NOBODY

Singing Demo-reel for a bunch of songs performed in 2022

Ibrahim Salah Singing Demo-Reel 2022

Amor Etílico

Kelly Ray Christian plays the Gibson Les Paul Classic, Keyboards, Drums & Vocals !
Frank Birddog Jones plays the Bass, & the Martin Acoustic !
Recorded Live @ the fabulous KelDog Studios !
All Rights Reserved !
Copyright K TUNES 2022 !

Simple Plan

Mixed in Harrison Mixbus v.6 to a DR of 12 @ -23 LUFS, the loudness standard recommended in EBU R128. Reverb by Valhalla Vintage Verb.

The Lonely One by Chase K

▼YouTube (Walk In A Dream Lyric Video)
https://youtu.be/gyRN03VB-9c

Lyrics

Today we can play in our own way
僕たちは今日もそれぞれの時間を楽しむ事ができる
It's like a treasure every single day
under the deep sky
深い青の下で毎日それが宝物の様に感じる
Yesterday I hoped it
昨日は願い事をして
A new day comes again
また新たな一日が顔を出す
All day and night it must be going on
一日中それは続いていく

Please say something that you really wish for
心の底からの願いを声に出して
Stay by my side
I promise that I won't let you down
僕の側に居て欲しい
君をがっかりさせないと約束するから

Walk in a dream
夢の中をゆけ
I feel like forever
時間は無限大
It's a momentary life story
それは儚い人生の物語
A knight will scream
at the big full moon
騎士は大きな満月に向かって
吠えるだろう
And the star will shine on his own
そしてその星は自分の力で輝き始めるだろう
So I am dreaming
そう、僕は夢を見ているんだ
All day and night
昼も夜も
I am dreaming
僕は夢見てる


Believe the future It's gonna be beautiful
未来を信じて
それはきっと綺麗だ
Stay by my side
I promise that I won't let you down
僕の側に居て欲しい
君をがっかりさせないと約束するから

Walk in a dream
夢の中をゆけ
I feel like forever
時間は無限大
It's a momentary life story
それは儚い人生の物語
A knight will scream
at the big full moon
騎士は大きな満月に向かって
吠えるだろう
And the star will shine on his own
そしてその星は自分の力で輝き始めるだろう
So I am dreaming
そう、僕は夢を見ているんだ
All day and night
昼も夜も
I am dreaming
僕は夢見てる

Walk In A Dream

09/30/22

Heartbroke Lullaby

Pink Shirt

Re-write of the first song I ever wrote (about 4 months ago lol)

I Went To Sleep by Josh Baker (Acoustic Demo

Kelly Ray Christian plays all Guitars, Bass, Keyboards, Drums, & Vocals...
All Music & Lyrics by Kelly Ray Christian...
Recorded Live @ KelDog Studios... Copyright K TUNES 2022
Produced by Kelly Ray Christian...
All Rights Reserved...
Copyright K TUNES 2018

Singer/songwriter from Croydon maybe about to be in a band called Hello Charlie

Mixed in Harrison Mixbus v.6 to a DR of 12 @ -23 LUFS, the loudness standard recommended in EBU R128. Reverb by Valhalla Vintage Verb.

Contemporary recorded pop music is lifeless and congested because, if it is tracked into a DAW, it is recorded with levels that exceed digital zero, which is -18 dBFS (18 dB below the top of the meter scale).  Doing this creates sound files which are harsh, muddy, and lacking in dynamics and high frequencies.  These distortions are burned into the recorded tracks.  The digital plugins that are used to mix these bloated binaries are designed to operate at -18 dBFS, as are the AD/DA converters.  When the mix is finished, it is converted into an MP3 for distribution.  The MP3 codec was created in the early nineties by Karlheinz Brandenburg of the Fraunhofer Institute and was optimized for -20 LUFS using a track by Suzanne Vega called "Tom's Diner." When music streaming service was first conceived, a loudness normalization of -14 LUFS was selected by the creators of Spotify because the telecommunications regulators in the European Union had limited the volume of European cellphones to prevent hearing damage.  The compression necessary to achieve this loudness level doomed the world of recorded music to a flaccid future.  The mixes that I have created for this site are an attempt to salvage some liveliness and snap from the regulatory wreckage by adhering to the EB. During the mix process, all faders remain at unity.  Level adjustment is done with clip gain and the trim pots, and those levels hover at approximately -18 dBFS on all channels and buses, including the master bus. The final export is then normalized to -23 LUFS which is the loudness standard of EBU R128.  A good deal of the credit for my success in this endeavor must go to the DAW that I employed in this task.  Harrison Mixbus conjures the summing, sound, and workflow of a classic hardware console.  EQ, 3 varieties of compression, and tape saturation are inserted on every track and bus. The settings are visible and adjustable without having to open a plugin, so mixing a song can be done quickly without leaving the feeling of being "in the flow." It has a subroutine which is used to optimize phase. Each channel also has an obvious trim control, so that fader controls can be left at unity during mixing in order to preserve dynamic range. Although most music streaming services currently normalize to -14 LUFS, an international movement is underway to gradually move toward -23 LUFS within 5 years, as legacy mobile devices with limited dynamic range are retired.  Recorded music deserves this greater care.

I am a passionate Voice Actor/Singer and im pursuing my career in this field, 
a mechatronics engineering graduate.

New tracks tagged #Rock