Aphex Twin - Qkthr

From 'Why do people vomit?', out February 23rd on TT.

For to purchase: https://eye-measure.bandcamp.com/album/why-do-people-vomit

@eyemeasure 🤢
@rian-treanor 🤮
@tobago-tracks 🤑

To stunt perchance to go off or maybe to run it up and possibly go ham on business. To do that and feel perfectly, to enter a state of unimpeached resolution. To listen to Rian Treanor's remix of eye measure's 'Why Do People Vomit', to like and share and engage by every possible means. To do it now.

Why Do People Vomit

For to purchase

eye measure - Why do people vomit? (Rian Treanor Remix) [MK PREMIERE]

Coder Cosplay, a Lil Data moment

https://splice.com/sounds/packs/moment/coder-cosplay-a-lil-data-moment/samples

Lil Data is PC Music’s resident live coding musician, one of many projects of the Reykjavik-based designer and technologist Jack Armitage. Jack's work spans experimental concerts, club sets, multimedia installations, interface design, and more. Jack is the founder of Afverhju Ekki - The Absolutely Everything Studio, a postdoc researcher at the Intelligent Instruments Lab, University of Iceland, and has a PhD in Media & Arts Technologies from Queen Mary University of London. On top of their Lil Data releases on PC Music, they’re behind the production of Charli XCX’s ‘Track 10’ and Jónsi’s ‘Kórall’ and the voice of Danny L Harle’s MC Boing.

For ‘Coder Cosplay’, Data utilized their extensive set of live code and audio research tools to turn a small set of source sounds into a massive range of unique audio permutations— now anyone can cosplay as a Live Code artist! Umru-designed drum one shots and original Lil Data compositions are finely minced, deconstructed, and recoded into exponential noise sweeps, long-form rhythmic evolutions, and impossibly sequenced arpeggios. In addition to capturing their famous TidalCycles improvisations, Lil Data also employs Strudel, LiveCore, RAVE Neural Synthesis Models, Tölvera and SignalFlow, all of which have never been used before on Splice as far as we know. We asked Data about the process and received a PhD level thesis in response. 

When we asked for…ummmm English, please…they chimed: "I hacked myself so you don't have to!"

Moment: @umru + @daywaiter
Art by Elena Fortune

Coder Cosplay, a Lil Data moment - Splice pack out now

The third single by AIDM_SYS from the Bangers EP.
Created using AI and post-edition.
It thrives to establish the genre AIDM as a futuristic yet attainable genre nowadays.

Ghost In The Code

RINSE France - Sound Pellegrino - Rian Treanor guest mix - 22.11.2016

© 2017 RICHARD D. JAMES ALL RIGHTS RESERVED.
The all korg track created using:
Korg Monologue x3
Korg MS-20 kit
Korg Poly-61M
Korg Volca keys
Korg Volca beats
Korg Volca sample
Korg Minilogue
son on vox

Read the full article with Richard D. James and synth designer Tatsuya Takahashi here:
http://found.ee/aphex-korg

Listen to the album "Korg Trax+Tunings for falling asleep" on aphextwin.warp.net
https://aphextwin.warp.net/release/86888-afx-korg-traxtunings-for-falling-asleep

Graphic by Ryo Asakura (Seventhgraphics)
http://seventh.graphics/

korg funk 5

'Burnnn' Single Out Now On @pcmus PC029 http://smarturl.it/lil-data-burnnn

'Folder Dot Zip' Album Unarchiving Feb 15: http://zip.pcmusic.info

Limited Edition FDZ T-Shirts & USB Album: http://merch.pcmusic.info

Burnnn Video by SCOTTY2HOTTY69 http://www.youtube.com/watch?v=qrTMkgpBia8

Art by Timothy Luke

```
do -- burnnn
  bps (160/120)
  let tickle = ev "<2 3>" (fa "<2 4 6>" . (|+| sp (strif 1 2 0.25 * ssinf 1 3 0.125)))
  t1 (j 0) . m
     . (> hpf' (ssinf 0.1e3 1e3 0.125) 0.2)
     . (> lpf "10e3:0.2") . (> shape "0.2") . (> phaser' 10 0.4)
     $ stack [
          slow 2 $ s "<pcshaker pcshaker pcbur:5>*8" > o 0 > pan 1 > g (sc 0.5 1 cos)
        , slow 2 $ tickle $ s "<pcshaker pcbur:5  pcshaker>*8" > o 2 > pan 0 > g (sc 0.5 1 sin)
        , slow 2 $ tickle $ s "<pcshaker:8 pcbur:5  pcshaker:2>*16" > o 4 > pan (sqf 8) > g 0.8
        , slow 2 $ tickle $ s "[pcbur:1 ch2hh](11,16)" > gco "0.8:1:6" > pan rand > ac (ssinf (-2) 2 0.125)
       ]
  t2 (j 0) . m
     . fa "[1 [1 2] [1 [1 0.5]] [1 [1 1.5]]]/4"
     . ev 6 (jux (rev) . (> hpf "0.1e3 1e3:0.2"))
     . ev 8 ((> pan rand) . (> up (scaleP "major" $ cat [odd (irand 8), eveni (irand 8)])) . fa "<1.5 2 0.5 3>")
     . (|+| up ("2*4"))
     . fa 4
     $ stack [
         s "[bdk2:13] ~"
        ,s (samples "ch2kit ~" 2)
        s "~ [retbs retbs:8]"
       ] > go "1:8"
  t3 (j 0) . m
     . jux ((> ac 0.4) . (> lpf' (ssinf 5e3 10e3 0.333) 0.1))
     . (> hpf' (ssinf 0.1e3 5e3 0.125) 0.1)
     . fa "1 2 1 1.5"
     $ stack [
         s (samples "[~ ch2hh]*4" "2") > g "1"
         ,s "[~ hc:2*2]*4" > g (ssinf 0.4 0.7 0.125)
       ] > o 10
  t4 (j 0) . m
     . sl 2 . str "<4>"
     . ev 4 ((> sp 2) . (jux (rev . (> ac 0.5))))
     . (> rvb "0.2:0.2") . (> del "0.25:0.25:0.25")
     . (> phaser "10:1")
     . sl "[1 2 4]/3"
     . struct "x x*4 x ~"
     $ s "vxriff:9" > legato "1" > go "0.7:12"
     > ac "-0.2"
```

Folder Dot Zip

Burnnn

Live coding video: https://www.youtube.com/watch?v=sNj-I2pZwX8
Code and samples: https://github.com/lil-data/vroomvroom

LD 🖤

```
do
  let t = "cxvv"
  let build = loopAt 2 $ n "0" # s "cutcxvv"
      drive = loopAt 1 $ n "1" # s "cutcxvv"   
  bpm 180
  let mx = [0,0,0,0]
  p (t++"vx")
    -- . fa 2
    $ drive # glo' (mx!!0) 1 0 # shape 0.4
    -- # ac (-1)
  p (t++"syn") . jux (# ac 0.03)
    $ build # glo' (mx!!1) 1 1
  p (t++"pc") . fa 1
    $ stack [
       -- struct "[t ~] [~ t _ [t? ~]]" $ n 2 # s "bddnb",
       -- jux (# ac 0.2) . struct "[~ t]*4" $ n 20 # s "ch2hh" # shape 0.5,
       -- fa "<1 [1 [1 4]]>" . struct "[~ t]*2" $ n 13 # s "pcmsn",
       -- struct "t*4" $ n 13 # s "pcmcp"
      ] # glo' (mx!!2) 1 2
  p (t++"bs")
    -- . struct "[t ~] [~ t _ [t? ~]]"
    . struct "t*4"
    $ n (sl 4 $ "[0 2]" + 2)
    -- $ n (sl 16 $ "[0 2]!2 [0 1 4 [3 2 1]] [2 2 2 [3 2 1]*2]" + 2)
    # s "cutcxvv" # glo' (mx!!3) 1 3 # rvb "0.3:0.3"
```

Charli XCX - Vroom Vroom (Lil Data TidalCycles live coding edit)

Aphex Twin - Qkthr (Slowed Down Edit) (You And Your Life Deserve Better; Call This Number: 988)

CAR is a recording released in 2011, specifically for automobile listening. It was conceived of after being invited to release with ThirdSex in Chicago, upon which I asked the label owner to survey his customers to find out where they listen to cassettes the most frequently. The overwhelming answer was “in the car”, so I composed for that environment utilizing sine sweeps and synthesis designed to resonate my Toyota Matrix.

Best enjoyed while driving!