"Till Dawn" SINGLE RELEASE

Music & Lyrics by Aiym Almas
Produced by Katsuya Sezaki
Mixed & Mastered by George Dum

Guitars - Felype Lima
               Mateus Asato
Bass - Thomaz Amadeo
Drums - Giacomo Cortelloni
Choir - Amanda Hagstrom
            Ingmar Prinz            
            Thiago Muller


            


Till Dawn

Written by Diana Ebe. Produced by MOOSE, Diana Ebe and Lucas Bomeny. Executive Production by Lucas Bomeny. Mixed / Mastered by George Dum at Liquid Fish Studio. Artwork by Nick Casale. 

Emerging from Sweden in 2013, Los Angeles based pop artist Diana Ebe delivers an ambient whirl of production with "Elusive Pleasure". Filled with soaring melodies and harmonic synths, Ebe's haunting vocal performance captures the emotional perplexity of fleeting love and the longing feeling we're all accustomed to.

www.dianaebe.com

Elusive Pleasure

Written and Produced by Heiress To Atlas
Recorded and Mixed by Andrew 'Drew' Chavez
Mastered by Seth Von Paulus

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// Lyrics // 

I know I took my sweet time
Falling across the fault line
I know I let you take the blow
You came and crashed into my, 
Safe space and left me to find
All of the places we could go

Tell me it's never too late
Tell me I don't have to wait
Show me how we can have it all
Hold me until the come down
Know me, and don't let me drown
Don't let me be the one you almost had,
Cause what's the point in that?

We're back, like it never happened
Facing facts, need a better weapon
Creep like me I'm never gonna break these walls, walls, walls, walls, walls
Back it's like we never happened
Facing facts, I need a better weapon
You're free but I don't wanna lose it all
It all

A tiny scar, inside my heart
It's always dark (your bullet, your bullet, your bullet)
We came so far, like a work of art
But it's always dark (your bullet, your bullet, your bullet)

Lie if it makes it better
Write me into a letter
We'll make it up until we know
If we could stand together
I would get lost forever
All that I want it seems just out of reach,
I see us turning black

We're back, like it never happened
Facing facts, need a better weapon
Creep like me I'm never gonna break these walls, walls, walls, walls, walls
Back it's like we never happened
Facing facts, I need a better weapon
You're free but I don't wanna lose it all
It all

A tiny scar, inside my heart
It's always dark (your bullet, your bullet, your bullet)
We came so far, like a work of art
But it's always dark (your bullet, your bullet, your bullet)

We're back, like it never happened
Facing facts, need a better weapon
Creep like me I'm never gonna break these walls, walls, walls, walls, walls
Back it's like we never happened
Facing facts, I need a better weapon
You're free but I don't wanna lose it all
It all

A tiny scar, inside my heart
It's always dark (your bullet, your bullet, your bullet)
We came so far, like a work of art
But it's always dark (your bullet, your bullet, your bullet)

And I'm defenseless
Back me in a corner
And I'm pretenseless
(Your bullet, your bullet, your bullet)

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BULLET

An intro and reasoning behind starting a podcast on the role of women in Kazakhstan, and comparing it to America.

An Introduction to the Role of Women in Kazakh Culture

First entry of discussing the contemporary issues concerning rights and social stances that women in Kazakhstan have to go through. Chapter one: The Name Game

Role of Women in Kazakhstan: Chapter One: The Name Game

Statistics on domestic abuse have grown. Kazakhstan passed laws on making the punishment more flexible. In times of crisis like these, when we as people are supposed to achieve our greatest sense of community yet, everything is falling apart. When the dust of this terror settles, everything that is important should become clear. Hopefully solving this problem will be on that list...

Till Dawn

Aiym Almas

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