Original Composition By: Toby "Radiation" Fox

Art by: Me
Made this cuz I decided my old remix could use a remaster. idk what else to say. 

Hope you enjoy! 

-FritterBiskut


Dirt Cheap Disco ("Nows your chance to be a" cover)

gaming

Noir Detective Beats to Study and Relax to

Cooking with Chef Shire

* I know of only one person that's done that before.
* Heck, you even remind me of her, in a sense.
* That look says it all.
* You'd have done anything to get where you are now.
* To do what's "right..."
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The logo for Time's End was designed by BittyBattyBunny (https://bittybattybunny.tumblr.com / https://twitter.com/bittybattybunny,) and this track was a part of a commission-turned-collaboration with Wisteria Bird Studios (@wisteriabirdstudios.) Be sure to check out both of their work!
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Mustache Girl takes on a hybrid Asgore and Asriel role. She feels deeply trapped by the people she already turned against her years ago, by her (in hindsight) rather bullheaded quest for justice that's lost all appeal, by the all-encompassing kingdom she never realized she didn't want... and by an unending feeling of loneliness and sadness. The spark that started this mess is long gone (and that's putting it lightly,) but Mu sure as hell isn't going to actually say it, let alone give up without a fight. Cause the one thing that never *truly* went away was Mu's stubborness/committment, no matter how much it tears her apart inside.
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Motifs:
-Reflection's Past (https://soundcloud.com/ahit-times-end-ost/reflections-past)
-basically Judge Jury and Executioner + Get Lost but modified
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I've still been fucking with the His Theme replacement on-and-off, albeit very slowly, trying to get it to where I'm truly happy with it BEFORE posting it. (Don't want another fucking BE IN THE GAME on my hands lmaoooo.) Am also working on another lil prjoect related to that one! ;)
In the meantime tho, I decided to do something VERY different for the Small Shock and Barrier replacements, which I've rolled into one slot here. Dr Who inspiration for the win baybeeeeee --Ashley
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Based on Motifs by Pascal Michael Stiefel
Arranged by MysteryMan and Wisteria Bird Studios

Throne Room

* MUSTACHE GIRL EX ATK 180 DEF 280
* Guess she did have a breaking point, after all.
* ...There must be a way to get through to her.
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The incredible art in the thumbnail was done by BittyBattyBunny (https://bittybattybunny.tumblr.com / https://twitter.com/bittybattybunny.) Be sure to check out their work! Like holy FUCK, I can not stress enough how awesome they are to work with. They're *amazing!!*
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Mustache Girl takes on a hybrid Asgore and Asriel role. Already feeling trapped and conflicted, her emotions are finally pushed over the edge when an incredibly large group of people -- though it feels more like the entire world with how suffocating the crowd is -- barge into her throne room and hurl insults her way, telling her to "get lost!" among other things ...and (almost) all in the name of Bow Kid, mirroring what happened years ago to a disturbing degree. Finally overwhelmed by all her painful thoughts and emotions bubbling back to the surface, she snaps and violently shatters a Time Piece in a fit of rage. And thus history is made to repeat itself once more. But this time, something's different.
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Motifs:
-Mustache Girl EX
-Main Theme/Title Screen
-Reflection's Past (https://soundcloud.com/ahit-times-end-ost/reflections-past)
-Judge, Jury and Executioner
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BABY'S FIRST HOPES AND DREAMS REPLACEMENT FOR THE WIN :D
But ye, this is actually happening! Aside from using similar instruments (and a somewhat loose idea for the very beginning of my track,) this is *very* deliberately unfaithful to the typical H&D structure. Knew right away that I wanted to use Mustache Girl EX as the base for this track, and that sticking too rigidly to the structure of any other H&D would do a disservice to the feel I wanted to go for: that same kick-you-in-the-dick level of power from Mu EX, but with a LOT more of a melancholy vibe underlying all that fury. Plus, bit of a fun fact: adjustments have been made since obviously, but the first "complete" mixing draft of this track was finished on New Year's Eve 2023! (This kind of constant revising is why the His Theme track is *still* not done on my part btw lmaooooo.)
Also... I'll fully admit something here. For the first time on a track I've done, the drumbeat's backbone is comprised of loops I got when I bought Mixcraft 10 (especially with some of the things they were offering during the first week of its launch,) and the only supplemental VST I used was Abbey Road 80's Drummer for the left panned hi-hats. I know that EDM-type stuff similar to the actual Mu EX track is completely out of my wheelhouse, and I didn't want to royally screw up the drum pattern with this different metal-ish take on it, seeing as those are something I have a TON of trouble with. All things considered, drumline came out ok!
And ye on the whole, I'm incredibly happy with this track, and it's *easily* the most ambitious arrangement I've done to date (and the most difficult too in some aspects.) Hope you all enjoy! :) --Ashley
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Based on Motifs by Pascal Michael Stiefel, Wisteria Bird Studios and MysteryMan
Arranged by MysteryMan

History Repeats Itself

Honestly tired of forcing myself to make flavor text for every post, so from now on, this top section won't be here if I can't come up with any good ideas.
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The logo for Time's End was designed by BittyBattyBunny (https://bittybattybunny.tumblr.com / https://twitter.com/bittybattybunny,) and this track was a commission from Wisteria Bird Studios (@wisteriabirdstudios.) Be sure to check out both of their work!

We had a hard time deciding when finalizing the mix, so you can also to an alt version pitched to the key this was originally composed in over on Google Drive!
https://drive.google.com/file/d/1DWBfadK48aEyN_8UuygxGFKXuzLuOxz3/view?usp=sharing
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Mustache Girl takes on a hybrid Asgore and Asriel role. She's been conflicted for such a long time. Even now, as the world is returned to a sense of normalcy after *so long*... she finds herself lost in thought, troubled once more. Mu has finally realized the true right thing to do and has done it, no doubt about that. But now? She's back to square one, in a lot of ways. No place to call home, no family to fall back on.
But as everyone else finishes saying their goodbyes and parting their own ways, Bow and Harriet linger behind to have their own talk with Mu. This time, she will not be alone. And she will get what she truly needed (and wanted, deep down) all along.
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Motifs:
-original
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eyyyy gotta love posting pacifist tracks that come AFTER his theme, one of my favorite genders lmao
Anyway! There were a couple other ideas that went through my head before I had a major revelation that lead me to settle on this one. Rather than just haphazardly using AHIT motifs that wouldn't rly fit the context, I got with my boi Kristian and asked if he was down to rearrange an old original piece of his (like, original draft made in *2016* levels of old here.) This was still a commission from him ofc, but I figured asking first before pitching it to him would make sense, given that claiming/remastering a pre-existing original is a bit of an ask. Am so glad he was willing though! A lot of my Thomas fandom peeps will likely recognize this just from title alone. ;)
Anyhow ye Kristian did a fantastic job here, and I'm glad to have this as part of the AU. Hope you guys enjoy! :) --Ashley
(also uhhhh gonna be posting a very important announcement soon. just gotta get a lil smth here and there in order first.)
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Arranged by Wisteria Bird Studios

The Sunset

* SCAMPTON THE GREAT
* Not one for conversation, you gotta COMPETE your way outta this one!
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The wonderful art in the thumbnail was made by The Winterer (at least I'm p sure it is, will happily accept corrections otherwise.) Be sure to check out the original piece on the official Chapter Rewritten Twitter!
https://twitter.com/ChapterRewrite/status/1558198887038476290

The original concepts for this track were done by Saster (@sasterdadudester / https://twitter.com/sub0ru) and The Winterer (@thewinterer / https://twitter.com/TheWinterer06.) If you wish to, you can listen to said base drafts at the respective links!
Saster draft: https://twitter.com/TheWinterer06/status/1774881465454440640
Winter draft: https://soundcloud.com/thewinterer/the-big-bang-draft-i-made-which-the-joker-probably-didnt-need-but-i-made-for-fun-anyway

Also uhhhh if y'all want ya can check out the offical Scampton game they made a while back.
https://gamejolt.com/games/ScamptonGame/795644
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Motifs:
-Spamton/NOW'S YOUR CHANCE TO BE A/BIG SHOT
-Don't Forget
-Amalgam
-Dummy! (Reprise) - https://soundcloud.com/altoadie/dummy-reprise
-Dummy!
-Analog (heavily modified) - https://soundcloud.com/thewinterer/deltarune-chapter-rewritten-analog-junkil-shop-theme
-The Legend
-"Freedom" motif
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So! I shared a WIP version of this on Twitter about a week ago, but for most of you, this is most likely a **very** big shock. I'm admittedly not sure why the inspiration for this struck me either, as I'd sworn off ever covering a track from you-know-who after everything happened. Almost exactly three weeks ago however, I suddenly had an epiphany: what if I did an arrangement based *solely* on the original concepts? I guess you could say I wanted to *rewrite* this track's fate.
Anyhow, I pretty much immediately got to work after that, gathering reference materials and starting the transcription. Having the "piano draft" MIDI was helpful for a fair few things, but not ALL. Case and point: the very opening section. In comparison to Winter's draft, Saster's initial concept -- consisting of p much ONLY the first section (and the backing for a theoretical second section) -- was a VERY fucky beast to transcribe properly leadwise.
For the "bridge" section between Dummy! and the Freedom motif, I originally wanted to more noticeably adapt Winter's "Analog" motif -- mirroring the actual WORLD REVOLVING -> Dialtone stylization from Deltarune proper, tho in reverse here -- but it sounded VERY awkward. Modification after modification led to something that, while not very indicative of its roots, sounds very nice. So in other words, I failed successfully lmaoooo.
I also decided to do the *tiniest* bit of trolling with the last section. The Freedom motif is still the dominant leading force in the final section, ala the originally intended Don't Forget <-> Freedom motif direct swap... But I also transcribed a couple snippets from The Legend and snuck em into the background as secondary motifs and used it to help form the last two chords of the entire track, as a cheeky nod to the "triangle swap" method with said track included. ;)
The drumline was the last thing I did and... if I'm being honest? Easily the weakest aspect here, I've never been the best at doing drumlines. At the very least it's just "eh" here tho lol. (Also I tried to implement the amen break styled drums Saster did in his "Don't Forget" section concept, but I just could NOT make em sound even *decent* to save my ass, so I replaced the transcription.)
So uhhhh yeah, with all that being said, this was ultimately a lot of fun to put together. Hope you all enjoy! :)
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Based on Motifs by Toby Fox, Toadie and The Winterer
Original Concepts by Saster and The Winterer
"Piano Draft" MIDI Reference by The Winterer
Arrangement by MysteryMan

Deltarune: Chapter Rewritten | BIG BANG | Rearranged

In a course of 3 hours, this was started and finished.
Dire, Dire Docks is such a gorgeous track. I thought the last version lacked some things that I think were important, so that version's privated for the time being!

I've tried putting the track in different keys, tried changing the tempo of the music to see if I could make it sound any different, and it while it DOES work... it just hits much harder when the original feel is there. I hope this cover achieves this feeling for you. :)

P.S.
Ever found it weird how this track is named after the *second* water level in the game and not Jolly Roger Bay??

Super Mario 64 - Dire, Dire Docks

Do You Remember

hi yeah stop harassing me about my previous uploads

Dr. Robotnik's Mean Bean Machine - Stage 1 - 4 (Tai Undead Remix)

A Hat In Time: Time’s End was created by MysteryMan (aka Ashley.) It is an AHIT/Undertale crossover AU of sorts, taking place in the aftermath of a timeline where you lose the final boss fight against Mustache Girl. The write-up is over on AO3! The direct link to it, along with the write-ups for the Neutral Endings and TimeWarp Route Requirements, can be found in the bio links!

The logo for Time's End was designed by BittyBattyBunny (https://bittybattybunny.tumblr.com / https://twitter.com/bittybattybunny.) She makes incredible art (and is great at crocheting too!) - be sure to check out her work!!

The Sunset

AHIT: Time's End (OST)

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