Vox

Karen Lee: Violin
Zhong Ren: Cello

Written by Hanging Up The Moon
Mixed by Victor Low at Affixen
Produced by Victor Low & Hanging Up The Moon
Mastered by James Plotkin

Released & distributed by Kitchen. Label
Ⓟ & © 2015 Kitchen. Label
© 2015 Hanging Up The Moon

Hanging Up The Moon : http://www.hangingupthemoon.com
Kitchen. Label : http://www.kitchen-label.com

Hanging up the moon - The Divers (Immaterial, 2015)

Music & Producktion: AGF
Voice: Tujiko Noriko & AGF

This is a video edit for this video:
https://vimeo.com/poemproducer/newwoman

The words are inspired by Hiratsuka Raicho which published Japan’s first all-women literary magazine, Seitō (Bluestocking) in 1911. It opened with the words “In the beginning, woman was the sun…” Her words could be referring back to the Japanese foundation myth of Amaterasu, the goddess of the sun who emerged out of a cave and brought sunlight back to the universe.

The track is a collaboration between AGF and Tujiko Noriko for the album: A Deep Mysterious Tone, a work about Japanese poetry, language, identity and feminism. The album CD contains a deeper examination on these subjects.
PREVIEW: press.morrmusic.com/distribution/release/press/id/2630
PREORDER: agf-poemproducer.bandcamp.com/album/a-deep-mysterious-tone
PROJECT: adeepmysterioustone.poemproducer.com/



buy on itunes

#newwoman [video edit] feat. Tujiko Noriko

Taken from the album 'Taking The Veil', released worldwide on May 24, 2015 on Kitchen. Label

Pre-order on CD + Art Book here: 
http://www.kitchen-label.com/ki015-hior-chronik-taking-the-veil/

Tracklist: 
1 - London Bridges (Feat. Amber Ortolano)
2 - Nest of Autumn (Feat. Sophie Hutchings)
3 - Twice (Feat. Amber Ortolano)
4 - Small Wonders (Feat. Yasushi Yoshida)
5 - Cold Winter Morning (Feat. Lüüp)
6 - Simple is Beautiful (Feat. Field Rotation)
7 - Sailing Away (Feat. Amber Ortolano)
8 - We Are All Snowflakes (Feat. Yoshinori Takezawa) 
9 - Oblivion (Feat. Field Rotation)
10 - Can You Hear (Feat. Familiar Trees)
11 - When The Night Comes (Feat. Daphne Farazi)
12 - Between Two Rooms (Feat. Seiji Takahashi)
13 - The Sense We Make (Feat. Halo)
14 - Quiet Inside Your Chest (Feat. Aaron Martin)
15 - The Ghost You Left Behind

“Shadows surrounding, this lucid veil that will not conceal.”

‘Taking the Veil’ is the debut solo album on Kitchen. Label by Berlin-based musician Hior Chronik. Originally from Athens, the new album is a follow-up to his previous work on the label as the duo Pill-Oh in ‘Vanishing Mirror’. The established foundation are intact on ‘Taking the Veil’: the bitterly romantic strings and gentle electronics whisper melting over plaintive piano scores. Hior Chronik has a penchant of producing subtly immense and cinematic compositions which are remarkably chilling in its beauty.

The latest release follows Hior Chronik’s distinctive compositional path with the pairing of a collaborator on each track. This time the instrumental colors are most intimate, honed to evocative perfection with each collaboration bringing its own nuances to a permeable set of motives. Through the contemplative moments, what give it life is the varied scoring which goes from solo piano to string orchestra, opening up a space that shimmers with stirring melancholy. Featuring classically aligned contemporaries such as Field Rotation (Denovali Records), Sophie Hutchings (Preservation), Luup (Experimedia) and Japanese composers Yasushi Yoshida (noble), Yoshinori Takezawa (Schole Records) among many others. The biggest change in this new album is the addition of vocals by Amber Ortolano and Fabiola Sanchez (Familiar Trees) on four songs. Figured centrally in the soundtrack as recurring lyrical voicing, the Amber Ortolano and Hior Chronik pairing also produced a rearranged version of ‘Twice’ originally written by Swedish electronic band Little Dragon.

‘Taking the Veil’ is presented in a 16-page art book format, also featuring the New York based Amber Ortolano as a photographer. The subject in the visual narrative of ‘Taking the Veil’ is of young women imprisoned by their flow of thoughts and their dark imagination. The delicate beauty and ambiguous gestures of feminine protagonists serve as powerful metaphors of the veil as the title of the album reflects – They reveal and conceal all at once, reviving emotions conjured by a sense of mystery. The album underlines this atmosphere that probe the consciousness imbued with burnished hues of something half-remembered and half-dreamed. ‘Taking the Veil’ is the best company for late hours and memory searching in a world of mist and shadows.

Released & distributed by Kitchen. Label
 Ⓟ & © 2015 Kitchen. Label

MORE INFO:
http://www.kitchen-label.com

Hior Chronik - Simple is Beautiful (Feat. Field Rotation) (Taking The Veil, 2015)

Taken from the album 'Taking The Veil', released worldwide on May 24, 2015 on Kitchen. Label

Pre-order on CD + Art Book here: 
http://www.kitchen-label.com/ki015-hior-chronik-taking-the-veil/

Tracklist: 
1 - London Bridges (Feat. Amber Ortolano)
2 - Nest of Autumn (Feat. Sophie Hutchings)
3 - Twice (Feat. Amber Ortolano)
4 - Small Wonders (Feat. Yasushi Yoshida)
5 - Cold Winter Morning (Feat. Lüüp)
6 - Simple is Beautiful (Feat. Field Rotation)
7 - Sailing Away (Feat. Amber Ortolano)
8 - We Are All Snowflakes (Feat. Yoshinori Takezawa) 
9 - Oblivion (Feat. Field Rotation)
10 - Can You Hear (Feat. Familiar Trees)
11 - When The Night Comes (Feat. Daphne Farazi)
12 - Between Two Rooms (Feat. Seiji Takahashi)
13 - The Sense We Make (Feat. Halo)
14 - Quiet Inside Your Chest (Feat. Aaron Martin)
15 - The Ghost You Left Behind

“Shadows surrounding, this lucid veil that will not conceal.”

‘Taking the Veil’ is the debut solo album on Kitchen. Label by Berlin-based musician Hior Chronik. Originally from Athens, the new album is a follow-up to his previous work on the label as the duo Pill-Oh in ‘Vanishing Mirror’. The established foundation are intact on ‘Taking the Veil’: the bitterly romantic strings and gentle electronics whisper melting over plaintive piano scores. Hior Chronik has a penchant of producing subtly immense and cinematic compositions which are remarkably chilling in its beauty.

The latest release follows Hior Chronik’s distinctive compositional path with the pairing of a collaborator on each track. This time the instrumental colors are most intimate, honed to evocative perfection with each collaboration bringing its own nuances to a permeable set of motives. Through the contemplative moments, what give it life is the varied scoring which goes from solo piano to string orchestra, opening up a space that shimmers with stirring melancholy. Featuring classically aligned contemporaries such as Field Rotation (Denovali Records), Sophie Hutchings (Preservation), Lüüp (Experimedia) and Japanese composers Yasushi Yoshida (noble), Yoshinori Takezawa (Schole Records) among many others. The biggest change in this new album is the addition of vocals by Amber Ortolano and Fabiola Sanchez (Familiar Trees) on four songs. Figured centrally in the soundtrack as recurring lyrical voicing, the Amber Ortolano and Hior Chronik pairing also produced a rearranged version of ‘Twice’ originally written by Swedish electronic band Little Dragon.

‘Taking the Veil’ is presented in a 16-page art book format, also featuring the New York based Amber Ortolano as a photographer. The subject in the visual narrative of ‘Taking the Veil’ is of young women imprisoned by their flow of thoughts and their dark imagination. The delicate beauty and ambiguous gestures of feminine protagonists serve as powerful metaphors of the veil as the title of the album reflects – They reveal and conceal all at once, reviving emotions conjured by a sense of mystery. The album underlines this atmosphere that probe the consciousness imbued with burnished hues of something half-remembered and half-dreamed. ‘Taking the Veil’ is the best company for late hours and memory searching in a world of mist and shadows.

Released & distributed by Kitchen. Label
Ⓟ & © 2015 Kitchen. Label

MORE INFO:
www.kitchen-label.com

Hior Chronik - When the night comes (Feat. Daphne Farazi) (Taking The Veil, 2015)

From the album "Stranger to my room", Kitchen. Label (KI-013, 25th July 2013) 

▶ Preorder (World): http://www.kitchen-label.com/catalogue/ki013-sonicbrat-stranger-to-my-room
▶ Preorder (Japan): http://www.inpartmaint.com/shop/sonicbrat-stranger-to-my-room/
▶ iTunes: Available 25th July 2013

Release Info (ENG): http://www.kitchen-label.com/catalogue/ki013-sonicbrat-stranger-to-my-room
Release Info (JP): http://www.inpartmaint.com/shop/sonicbrat-stranger-to-my-room/

Ⓟ & © 2013 Kitchen. Label 
Released by Kitchen. Label 
Distributed in Japan by p*dis / Inpartmaint Inc.

http://www.kitchen-label.com
http://www.kitchen-label.com/artists/sonicbrat
http://www.sonicbrat.com
http://www.facebook/kitchenlabel
http://www.twitter.com/kitchen_label

sonicbrat - Caesura (Stranger to my room, 2013)

Taken from the album "Stranger To My Room" released 23 July, 2013.

Available via KITCHEN. LABEL 
http://www.kitchen-label.com/catalogue/ki013-sonicbrat-stranger-to-my-room

Available on iTunes
http://smarturl.it/strangertomyroom

Tracklist:
01 Geometry
02 The Listening Room
03 Refraction
04 Wake Up To Sleep
05 Caesura
06 Being Air
07 Window-framed Clouds
08 Stranger To My Room
09 Adjacent Room
10 Temporal
11 A Matter Of Time

“Temporary signatures of time sweep across the house. They shift and morph across the day, creeping slowly, almost still.”

“Stranger to my room”, sonicbrat’s (also known as Darren Ng) latest and debut release on Kitchen. Label, is a beautifully crafted album of 11 instrumental tracks consisting of solo piano and pure acoustic recordings. Recorded entirely in his own house where he has been living alone for the past 8 years, “Stranger to my room” is an album exploring the personal relationship of time, space and being, reflecting upon a familiar yet alienating loneliness. The atmosphere of “Stranger to my room” is suitably intimate and warmly affecting – the track titles are reflective of small fleeting wonders observed at home that Darren has used as theme to base his compositions on, eliciting profound emotions from the simplest of metaphors.

Darren’s approach to producing is that of a classically-trained composer’s, which makes “Stranger to my room” not unlike a composition with 11 movements. The record opens with sparse piano improvisation played in the dark of the night, providing the listeners with nocturnal reverie and setting the mood for the album. As the record progresses, the arrangement shines and become fuller as cellos, violins, acoustic guitar and an array of acoustic instruments come into play. In parts, the album’s intimacy and textural quality is created by his recording techniques – from a closely mic’d upright piano to capture hammered hits of the piano, to microphones placed at various parts of his house where even the tiniest details and sounds are brought to the surface. The result creates a rich and natural environment recorded with the purest and most microscopic process. “Stranger to my room” is a deeply personal work which invites the listener to rediscover the forgotten in the familiar within the living space.

“Stranger to my room” is presented in a 16-page art book format featuring a collaboration with Helsinki-based artist Aiwei Foo. In a place where alienation and familiarity both become parts of existing within a space, Aiwei mirrors time shifts and one’s personal backdrop against changes and the environment in her parallel imagery. The album is mastered by label curator Ricks Ang (also one-half of ASPIDISTRAFLY), “Stranger to my room” is an album destined to pique the interest of listeners of classically aligned contemporaries such as Olafur Arnalds, Nils Frahm, Akira Kosemura and haruka nakamura.

Released & distributed by Kitchen. Label
Ⓟ & © 2013 Kitchen. Label

MORE INFO:
www.kitchen-label.com


sonicbrat - Stranger To My Room (Stranger To My Room, 2013)

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



AUDIO SCULPTRESS : AGF, your poetess, @poemproducer SUBSCRIBE exclusive: https://agf-poemproducer.bandcamp.com/subscribe NOW rec-on.org

(NO facebook - nor google related services)

booking & requests: poetess@poemproducer.com

http://www.poemproducer.com/
http://antyegreie.com/

Anybody remembers Laub ?
http://www.laubmusic.com/

#newwoman [video edit] feat. Tujiko Noriko

AGF - Antye Greie

Recent comments

Tirremomo

---•̪ºº●•Ö•●ºº•̪---

AGF - Antye Greie

Related tracks