ぱー

Download the set here:
https://corenews.me/luke-vibert-essential-mix-2021-03-12/?utm_source=soundcloud
Tracklist over here:
https://tracklists.thomaslaupstad.com/luke-vibert-essential-mix-2021-03-12-tracklist-playlist/?utm_source=soundcloud

Core News - https://corenews.me/

Luke Vibert - Essential Mix 2021-03-13

Chris Clark's music is hard to describe, but if you wanted to explain it to an electronic music fan, you might use the dreaded term "IDM" to encompass the many strange and alluring records, some frantic, some chill, the UK producer has put out through Warp over the years. We can be a bit more specific: he uses field recordings, out-there drum patterns and all kinds of hardware (seriously, there's a lot) to make make meticulously processed music, some of which you can dance to. Lately, though, he's turned his attention to classical music, scoring films and televisions shows and culminating in last year's Playground In A Lake for vaunted label Deutsche Grammophon, which featured guests like AFRODEUTSCHE and Oliver Coates and a member of Grizzly bear on a moving, string and horns-led suite about climate change.

You hear all these ideas at once on Clark's stirring RA Podcast, which features music, as he explains, from 1922 all the way to 2022. Classical rubs elbows with Burial and Ricardo Villalobos, as once familiar tracks melt into new (mis)shapes. It also features plenty of Clark originals—maybe some glimpsse of the new album? The best part isn't even the formidable selections, but the way he puts it altogether. Far from a seamless DJ mix, this one is full of peaks and valleys and clever transitions that'll make you check the tracklist and wonder what you just heard. It's the kind of all-over-the-place mix that captures the brilliance of Clark's in a DJ format. Maybe he should do this more often.

Read more: https://ra.co/podcast/823

RA podcast

RA.823 Clark

NAME UR SOUND

Martyn’s music transcends the constraints of genre… 

Pick a track from his extensive back catalogue and you’ll be sure to hear influences from Drum ’n’ Bass, Garage, Detroit, Chicago or Dubstep - the latter of which Martyn was probably known best for having been influential in the evolution of the “Post-Dubstep” sound in London that was so closely connected with institutions like Plastic People and FWD>.   

This broad collection of influences has created a sound that is distinctively, Martyn, and as an extension of that, a sound that is very much associated with his own label, 3024. It has also found it’s way on to the best labels across the electronic landscape, including Ninja Tune, Warp, Hyperdub, Brainfeeder and Ostgut Ton to name a few.  

His ability as a DJ runs parallel to his achievements as a producer, having secured his place in fabric history over 10 years ago with his contribution to our fabric CD series. A perfect snapshot of a place in time with music from Kode9, Actress, Zomby, Joy Orbison and lot’s more. 

He joins us on July 30th as part of a weekend of music curated by Goldie. Which features sets from LCY, rRoxymore B2B Fiedel, Goldie B2B DJ Bone & more. Tickets and more info can be found below: 

https://ra.co/events/1517086

Martyn:
https://soundcloud.com/3024world
instagram.com/martyn3024/
twitter.com/martyn3024

004 - Martyn - fabric podcast

Chance The Rapper - Paranoia (Feat. Nosaji Thing)

Thu DRUMS

Prod by PUNPEE
Additional Chorus & Drum Programming by Sugbabe 


ごろりと畳で寝たーい　まるでサマーウォーズのみたいに
ここのとこ時間どおりこない「いとこ」が夕方にいきなり来たり
睡眠＝ガチ一人　レムのプールを自由形スイミング
Dreamin 気づけば不意に　窓際の校庭が知らない景色んなる

目をとじ鍵かけない世界　人の目を気にしない不完全な世界は
四次元？五次元？６次元？で、、、プレイヤーの寝相は一体何次元？
入り口はべットの底みたい　誰しも自分自身が主人公でいたい
(~_~) / o0○ あーでも現実世界じゃやっぱ無理っぽいからもぐるわ。。。

-Sugbabe-

おやすみ　This's own time この世界じゃ誰も怒んない
犯罪者も善行家も眠る　うるせー法も無い
つまりモラルも無い、、、ではどうぞ　お好きに

おやすみ　This's own time あの世界は君を怒んない
お父さんも　お母さんも　眠る　うるせーやつはいない
あまり愛はない　かも　だけど　ゆっくり　おやすみ


今日は寝れちゃう！！！


社会という大きな半導体や　人と人が電子回路に見えたら
俺は絶縁体だな　自殺する事は簡単に出来るんだけど
今日はおやすみ　自分の描いた画面にどっぷり
ここの界隈は外見や性格も　望むまま自由に操れるし　嬉しい
各々が一つ世界をもって　そこでは誰しもが主人公で
優越も劣等もそこは無くて　夜はアヴァター羊の夢を見て
ぐっすり眠る　エネルギーは脳みそに最低限おくれば
それでいいよ、、、とか？




This song is included in "Movie On The Sunday Commentary CD". Presale on Avalanche 2014.

http://www.summit2011.net

& If you buy it,You can download three pieces of new director's cuts(REMIX???).

•Movie On The Sunday(Director's Cut) ft, Hoodie Who!? (Bed Room MC's)

•Play my music (Director's Cut) ft,Meteor

•離脱(Directors Cut) ft,GAPPER 

Sweet Dream.

P

Dream Country / PUNPEE ft.Sygbabe

Closing set in the warehouse on Thursday night. 
Huge thanks to Aurora and all the festival staff. It meant the world to me!

Ben UFO - Sustain Release '23

Scuba with Cortese - 14 June 2025

Same Moon

Special Request // Essential Mix // Downloadable

Joy Orbsion is someone we have a long and fruitful relationship with here at Dekmantel. He is, and always has been, a pure embodiment of UK dance music. His sound is steeped in English musical history (often explicitly in the form of sampled monologues) but also very much makes a new history of its own. He’s had countless underground hits from his definitive post-dubstep breakthrough ‘Hyph Mngo’ to his peak time tech tools with Boddika, and each one marks a mini reinvention of his style. What ties them all together, though, is O’Grady’s unique penchant for blending garage, bass, funky, house, techno and old school jungle into his own fresh concoctions. 

The two hour podcast he has served up here -as a perfect warm up to our festival this weekend- is split into two parts. Says the artist himself, “the first half is basically a way of showcasing producers that are doing great things at the moment and is completely made up of new, unreleased music, and the second half is basically winding things down with a load of stuff from my record collection. A come down, of sorts.” Starting with a spoken word snippet from his jungle playing uncle Ray Keith, the mix is initially atmospheric and moody, with sleek and stripped back drums and smeared synths making for a heady and intimate mood. After picking up through skewed bass patterns and skeletal techno, the second half seduces with elegiac rhythms, jazz selections and spoken word tracks as well as delicious soul sounds, reggae and stoned broken beat.  The results show exactly where Orbison is at musically, as well as offering an insight into where he has come from.

Dekmantel Podcast 081 - Joy Orbison

Digital – “Tex” (Photek)
Digital – “Sub Zero” (Photek)
Spirit – “Prologue” (Photek)
Photek – “The Seven Samurai [Photek Remix]” (Photek)
Peshay – “Contempory Acoustic Jazz” (Mowax)
Peshay – “Miles From Home” (Mowax)
Digital – “Lower Depths” (Photek)
Photek – “The Water Margin [Photek Remix]” (Photek)
N.O.H.A. – “Start [Optical Remix]” (Groove Attack)
Peshay – “Switch” (Mowax)
Hidden Agenda – “Big Lamp” (Metalheadz)
Photek – “Neptune” (Metalheadz)
Photek – “Yendi” (Science)
Goldie – “Mother” (ffrr)

PHOTEK : Essential Mix on Radio 1 : December 1997

http://www.kompakt.fm/releases/looping_state_of_mind_remixe

The Field - It's Up There (Blondes Mix)

The Long Goodbye / Gotch
2013.4.20 ON SALE!! / ODEP-003 / ¥1,000(tax in) / only in dreams

Artist : Gotch
Title : The Long Goodbye

Written by Masafumi Gotoh
Recorded by Masafumi Gotoh & Kenichi Koga
Recorded at Cold Brain Studio, Landmark Studio
Mixed by Kenichi Nakamura
Mastered by Soichiro Nakamura (peace music)

Programming, Guitars, Vocals, Glockenspiel, Synthesizer and Percussion by Masafumi Gotoh
Guitars by Kanji Yamamoto (The Cigavettes)
Bass by Ryoichi Ura (the chef cooks me)

The Long Goodbye (P's O-parts Remix) 
Remixed & additional production by PUNPEE twitter.com/PUNPEE

Cover Photograph by Masafumi Gotoh
Design by Daichi Shiono (triple-O)
Products coordination - Yukiko Taguchi (Creeper Dice)

Management / A&R - Katsuhisa Ogawa (Spectrum Management / only in dreams)

www.onlyindreams.com

The Long Goodbye (P's O-parts Remix) Remixed by PUNPEE

Darwin - Garage Hour - Rinse FM

BREAKING BEATS SINCE 1988. I refuse to compromise or follow trends when it comes to my sound. My music is purely for entertainment.
Booking: booking@allisrhythm.com 
http://www.guycalledgerald.com

In nine albums and over fifty releases that span a 30-year career, A Guy Called Gerald has built a genre busting body of work that stands out for consistent innovation, excellence and refusal to compromise.

Thu DRUMS

A Guy Called Gerald

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