Sci Fi/ Electronical Soundtracks

8tracks.com/amaranthus/bloody-deliverance: Devastated by Reichenbach, John Watson finds himself 200 years in the future, searching for a mass-murderer who looks too damnably familiar to be true.

Walk Over Your Cold Dead Corpses

Ashes & Cyberpunk

Download / Stream ‘Love Death Immortality’: https://smarturl.it/TGM_LDI
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The Glitch Mob - Can't Kill Us

Worlds Apart

My personal Interpretation of the Film Transcendence. 

Digital Transcendence

An opener for the Band Edge of Ever that I have recently done.
Visit their page for more information:
https://www.facebook.com/edgeofeverband?fref=ts

Anima Secta (For the Band Edge of Ever)

Revelation

Star Citizen Fan Song (Demo)

Electronic Rhythm Number One

Order the 'Thrown EP' on 12"/DL here: http://erasedtapes.com/store/index/ERATP044

Buy the '65' split EP with Rival Consoles here: http://erasedtapes.com/store/index/ERATP013

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Ólafur Arnalds and Janus Rasmussen's collaborative project Kiasmos continues to spread Icelandic techno with new Thrown EP featuring remixes by FaltyDL and 65daysofstatic.

After having revealed the title track Thrown via XLR8R in April, Kiasmos announce the release of their Thrown EP featuring brand new track Wrecked and two guest remixes by FaltyDL – one of New York's finest electronic producers – and UK's industrial post rock pioneers 65daysofstatic in the form of a12"/DL on Erased Tapes.

A1: THROWN
Ólafur explains: ‘Thrown is the first track of the "New Kiasmos", so to speak. Actually, Thrown is kind of a remix of a new Ólafur Arnalds track that hasn't even been released yet.’ ‘It has become the track that we use as a reference for all our newer stuff’, adds Janus.

A2: THROWN (FALTYDL REMIX)
‘Remixing used to be a very special thing. Not so much anymore. And when you're done, it will end up as a free download and most likely not on vinyl. It's bullshit. So when I get the opportunity to make an actual record, an object that will last longer then any of us, I jump on it. I have pleasures in my life. Doing this remix was one of them’, says Drew Lustman aka FaltyDL.

B1: WRECKED
Janus: ‘I don't really know what we were thinking when we started working on Wrecked.’ ‘Wrecked is our experiment with a new Doepfer synth. The song is severely out of tune’, adds Ólafur.

B2: WRECKED (65DAYSOFSTATIC REMIX)
‘It was quite a challenging remix to do, because it's such a minimal, understated track. The usual 65 approach of pulling out key refrains and messing with them didn't work because the bass is such a unique, dark sound. Likewise, I was reluctant to add too much new material because each attempt at that quickly veered into writing what sounded like a new song. Too many remixes these days are done to provide quick and easy bonus tracks for artists to giveaway, which is a shame, because when done properly, I think a remix is a great way to see a track you're familiar with as a listener in a new way’, explains Paul Wolinski of 65daysofstatic.

Janus: ‘I'm really excited about the remixes. They are both very different from each other and give the songs a new life. It's always great fun to hear someone make the tracks their own.’

ABOUT:

Kiasmos is the brainchild of Icelandic modern classical composer Ólafur Arnalds and Bloodgroup mastermind Janus Rasmussen from the Faroe Islands. Based in Reykjavík, Arnalds used to work as a sound engineer – often for Rasmussen's main project Bloodgroup – where the two musicians discovered their common love for minimal, experimental techno music. They eventually became best friends, and Janus now often accompanies Ólafur's solo shows with his electronics. ‘I am really enthusiastic about this project. Finally, I can make music that people can dance to. Something refreshing for the weekends’, explains Arnalds in an interview with the German electronic music magazine Beat. The project is a good way for both artists to ‘get out of the house’ so to speak and do different music to what they normally do. Having released their 65/Milo split 12" with label mate Rival Consoles in 2009, this year sees the duo return with the hotly tipped Thrown EP and a string of European club shows.

'A rich production of deep, subdued techno...sure to stick in your head long after the track is through' – XLR8R

'Linear electronic music that propels you to pastel horizons...a dreamy new track to ease you through the day. A gentle groove and washes of sonic colour underpin a deceptively simple melody that buries itself inside your head' – Electronic Beats

'Thrilling stuff, primed for the more discerning floors' – Bleep

'Extremely elegant and addictive, sharp and hypnotic' ★★★★ – The Milk Factory

OFFICIAL WEBSITES:

facebook.com/kiasmos
soundcloud.com/kiasmos
erasedtapes.com

Thrown

PRE-ORDER

Kiasmos - Wrecked (65daysofstatic Remix)

Source material recorded at the EMP in Seattle using our mobile phones. We improvised for 10 minutes with these two really terrible digital keyboards and recorded everything using the phone's voice memo function. With a little bit of processing in the studio afterward, I constructed this piece, adding some field recordings I captured during the Substrata Festival field trip.

scanner\irisarri: emp

My friend AJ and I co-authored the score for a film called "Love Costs Every Thing" in the Spring of 2011. The film is feature length documentary that takes a provocative look into the world of Christian persecution. Today, I realized I hadn't shared this track - and it was one of my favorites because of the unique tone it takes - the scene for this track takes place in a church that had just been bombed by Al-Quaeda in Baghdad the month prior - lots of spaced ambience, sorrow and tension in this one.

www.lovecostseverything.com | Learn about the film
www.tonyandersonmusic.com | Music Licensing & inquiry



The Dragon's Throat

Composing music is my biggest passion, its like exploring and creating new worlds and I need it like the air I breath. For me, music is magical and I try to transfer this exact feeling into my work. I like to explore many different styles and  various sceneries within creating music, without losing the special touch that makes my sound recognizable.

I started working on this type of music in 2010 and before that I spend many years in a Metal band. Soon I figured, that there was more to experiment with and suddenly I found this new passion for producing music like that. I was never able to achieve things I'd never expected to do before that.

Feel free to contact me if you are interested in collaborations or have any other kinds of questions.

Worlds Apart

Aidan Dunmore