https://linktr.ee/djpaella

🥘 RICE & DANCE 💃🏼

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poemes (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2024), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

An album for the moments when the world softens — when the woods hum quiet secrets and the sun spills golden across bare skin.
Each track drifts between waking and dreaming, where the line blurs and time melts.
Laid-back, warm, and just a little bit tripped-out, Dreamwood Sunspill is a soundtrack for lazy afternoons, secret places, and the magic of getting lost inside yourself.

Let it play. Let it fade. Let it carry you somewhere soft.


El cáctus serrucho es un cáctus epífito tropical de crecimiento lento y porte trepador o colgante que puede medir alrededor de 120 cm de longitud.

Multiverso es un término usado para definir el conjunto de los muchos universos existentes, según las hipótesis que afirman que existen universos diferentes del nuestro propio. La estructura del multiverso, la naturaleza de cada universo dentro de él, así como la relación entre los diversos universos constituyentes, dependen de la hipótesis de multiverso considerada. Según cualquiera de esas hipótesis, el multiverso comprende todo lo que existe físicamente: La totalidad del espacio y del tiempo, todas las formas de materia, energía y cantidad de movimiento, y las leyes físicas y constantes que las gobiernan.

El viaje a través del tiempo es un concepto de desplazamiento hacia delante o atrás en diferentes puntos del tiempo, similar a como se hace un desplazamiento en el espacio. Además, algunas interpretaciones de viaje en el tiempo sugieren la posibilidad de viajes entre realidades o universos paralelos.

Ambiente hiperespacial, Electroacoustic ambient, Hidrophonicast, Peanuts butter, deep diving, sea of Serenity, espaciøinterior, multifractal system, macrofonía, brain in a train in G major, geometría fractal, afinación alterna, afinación eléctrica, afrikan raag, fisión, tetracordios, acordemístico, accarezzévole, alertaclimática, thunderegg eyed flinstones idols, openknowledge, analógicodigital, electroacousticast, solarpowered, nomadmusicstudio, micropolifonía, espaciœxterior,  plantangrams, geología, escultura fluida, expresionismo, expresionismo abstracto, expresionismo abstracto geológico, expresionismo abstracto metereológico, rolling storms, afrikan ananás.

Lorenzo Brilli has been playing music since the age of 6 starting with the piano and moving then with passion and curiosity to the rich world of percussion instruments, always influenced by his family background in visual art, ceramics, architecture, design. In his personal works, Lorenzo explores the world of drums and percussion through manipulated and sampled sounds, treating each sound or noise as a potential unit for musical experimentation. His creative process begins with the acoustic drum as a fundamental element and is later enhanced by other art forms to create new sonic codes.

Bernhard Weiss is a composer/producer, percussionist and multiinstrumentalist from Vienna/Austria. 

Besides his work as a percussionist in numerous bandprojects he creates music for contemporary dance performances, butoh performances and theaterprojects featuring all over the planet.

Collaborations include Kanazawa Butoh Kan, Mayu Kan, Matthew Smith, Ramona Kasheer, Maria Grünbaum, rollingpoint, Aiko Kazuko Kurosaki, Brigitte Deutsch, Lilian Fritz, Christina Gaismeier, Lore Heuermann, Katie Duck, National Theatre Rijeka, Salon Flux, Studio Dance Company Zagreb and many others…

His releases include two albums and one EP:
re member (2013)
ta vira (2014)
but oh (2014)
You can purchase it here: https://bernhardweiss.bandcamp.com/

As a DJ he founded the platform Globelastica, where „adventurous“ music from all over the world is presented: www.mixcloud.com/globelastica

Born in 1984 in Fukui, Japan.Kyohei Hayashi is sound artist, cartoonist and thinker. He studied Hiroshi Nanatuya, Kazuo Uehara, Tomonari Higaki at the University of Art in Osaka.
Created a sound piece based on the literature of Japan.Work is staged in the world, it has earned a high reputation.2014, Japan's National Museum of Art, in Osaka, held a concert of Electroacoustic music.
Japan Society for Electronic Music Full Member
Association franco-japonaise de la Musique Contemporaine Member

1984年福井県で生まれる。兵庫県三田市にて育つ。2012年、大阪芸術大学大学院作曲コース修了。
七ツ矢博資、上原和夫、宇都宮泰、檜垣智也に師事する。
十代より、電子音楽の創作を行い、芥川龍之介の提唱する「話らしい話のない小説」を電子音響音楽、具体音楽によって表現した、文学性に 溢れた電子音響音楽作品の数々は、国内外で多数、入賞、入選を果たし、高い評価を得ている。
また、音楽作品だけでは無く、視覚芸術作品の創作も行っている。

2014年2月、国立国際美術館にて、電子音響音楽コンサート『Japan Electroacoustic music concert』 の、企画・構成・フライヤー制作、を総て一人で行い、実現に結びつけた。

日本電子音楽協会会員。日仏現代音楽協会会員。


Born in 1984 in Fukui, Kyohei Hayashi is sound artist, cartoonist and thinker. He studied Hiroshi Nanatuya, Kazuo Uehara, Tomonari Higaki, Kazuya Ishigami at the University of Art in Osaka.

Japan Society for Electronic Music Full Member

Association franco-japonaise de la Musique Contemporaine　Member


Award history :

2013

”sakura”
International Computer Music Association Accept.

”Expressionless bicycle riders OK?”
Nit electro sonora (Spain)Accept.

2011

”Sonic lady city”
Prix Russolo 2011 (France).Mention du Jury.

”L'Étranger”
Contemporary Computer Music Concert (Japan).Award MOTUS.

2010

”Action Painting music”
Contemporary Computer Music Concert(Japan).



Concert history :

2014

"L'Etranger"
Japan Electroacoustic music concert(Japan)

"Staned-glass　windows the sky"
Concertzender Nederland（radio）（Netherlands）


2012

"Broad cast yourself"
SYNTAX 11.2 L'Art radiophonique(Frace).

"Sonic lady city"
Traces de sons(France).

"L'Étranger"
Futura(France).


2006~2009

Audio Art Circus 06,07,09,2010(Japan).

"Sonic lady city"
It was broadcast by "elektramusic” of webradio(2011).


CD:

2012

"Eros' Weapons”Studio Forum Monochrome Vision（Russia).

Followers of Telectroacústica del espaciœxterior