Extrospection

oktober21

Releases

2025: Club Diaries

CD + Digital

Abssys - Mis Huesos Son De Colores En El Inframundo

First single from "Stillmother," a new EP from United Rust, the collaborative project of artists @vviissee & @miedototal, to be released 16/04/21 on @1000amen.

Mastered by Maximillian Kritsch

Artwork credits:
Installation - Rebecca Ackroyd
Photo - Stephen White & Co and c/o Lockup International

Stillmother

PREMIERE: United Rust - No Pastoral [AMEN]

Set forth to explore the islands of Thule in a quest to identify and photograph endangered plants, while driving back the evil capitalist forces conspiring to profit from these precious flora.

Based on an imaginary videogame, music and story telling are interwoven in this multilayered project by Cloak of Kings.

Head to cloakofkings.bandcamp.com to buy the album, alongside the comic that goes with it.

Each track represents a different part of the story. The comic contains a guide on how to listen as you turn the page, so buy both the album and the comic for the best experience!

Pirates Escort You To Doro Island

Select Your Camera

For the next release on Early Reflex we welcome Frankfurt-based producer and composer Lorica (formerly known as Avbvrn), following his debut EP on Display and a split on Destitute.

Lorica filters a surgical attention to detail and sound design through a wide-scope approach to atmosphere and the spatial qualities of music. The resulting work conjures up dramatic, vivid, and tactile sonic landscapes that recall classical forms and techniques, while drawing upon contemporary textures and approaches to rhythm and memory.
Inspired by renaissance arts and their creative process ‘Adaptive Radiation’ [EYX005] stretches further Lorica’s experimental and oblique musical approach to the club-focused context of Early Reflex. The result is a 5-track EP blending cinematic sound design with traces of dubstep, drill, dancehall, trap, and more which is going to hit the listeners both physically and emotionally!

The opener ‘Baikal Rediscovered’ is a great example of Lorica’s production style where the composer blends together orchestral and atmospheric pads with incessant grimey beats and a deep bass-line making it a suitable tool for the club.
A storm of otherworldly sounds in contrast with its trapp inspired rhythmic session protrude in ‘Ochre Skeleton’ originating a surrealistic and peculiar atmosphere.
Approaching the end of the first half of the EP there is ‘Petrified Butterfly’, a dreamy and spooky interlude where synthesised flute melodies, fast-paced percussions and effected field recordings repeat and alternate themselves continuously while evolving every time differently in a never-ending loop until every sound dissolves in empty reverberated spaces.
Entering the second half of the release, listeners get hit by the drilling kick drum and the twisting sound design of ‘Sodiumglanz’, which lead to the closure of the EP.
In ‘Breccia’ Lorica explores further his blend of cinematic effects with the pronounced attitude for the club, delivering a track characterised by pitch-shifting electronic percussions and the harmonic progression of orchestrated instruments and strings.

‘Adaptive Radiation’ is available across all platforms starting from Friday 5th of November.

© & ℗ 2021 Early Reflex. All rights reserved. All tracks produced and mixed by Lorica § Mastering by Andrea Prato § Drawings by Giuseppe Cavuoto § Artwork by Alessandro Scanu.

Breccia

Simulacrum Remixed

Simulacrum III (Exploited Body Remix)

Millennium Bug Live 2018​-​2021 (GEN047) out now on Genot Centre on tape & digital.
Limited edition of 151 C36 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes. 
https://genot.bandcamp.com/album/millennium-bug-live-2018-2021

Millennium Bug Live 2018-2021 (GEN047) by https://soundcloud.com/giantclaw presents an ensemble of living pieces, performance re-imaginings explicitly reframing these works as systems of possibilities and interpretations. Haptic, gestural, tense, constantly on the verge of transformation, these selected renditions reveal themselves not just as linearly sequenced polished constructions but as fluid textural zones to traverse freely, colorful scenes to zoom in and scope out of. Still, their presentation is no less lucid, precise or meticulous than the studio cuts, but offer clarification and new perception through staging them explicitly, resulting in a sound realm that is even more plastic, alive and in-your-face.

// About Millennium Bug Live 2018​-​2021 (GEN047)
/ Keith Rankin about the album
“Millennium Bug is a selection of live recordings from various performances I’ve done between 2018 to 2021. For my live setup I take apart tracks I’ve made on the computer, chopping them into miniature wav files and one-shots that can form new arrangements when loaded onto my Roland SPD-SX drum pad sampler. Most of the songs on Millennium Bug come from my albums ‘Soft Channel’ and ‘Mirror Guide’ except “Loner Bug” “Soft Target” and “Drops of Primed Water Leading to Another World” which are non-album pieces. 
I’ve always loved the actual act of performing music, but everything else surrounding IRL live shows has been a source of anxiety in my life since I was a teen. I used to perform constantly, almost masochistically trying to “face the fear” - but it never really went away, and it took a long time to accept that living the life of a touring musician wasn’t something I would be happy doing. Online streaming or pre-recorded events, especially in the past few years, have provided an outlet to perform without that anxiety, so I wanted to capture the period of time with a live album.”

/ Dave Shen about the album art
“After listening to Keith's demo, it gives me an immersive feeling. I feel that it is endowed with a strong "destructive power". This "power" provides a lot of inspiration for my cover creation. Behind this cover is actually a simple story, and I want this album to tell this story by itself. In this story, I refer to the monster "Taotie", which can devour everything, from the ancient Chinese book "Shan Hai Ching". I let it act as a destroyer and devour everything around it. In the process of constructing this story, I want to express is not only the act of destruction. Order and destruction exist like Yin and Yang of Tai Chi. They are balanced. In short, the inspiration for all this creation was born in the demo, which promoted the visual creation of this album.”

// Bio
https://soundcloud.com/giantclaw is the musical project of visual artist and https://soundcloud.com/orangemilk co-founder Keith Rankin. His music has explored a wide range of electronic music since the early 2010s (as Giant Claw and also as part of the groups death’s dynamic shroud and Cream Juice) and his visual art has been seen on album covers from artists like Rico Nasty to institutions like the MIT technology review. The most recent Giant Claw album ‘Mirror Guide’ was released in May 2021.

Music by https://soundcloud.com/giantclaw
Visual art by Dave Shen: https://daveshenwebsite.github.io

Buy tape & digital

Giant Claw - Loner Bug

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

Here, I Abandon will be released November 1st via Changeless.

@exploitedbody

Exploited Body - Only Your Eyes Could See My Wings

Exploited Body - Helix / Unravel

Exploited Body takes it back to the club with their latest two-track offering 'Helix / Unravel' - a pairing, that meshes the intensity you've come to expect, with newfound high-speed break experimentations.

'Helix' is a spiralling fever dream, with drums of tungsten skitter through the blaring sirens and posessed screeches, showing no signs of slowing down. 'Unravel' is deliverance, release. Incorporeal voices echo through the cracks of the ferocious drums, eventually submitting to the soaring, euphoric synths signalling the escape from the cycle.

’Helix / Unravel’ is out now via Changeless!

Written, produced, mixed & mastered by Nori Kin.
Artwork by Jesse Draxler & Nori Kin.

@exploitedbody


Exploited Body -  Helix

Exploited Body -  Unravel

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

----

estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

Preorder

estoc - Scorched Earth (ft. Mia Carucci & Exploited Body)

I turned my obsession with Danny L Harle & pinkpantheress's 'Starlight' into this remix.

@dannylharle
@pinkpantheress
@xl-recordings

This version is pitched down 0.72 semitones for SoundCloud reasons. :')

Starlight (Exploited Body Remix)

‘Altar’ is MAGA’s EP released by Salviatek, a mystical-artistic voyage presented in five acts that together make a free and experimental electronic-organic whole. Glitches and harmonies in constant interlacing, convey dreamy atmospheres that transmit true emotion throughout this piece of work; produced from the global south as an identity manifesto. 

.

‘Altar’ es el EP de MAGA por Salviatek, un viaje místico-artístico presentado en cinco capítulos musicales que unidos hacen a una totalidad electrónico-orgánica experimental y libre. El glitch y las armonías, en constante entrelazado, crean atmósferas de ensueño que transmiten una verdadera emoción a lo largo de este trabajo producido desde el sur global como manifiesto de identidad.

Producción musical / Mezcla: MAGA
Mastering: Sky Parnes
Cover: Abril Sepúlveda 

Follow @maga.a

Altar

Plegaria 1: Tengo la sensación de estar viviendo una fantasía

Track by @bladeblanc from compilation "Roadside Picnic": https://eco-futurism-corp.bandcamp.com/album/roadside-picnic

BANDCAMP

BLADEBLANC - Swamp Fuss

Surrender

Sacrifice

New album "Rhizomes" releases October 6, 2023 on @otherpeoplerecords


ahossan.music@gmail.com

Simulacrum III (Exploited Body Remix)

Aho Ssan