Zoom-Zoom

Wilfried Hanrath - Zoom-Zoom(disquiet0680)

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Reverse Resolution [disquiet0680]

Lines post can be found here: https://llllllll.co/t/disquiet-junto-project-0680-reverse-resolution/70376/21

**Disquiet Junto Project 0680: Reverse Resolution**  
The Assignment: Finish something (musical) you started last year.

This project has just one step: finish something you started last year, likely a piece of music you left unfinished.

#### Background
It's been a long time since I played anything on keyboard. For the last six months, my electric piano has been sitting up vertically against the studio wall, covered with a sheet and pretty much neglected. During my staycation (almost at an end now) I'd come into the studio, and just before I decloaked the keyboard, I'd get distracted or discouraged somehow.

I thought about the keyboard in relation to this week's assignment and recalled that I had a chord progression that I'd been meaning to do something with. So that's where this started.
#### Studio approach

The chord progression itself is very simple and revolves around a Bb Major 7th in second inversion (F-A-Bb-D) which occasionally resolves to a Dm7 and/or G7. This forms the scaffolding for the track, with degrees of improvisation after resolving to the Dm7.

I found a bass melody which could lead into these chords and played these on an electric (Rhodes-like) piano patch, with the chords played on the piano patch. Beneath this was a spare 3/4 click, which once the piano parts were in place, I used an ML-generated drum pattern with tweaked parameters.

An electric guitar largely compliments the piano chords and steadily opens up a bit, whilst a myriad of synth patches are introduced to provide a bit of atmosphere. Lastly, I included a field recording as a backdrop. This was a recording from new year's day in a national park on the Fleurieu Peninsula.

I guess I could sum up the mood of this track as 'wistfully pensive', much like my general outlook for this year.

[Disquiet Junto 0680] Time Removed, Facing Backwards

another contribution to the haiku challenge of naviar records:

Even though afar
a feeling of coolness comes
from those mountain pines

             - Kagami Shikō -

cool breeze (naviarhaiku575)

https://www.naviarrecords.com/naviarhaiku575-even-though-afar/

Even though afar
a feeling of coolness comes
from those mountain pines

by: Kagami Shikō

Kagami Shikō was a Japanese poet, considered one of the ten outstanding disciples (Shōmon jittetsu 蕉門十哲) of Matsuo Bashō. He was in turn the master of the famous poetess Fukuda Chiyo-ni.

Originally from the present-day Gifu Prefecture, Kagami Shikō became a monk at Daichi-ji Temple, and in 1690 he became a pupil of Bashō, later accompanying him on some of his journeys and recording his last will in 1694.

After Basho's death, he kept travelling around Japan, writing several essays on haiku and collections of writings until his death in 1731.

Photo by <a href="https://unsplash.com/@luniavis?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash">Vasilina Sirotina</a> on <a href="https://unsplash.com/photos/a-close-up-of-a-bunch-of-moss-on-a-tree-WzXvGsRxE58?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash">Unsplash</a>
      

Forest Magic [ naviarhaiku575 ]

Composition pour le Naviar Haïku Music challenge 575.
Sur un haïku de Kagami Shikō:
Even though afar
a feeling of coolness comes
from those mountain pines

www.naviarrecords.com/haiku-music-challenge/

Coolness feeling

The forest on a moonlit night (Piano solo 2025)

Toward Boustrophedon III

Travelling Streetside Blues

is clarinet not real bee. no bee trapped for audio--photo by me

a trapped honey bee calls for backup

SuperCollider-code:

var throwDice, songLenghtInSeconds, sectionCount, sectionLength;

SynthDef(\saw, {| freq, freqDiff, amp, attac, sustain, release, filterAttac, filterRelease filterFreqMul, pan, mix, room, damp |
	var sig, panned;
	sig = RLPF.ar(Saw.ar(freq - freqDiff, EnvGen.kr(Env.linen(attac, sustain, release, amp), doneAction: 2)), EnvGen.kr(Env.linen(attac, 1, release, 1)) * freq * filterFreqMul + 10);
	panned = Pan2.ar(sig, pan);
	Out.ar(0, FreeVerb2.ar(panned[0], panned[1], mix, room, damp));
}).add;

SynthDef(\sine, {| freq, freqDiff, amp, attac, sustain, release, filterAttac, filterRelease filterFreqMul, pan, mix, room, damp |
	var sig, panned;
	sig = RLPF.ar(SinOsc.ar(freq - freqDiff, 0, EnvGen.kr(Env.linen(attac, sustain, release, amp), doneAction: 2)), EnvGen.kr(Env.linen(attac, 1, release, 1)) * freq * filterFreqMul + 10);
	panned = Pan2.ar(sig, pan);
	Out.ar(0, FreeVerb2.ar(panned[0], panned[1], mix, room, damp));
}).add;

SynthDef(\blip, {| freq, freqDiff, amp, attac, sustain, release, filterAttac, filterRelease filterFreqMul, pan, mix, room, damp |
	var sig, panned;
	sig = RLPF.ar(Blip.ar(freq - freqDiff, 100, EnvGen.kr(Env.linen(attac, sustain, release, amp), doneAction: 2)), EnvGen.kr(Env.linen(attac, 1, release, 1)) * freq * filterFreqMul + 10);
	panned = Pan2.ar(sig, pan);
	Out.ar(0, FreeVerb2.ar(panned[0], panned[1], mix, room, damp));
}).add;

throwDice = { | diceCount, throwCount |
	var dice = (diceCount .. (diceCount * 7));
	Pxrand(dice, throwCount);
};

songLenghtInSeconds = throwDice.(1, 1).asStream.next * 25;
songLenghtInSeconds.postln;
sectionCount = throwDice.(2, 1).asStream.next;
sectionCount.postln;
"---".postln;
sectionLength = songLenghtInSeconds / sectionCount;
fork {
	sectionCount.do { | i |
		var layerCount = throwDice.(1, 1).asStream.next;
		layerCount.do { | i |
			var noteCount = throwDice.(1, 1).asStream.next, instr = Prand([\saw, \sine, \blip], 1).asStream.next;
			Pbind(
				\instrument, instr,
				\freq, (throwDice.(10, noteCount) + 40 * 0.68755).midicps,
				\dur, sectionLength / noteCount,
				\sustain, throwDice.(1, noteCount) * 20,
				\pan, throwDice.(1, noteCount) -1 / 2.5 - 1,
				\attac, throwDice.(1, noteCount) -1 / 5 + 0.1,
				\release, throwDice.(1, noteCount) -1 / 5 + 1,
				\filterAttac, throwDice.(1, noteCount) / 3,
				\filterRelease, throwDice.(1, noteCount) * 2,
				\freqDiff, throwDice.(1, noteCount),
				\filterFreqMul, throwDice.(1, noteCount) * 2,
				\mix, throwDice.(1, noteCount) -1 / 5 + 0.3,
				\room, throwDice.(1, noteCount) -1 / 5 + 0.8,
				\damp, throwDice.(1, noteCount) -1 / 5 + 0.1,
				\amp, throwDice.(1, noteCount) / 200 + 0.1
			).play;
			noteCount.postln;
		};
		sectionLength.wait;
		"---".postln;
	};
}

7 Times 7th Root Of 7

All my stuff is now free on bandcamp! https://ahornberg.bandcamp.com/

7 Times 7th Root Of 7

Ahornberg