E+E - Love You Down (08 tape demo)

Elysia Chuquimia Crampton - Selena Gundam E Edit

TED Español

Seeing Ghosts

Turn down the bed.
Turn down these voices
Inside my head.

Lay down with me;
Tell me no lies.
Just hold me close;
Don't patronize.

Don't patronize me.

'Cuz I can't make you love me
If you don't.
You can't make your heart feel
Something it won't.
Here in the dark
In these final hours,
I will lay down my heart
And I'll feel the power;
But you won't.
No, you won't.
'Cuz I can't make you love me
If you don't.

I'll close my eyes,
Then I won't see
The love you don't feel
When you're holding me.

Morning will come,
And I'll do what's right;
Just give me till then
To give up this fight.

And I will give up this fight.


//ELYSIA CRAMPTON - FIRE GUT

Mixes

[T-T]- elysia crampton

Kamixlo - DEATHWORK
Label: PAN
Cat.No.: PAN 144
Release Date: 26 July 2024
Purchase: pan.lnk.to/DEATHWORK

A peppery smorgasbord of industrial rhythms, razor-sharp stabs and provocative vocals, 'Deathwork' is Brixton-based Kamixlo's strongest statement yet, sandwiching earworm-laced pop between refried layers of euphoric back-room ambience and visceral hard dance distortion. It's been four years since Kamixlo poured his heart out on his acclaimed debut album 'Cicatriz', and he's been experimenting incessantly since then, figuring out how to integrate bold, memorable hooks into his signature alloy of burnished synths and mangled samples. And if its predecessor represented catharsis after a discomfiting period of loss, 'Deathwork' finds Kamixlo's emotional load lightened, freeing him to survey and tighten his formula by traversing club music's most eccentric, genre-agnostic fringes.

The young DJ and producer cut his teeth in the early 2010s, forming the iconic Bala Club party and label before deploying a series of EPs that accurately captured the era's voracious zeitgeist. Muddling references to nu-metal and emo classics with nervy dembow and bass deconstructions and dissociated SoundCloud rap thuds, Kamixlo characterized a new type of inclusive artist, unprejudiced by preconceptions of the underground or mainstream. 'Deathwork' builds on this legacy and widens his outlook substantially, urging listeners to step towards the dancefloor no matter how they might engage with music. And for the first time, Kamixlo seamlessly amalgamates his delirious bass-heavy atmospheres and kinetic beats with vocals, incorporating compelling performances from reggaetón sensation Isabella Lovestory, avant-pop outsider Puzzle, and Drain Gang's infamous Bladee. There's even an appearance from Berlin's Mechatok, who shows out with a production assist on the album's syrupy closing track 'Insect'.

From the ecstatic opening breaths of 'Ketamine Fields', it's clear that Kamixlo's in a fresh headspace. Weightless angelic voices curve gracefully around overdriven rave-ready bass twangs, while muffled, blown-out drums echo somewhere in the distance. It's the perfect pre-game to an endless, messy night, leaving Isabella Lovestory to lurch towards the mass of sweaty bodies on 'Pitch Black', rhyming sensually over Kamixlo's provocative metallic plucks and slow-motion dembow pulse. And by 'Combe', the peak time energy is palpable, with carnivalesque percussion and eardrum-popping high pitched squeals that grind against the pummeling gabber kicks. Puzzle brings the album back down to earth on 'Chaos', casually free associating and providing a light-hearted counter to the fog of machine crunches and deranged laughter.

On 'One More Night At The Line', Kamixlo carves the house blueprint into a neurotic chatter of helium voices and cocky slams, and when Bladee arrives in a wisp of smoke on 'Death Forever', the noise has calmed a little. Here, Kamixlo flexes his most exploratory muscles, nesting Bladee's grungy voice in an erratic tangle of muted, almost pacifying, black metal screams and nursery rhyme chimes. It's a paradox that perfectly encapsulates the scope of 'Deathwork', an album that continually flips expectations, turning in on itself and questioning its own logic without ever losing its momentum.

Written and produced by Kamixlo
Mixed by Felix Lee
Mastered by Enyang Urbiks
Artwork by Daniel Swan

Deathwork

Kamixlo (feat. Mechatok) - Insect

i wish i was a yellow data

Mix by Endless & Ecco2k
This Friday, in London

ENDLESS PRESENTS

★ ECCO2K ★ 

+ CROWW 
+ 5TARB01
+ NKISI

Cop Ya Ticket now! 
https://www.residentadvisor.net/event.aspx?894321

★ E-X MEGAMIX  ★ FT ECCO2K

https://www.youtube.com/watch?v=MnOVBrCtEdY

SHUT UP YB RMX - DIAMOND BLACK HEARTED BOY

Elysia Crampton - ORCORARA 2010
Format: 2LP (July 10) / DL
Cat.No. PAN 101
Release Date: 1 May 2020 
Purchase: https://bit.ly/2WeCpPj

This album follows intergenerational trauma, fugitives of Christian violence in a twilight called Puruma, returning to Mama Cocha, the sea that theorists call Nowhere.

Dedicated to the life of Paul Sousa, who while incarcerated, worked years as an inmate firefighter across the Sierra Nevada of California. Also dedicated to the work of Sage LaPena and Dr. Gretel Mendizabal Nolte. (Includes misreadings of Jimenez, Saenz, Claudel, & Wright).

Not one, not world, not body, not god, not salvation, not zero; only a ceaseless approaching toward, with, and as the great mystery, by Grace, Tatamama. Jallalla.

ORCORARA 2010 was comissioned and released in 2018 by Centre d’Art Contemporain, Geneva, CH for the first floor at the Biennale de l’Image en Mouvement 2018 ‘The sound of screens imploding’.

The album is mastered by Jeremy Cox.

All proceeds go to the American Indian Movement West/ AIM SoCal chapters.

TED Español

aids-3d