AI—F launches with its inaugural release in the form of a taut three tracker from label boss Løt.te.

‘A Lattice of Virtually Identical Nodes’ takes its name from mesh networks, and explores the use of mobile technology and meshnets as a communication tool during recent anti-government protests in Hong Kong and elsewhere.

‘Hülya’s Eye’ is a tense, syncopated stepper that keeps the pressure at maximum throughout with immense sub bass and high-pitched digital static stretching the frequency domain as far as it can go. Samples from various protests and films provide context for the unrelenting tension, while the hyper-digital sound palette points to the growing role that technology is playing on the streets where the oppressed resist power-hungry governments and their henchmen.

‘Tunnel Under the Base Station’ is a dirtier, grimier affair that sounds like a rugged hi-tech engine hurtling through earth deep below the surface with steady and unstoppable force. While the elastic sound design and the syncopated hi-hats induce claustrophobia, the tribal percussion and the epic synth lead pry the space open, creating an impossible sense of space and time.

‘Eavesdropping Guoanbu Agent’ takes the elastic synthesizers and metal clangs away from the dance floor to a much darker, seedier place. Rhythmic synths converse with iron rods (dragged across the basement floor), growling frame drums, and wooden percussion played with force and urgency. The horns that arrive around the 5 minute mark release the tension while expanding the emotional scope of the closer.

‘A Lattice of Virtually Identical Nodes’ charts an exciting new course for Løt.te's sound, bringing together his hyper-textured technoid sound design with an appetite for breaking free from the confines of techno's familiar rhythmic structures.

A Lattice of Virtually Identical Nodes

Preview: Løt.te — A Lattice Of Virtually Identical Nodes

💌  joannaojx@gmail.com ☼
bloody digger . I am also here & here -because 2000 max is not enough- https://soundcloud.com/annaoj + https://soundcloud.com/joannaoj3
tooth cutter @caninalrecs
monthly @RetreatRadio Caninal fka CANINE A LA FURIE
ex bi-monthly @egreg-re DI TROGLODITA

mutating and transmutating 
ⓐⓑⓢⓤⓡⓓ ⓢⓣⓞⓡⓘⓔⓢ
glitchy ambient+intimate breaks+twisted vocals+frenetic bass+chaotic cerebral techno+minimal dub+energetic atmospheric dnb+sexy footwork+crazy drums+weird idm+futuristic club music+endless unspeakable sounds
crunches genres and pieces the whole together with syncretic taste; the result is a sensualizing surprise that explodes in the mouth, blows up the synapses and definitely make your articulations move or high your brain

𝖉𝖊𝖊𝖕 𝖉𝖗𝖊𝖆𝖒𝖘 𝖊𝖝𝖕𝖊𝖗𝖎𝖒𝖊𝖓𝖙𝖆𝖑 𝖉𝖗𝖆𝖒𝖆𝖘 ☁ 𝖆𝖊𝖗𝖎𝖆𝖑 𝖇𝖚𝖇𝖇𝖑𝖊𝖘 𝖊𝖑𝖚𝖘𝖎𝖛𝖊 𝖕𝖚𝖑𝖘𝖆𝖙𝖎𝖔𝖓𝖘 𝖘𝖊𝖎𝖘𝖒𝖎𝖈 𝖇𝖚𝖗𝖘𝖙𝖘

𝚝𝚘 𝚛𝚎𝚖𝚊𝚒𝚗 𝚕𝚒𝚟𝚎𝚕𝚢 𝚋𝚞𝚝 𝚏𝚕𝚞𝚒𝚍 𝚒𝚗 𝚋𝚘𝚍𝚢 𝚊𝚗𝚍 𝚗𝚘𝚖𝚊𝚍𝚒𝚌 𝚒𝚗 𝚜𝚙𝚒𝚛𝚒𝚝.

2025
07.08 H20 residency, Le Gore, Paris
25.01 OYE, le Sample

2024
17.11 Positive Education, afterparty with Christian Coiffure, EMA, Simo Cell & CCL Saint-Etienne
09.11 Nebuleuse with Gi, Harald Uunk, Le Sample
12.10 NDK Festival, Caen
12.10 Maintenant Festival, Rennes
09.08 Guyenne Festival, Lot-et-Garonne
08.06 Retina, Bx with Trois-Quart Taxi System,Exuvie, Blain, Nefeli
11.06 U122AE, Paris
18.05 festival interstice, Caen
04.05 NVNA, Modern Collapse, Parhelic Shell, l’international Paris
27.04 minuteuf, Paris  
13.04 traverse x floor clearance, Lolo Batten, TS Kahuna, DJ Whatever, Baggen Copenhague,
06.04 caninal (my label) x virtual forest with Bambi, Pluralist, Fluid Matter, Ambient Jam Session
20.01 Disko404 x Portal Vie with Sun People, Toupaz, Fingers of God, Olgica, Vienna 🇦🇹
12.01 Boundless with Amor Satyr Siu Mata, Lia Catreux, Israfil, Marseille

2023
09.12 GS with Lee Gamble, Low Jack, bj holy, Le Chinois Montreuil
19.10 Decadance B2B Blume with Atrice, Iha, Amsterdam 🇳🇱
23.09 Confluence by Lowless with Daniel[i],Atomic Moog, Anechoic, La Marberie Paris
09.09 Micro hearth, B2B Genus Aix, Panke Culture, Berlin 🇩🇪
01.07 DAWN x HARPIES with Hajj, Modern Collapse, Eurrope, Rennes
10.06 QUEST404 with Jossy Mitsu, Eram, le Petit Bain, Paris
07.05 TANDEM, Contre-temps + Hidden Rhythms, Nantes
24.03 Kzern, Genève with Mojoe, The Fake Sophia
17.02  B2B Joseph Dubrule, 3537, Paris w/ Toma Kami

2022
31.12 Macadam, Nantes w/ Nessiel, K.O.P.32
09.12 B2B w/ H2O, Sofa Tonic, L'international Paris w/ mars 010C
26.11 Retreat Radio w/ Rumina, Alfredo92, Exploited Body, Inkonst Malmö 
29.10 Antiverse Paris with Patrick Russel, Spekki Webu
15.08 Fata Morgana Festival, Normandie
08.05 Station Électronique with Zoe Mc Pherson, La Station, Paris

Label run by Løt.te.

AI—F releases music and sound works that strive to shed light on the use of mainstream and emerging technologies by and against oppressors such as authoritarian governments and greedy corporations.

All proceeds from AI—F Løt.te releases donated to relevant causes.

All works licensed under CC BY-SA 4.0 license.

Løt.te is Mehmet Irdel (born 1978), a Turkish artist, producer, dj and designer.

He’s currently based in Brooklyn, NY, where he runs AI—F, a record label releasing music and sound works that explore use of technology by and against oppressors such as authoritarian governments and greedy corporations.

Upon moving to the US from his native Turkey at age 18, Mehmet started composing electronic music initially influenced by Warp Records and A-Musik artists, and later by industrial and experimental acts like Coil, Muslimgauze, Z’ev, Einstürzende Neubauten and Aube.

In 2010, he founded the ambient/noise project Divine Slime, which blended electronics with traditional instruments from the Middle East and East Asia. He also co-founded the art and design collective and record label Rote Productions, through which he released experimental records and artworks until 2015.

Mehmet started producing and releasing music and performing under the Løt.te name in 2014. He’s released records on The Bunker New York, Robert & Leopold, New York Trax, Mysteries of the Deep, and AI—F.  Mehmet has performed globally both live and as a dj, at venues such as Berghain (BER), Pickle Factory (LON), Contact (TYO), Nowadays (NYC), Good Room (NYC), and Bossa Nova Civic Club (NYC).

Since 2017, he's been producing and exhibiting politically-charged long form audio and audiovisual works that take inspiration and adopt techniques from filmmaking. These works have been presented at galleries and performance spaces in both USA and Turkey.