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who is going to sign me up am star ⭐✨

Sweden based pianist, sound-designer and composer AGATHA SARON releases a beautiful original composition, performed on her gorgeously sounding Boston Piano. Enjoy the the beauty of a fresh and very emotional piano neo-romantik piece to unwind and dream away.

Life After Us

Agatha Saron - Life After Us

Poet Jay Deshpande recites this poem inspired by verbal description techniques. 

"Changeover" is written after the museum’s one-of-a-kind “changeover” process when visitors can witness a new exhibition take shape while the previous one is deinstalled.

Access a digital copy of "Changeover" in its original format on guggenheim.org/poetry

Transcript
Jay Deshpande: Hi, I’m Jay Deshpande, and I’m reading my poem “Changeover.”

i. Removal
When you visit you watch six people, from on high, wind their way down the spiral ramp. At first all you can see, all that matters, is the heads and shoulders, the rest hidden by a wall. Turn after turn, the long arc of the journey. Some going forward, some walking back. How careful the sidling. They do not speak. As they weave closer, make room for the curve, you see what’s between them: a long wooden crate, laid flat and held at waist height. Their feet turning slightly in adjustments. First come the heels of those who take the front. Past others packing parts away, beginning to dismantle, again, some unspeakably fragile thing. Past others measuring. Consulting plans. Looking at the oculus. The six people are still moving. It can look like a dance at first, their unspoken knowing just how to work the great space between them. Wordless intimates. It starts to build a choreography of family. Down the ramp, around the bump-out, almost there. The surprising ungainliness of gathering, fit around a final corner. Bringing down the prone tower like some ancient rite. The presence of the work. All twelve of their feet still moving. The object sacred and forgotten. The carrying that becomes the point.

it
matters How
we
make
and
take
away begin
Again
to
Build
the
r ising tower of
the
work

ii. Renewal
Close your eyes. Call this sound empty museum. Not silence—it is insect-lush, a firmament. A jungle of presence: each pressure matters. How air sounds on the concrete ramp, spiraling a quarter mile up. Or a clap becomes resonant with weight, heard as if through a wall of water. A car horn makes one sound outside on Fifth Avenue; then it’s mottled by pavement, buffeted, churned through the revolving door and splayed across the rotunda like an opened bag of ash in sunlight. In the emptiness, when the art is taken down, in the hush between exhibits, the museum laps like waves on a faraway shore. The bending walls and tilting floor begin to be lavish with the water-weight of echo. You are in the womb of it. Fetal listening. Again, the body that your body wades in calls from all around you. A voice drawn out long and flensed of highs and lows: just timbre, endless, sourceless, washing up to the sides of your head. Somewhere in the sound, closer or farther you cannot tell, people still are working. Building, watching. Murmuring over a blueprint. Snapping on a safety glove to touch the edge of a canvas frame, raising it off its mount. In the towering emptiness, five short plugs of a drill somewhere, a blunted stack of periods, come to join the orchestration. You hear all of it, how can you not, in the thickened wet tent your being makes, vibrant in the work.

About this poem: When I visited the Guggenheim during changeover, my senses were incredibly stimulated by all that was happening around me—happenings that were both a part of and apart from the regular experience of the museum. My approach to making this poem was motivated by the multifaceted process of changeover: the taking-down of deinstall, the placement of the packaged artworks on the rotunda floor, and then the erection of new work in a space that is continually the same and deeply changed.

Read more at guggenheim.org/audio

Initiative Website

Changeover by Jay Deshpande

This is yet another collaborated ReMix with some fx and vox on the og. track that rox by Phs.Beats. I really like the stuff sent to me that reaching out when I felt distanced from everything tangible as in my studio equip. due to my temp. situation of renting a room,(difficult to record in cus others don't get it,) so I am bouncing recordings made with phones using a laptop and a monitor getting through a hard time happily from a connection made on Reddit working with Phs.Beats. I am grateful for his generousity and friendliness and hope he stays in it and gets discovered or at least knows his worth as a beat masta. Peace

Silence Remix

Phs.Beats Silence Remix Feat. Holmes

©2024 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS
Produced & Mixed by Danny Playamaqui 

Artwork by Wou-Wou & The Wormling
https://www.instagram.com/wouwouandthewormling/

479: 🕳🕳🕳🕳🕳🕳

Eusebio: Percussion 🐙
Rogelia: BrokenBeats and sab•o•tages 👩🏻‍🦰 
Valentino Arco: Synths 🦊
Matilda: Keys 👩🏻‍🦱
Hall: Noise and Sweets ⛑   
Potoo: Basses 🦉 

"watch out for your ears" they say 🕳🕳🕳🕳🕳🕳 

Thanks to you! Much love! 💖💖💖💖
ok done 
🌸🦄💥

Jellyfish

two seahorses
dancing in seagrass
slivers of sunlight

Corine is an author, haiku poet, publisher, visual artist, designer, and animal lover who’s been participating in our Haiku challenges for the last three years. You can find more about her poetry and music on her Soundcloud and Facebook profiles.

seagrass [naviarhaiku516]

Since TONE dropped his debut album last year ‘So I Can See You’ on Rhythm Section INTL to prominent acclaim, he has entasked his musical community to remix the album - namely members of the CURL collective. Formed in 2016 by Micachu, Coby Sey, and Brother May, they have performed together and released compilations from the likes of Lol K, Bianca Scout, Raisa K and others, who all feature on the remix album. As the version LP has taken fruition, Tone has played SXSW, Cafe OTO and 180 Strand, and simultaneously continuing his journey as a hard-working family man. 

TONE’s debut was filled with an ariose spoken singing style, post-punk tones and a back-to-basics production style courtesy of his 8-track tape machine - perfect elements for any remixer. With no specific brief, artists indulged in their specific visions. Trevor Jackson’s industrial dub aesthetic is brought to ‘Move Now’, his first remix since working for deftones’ ‘White Pony’ deluxe reissue in 2020. Stay Lo contributes a tribute to the early 10s ‘dreamstep’ with tik-tok friendly ‘In & Out’ remix and meditative chug from ‘So I Can See You Pt. 2’ by Coby Sey and Tone himself. 

The ‘So I Can See You’ LP represented cause and effect between his relationship with his own creativity and the emergence of his daughter, from pregnancy and beyond, and thus the remix LP explores the wider sonic variety of Tone and his musical compatriots.

Buy/Stream

TONE - Nice (Bianca Scout Remix) [snippet]

For those lazy Sundays in...

Tracklist

01 Harold Budd- Don't Go Where I Can't Find You
02 I Am Kloot - The Same Deep Water As Me
03 Tom Petty - Face In The Crowd
04 Lloyd Cole - No Blue Skies
05 The Ocean Blue - Ballerina Out Of Control
06 The Waterboys - Morning Came To Soon
07 Cherry Ghost - People Help The People
08 Wheat - Don't I Hold You
09 Prefab Sprout - Prisoner Of The Past
10 Martin Courtney - Vestiges
11 Talking Heads - Making Flippy Floppy
12 Cock Robin - Just Around The Corner
13 Heaven 17 - Let Me Go
14 Chromatics - Shadows
15 Martin L. Gore - In A Manner Of Speaking
16 The Essence - All Is Empty
17 David Cassidy - Thin Ice

Sunday Soundtrack [Drench Your Soul In The Water]

Excited to share the song 'AI A-13 Secret In The Air' with you! Stay tuned for the full album drop this Saturday, featuring all four unique versions of this song, exclusively on Soundcloud. 

This track uses the first version of Part II and the first version of Part III, which results in the track being coded as AI A-13-01-01.

Composed by suno.ai
Produced by AI composed songs

 #aicomposedsongs

AI A-13-01-01 Secret In The Air

This track was inspired by a little freestyle jam I had on an old piano. I'm working on recording the piano stem to chuck in the song somewhere, but for now this will do. Love this track!

Emblem

In this track I wanted to take my music creation in a different direction, exploring different genres to make a little jazz-fusion-Lofi tune, and as I have done with my other songs, I wanted to add organic elements to spice it up.
I asked an amazing multi-instrumentalist musician friend to play the Sax for this song, one-take-Jake, he lifted the song in a very fantastic musical way.
 
A HUGE THANKS to Daniel Mera for his precious contribution.

En este track quise llevar mi creación musical en una direccion diferente, explorando diferente generos musicales para crear este temita Jazz-fusion-Lofi, y como he hecho en otras de mis canciones, quise agregar elementos organicos para darle un poco mas de color. 
Le pedí a un increible amigo musico que tocara el saxo en esta cancion, en una sola pasada, levanto la cancion en una forma musicalmente fantastica. 

Un INMENSO AGRADECIMIENTO para Daniel Mera por su increible contribucion.

Sax - Daniel Mera
Guitars and everything by Stego

About Last Night (Feat. Daniel Mera)

Indie Rock, Dreampop, Hypnagogic Pop, Chillwave, Neo-Psychedelica, Post-Rock, Chamber Pop, Indie, Alternative

closer to melancholy.

AI is reshaping music creation, and at 'AI composed songs' we specialize in carefully selecting the finest AI composed songs for musicians and bands to interpret, record, and perform. This not only saves their time but also positions them at the forefront of a new music era. As AI progresses, our human touch in picking emotionally resonant music remains key to truly connecting with audiences.

We are fascinated by the potential of AI generated music, exploring the expansive boundaries of artificial intelligence in music creation. This AI not only crafts intricate melodies and harmonies but also generates singing lyrics, embodying a remarkable fusion of technological innovation and artistic expression.  The spotlight is on the AI's ability to compose complete songs, offering a unique window into the future of music. We envision these AI composed pieces being adopted by real music bands and artists, serving as a versatile foundation for their own musical arrangements, studio recordings, and live performances. In this way, AI acts as a complement to, rather than a substitute for, current musicians, enriching the creative process with new possibilities and diverse applications, both on stage and in the studio.

Each song begins with an AI composed origin, a unique melody that sets the tone and typically lasts between 30-60 seconds. From there, the process evolves interactively: We prompt the AI to develop additional part before or after the origin piece, and it responds with several variations. We listen, select the version that resonates the most, and then the AI seamlessly blends it with the first, creating a cohesive piece. This iterative process can continue, with the AI generating multiple versions for subsequent parts of the song, each time allowing us to guide the direction and flow. The result is a collaborative symphony of human and artificial creativity, where each song is a journey of discovery and innovation.

AI composed songs @CompleteCollection @NewSongWeekly

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AI composed songs

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