Light The Fuse in 7" and digital will be released on 26th January 
Pre-order on Bandcamp: bmmrecords.bandcamp.com/album/light-the-fuse 
Get it on Juno: http://www.juno.co.uk/products/ltf-supatravel/559153-01/

A release powered by Laid Back: ldbk.eu/

Black Milk Music
www.blackmilkmusic.fr

LTF - Whisper

Between the Sky and the Sea

Coastal Route

I got number Psychedelic version

Did two reworks for live neo-soul/hip-hop band from Ekaterinburg(Russia).
Original tracks were taken from their last EP, be sure to check them out!
https://groovbag.bandcamp.com/album/time-flies

Groovbag - Faces (LTF Remix)

New track out on December the fifth
youtube link : https://www.youtube.com/watch?v=QAGSpvZ3fz4

production : FLeCK
mixing : FLeCK
mastering : FLeCK

follow FLeCK : @https://soundcloud.com/fleckathens

powered by Cheese Royale and Gruppo del Este
follow them:
https://soundcloud.com/cheeseroyale
https://soundcloud.com/gruppodeleste

Artwork : Michalis Gourlemakis 


<a href='https://theartistunion.com/tracks/82d8f9'>Download for free on The Artist Union</a>

Free Download

Bop ma step ft. FLeCK

Cold Woman

Hip hop’s influence has permeated territories far removed from its Bronx origins, spawning creative and surprising fusions that strengthen the art form’s global reach. Case in point: Anton Ivanchenko, residing in the southwestern Siberian city of Omsk, has been obsessed with funk, hip-hop, and b-boy culture since the ‘90s. Presently, he’s been channeling this obsession into his exciting project LTF (Light The Fuse). Aided by deft skills on turntables, acoustic bass, and digital sampler LTF has produced a handful of sublime 7” singles. Now he’s turned to The Content Label to reveal his debut full-length album, Jazz Echo. 

Jazz Echo simmers with the bebop attitude of its namesake, brimming with heavy bass riffs, crucial breakbeats, truncated vinyl exclamations, and an adept ear for melody. The ‘echo’ could be the time travel partaken with the album’s disparate sound sources. With fastidious regional crate-digging, LTF discovered many obscurities for his samples and constructions. “You search for the records and listen to them all day,” LTF explains. “And then you find yourself not listening to the music, but you’re listening to the musicians separated from one another. The more you listen, the more greedy you become for the sound that was born to be found and reimagined. That’s the trip. And this trip flows through the jazz records of Soviet Russia and Eastern Europe.” 

Among Jazz Echo’s many highlights is “Ritual,” showcasing LTF’s contrabass prowess and an arrangement that confidently sits beside the ‘70s jazz-funk classics. There’s “Spacebop,” combining a vintage sound with modern production techniques and the flutterings of a dusty Soviet-era synthesizer. A cosmic interpretation of the ‘quiet storm,’ played over some serious beats, manifests in “Meteo,” while “Release Your Reflection” fills every available sonic space with orchestral flourishes, heavy drums, and a helping of space echo and mind-expanding effects. 

LTF’s Jazz Echo is released on The Content Label on vinyl and digital formats. Original artwork and design are by Lautaro Pesano and the project is executive produced by Dday One.

Moon Echo

SpaceBop

Album available here:
keno.bandcamp.com/album/transatlantyk

The story of how Transatlantyk came to be is, in many ways, one typical of our times. We've grown accustomed to being isolated, even stranded, in recent months, and Technology has become our means of overcoming these aspects of quarantine.

For Lübeck-based producer David Hanke, a.k.a. Keno, and Los Angeles-based musician Tristan de Liège, their intercontinental relationship began long before the days of lockdowns and social distancing. The pair 'met' on-line through mutual friends back in 2018 and quickly realised they were, in a musical sense, kindred spirits. Their shared tastes meant that what started out as a single track quickly morphed into an EP, and finally the full length album that you're enjoying right now.

Tristan's experience as a neo-classical musician was the ideal foil for Hanke's skills with a sample and production expertise. Both shared a love of the more lush and cinematic end of instrumental Hip-Hop and Downtempo music. This sound partnership is evident throughout the album, but particularly on tracks like Nkosi, and the title track, where luscious string sections dance playfully with fractured, programmed beats; or the melancholic opener, Kouyou, where more laid back drums underpin muted horns and joyous harps.

The pair's perfectly formed fusion isn't the end of the story though, as French chanteuse Elodie Rama is on hand to provide not only some impeccable vocals, but also irresistible melodies to this already mellifluous long-player. Speak The Language sees this brilliant vocalist drift seamlessly between euphonious song and spoken word whilst delivering one of the ariose moments of the whole album. Elsewhere, on Dancing In The Dark, Elodie gives a slightly more sombre performance, combining with lavish strings and driving rhythms to a tee; and on To Find A Way offers up an even more emotional and almost heart-breaking performance, aided by wistful and forlorn instrumentation.

Transatlantyk is a body of work from an amalgamation of rare talents who combine beautifully to take us through myriad emotions; from the urgent and compelling Off The Mark via the pensive Forever We Were, and finally find their Way Across thanks to a shared love of graceful and refined musicality and a good song.

To this day the three have never actually met in person, but here's a last hopeful thought that one day soon, as we emerge out of the darkness, they can finally join together in a physical, as well as a musical, embrace.

Text by Dom Servini

Transatlantyk

Keno & Tristan De Liege "Transatlantyk"

The Blue Zones

The Blue Zones (Jon Kennedy Remix) [feat. Disastronaut]

From the whispering trumpet of Miles Davis through the storming piano of McCoy Tyner and uplifted soul violins of Issac Hayes you will bump your head with crunchy boom-bap beats electrified by the dusty sound of the Soviet synthesizers and driven by live doublebass. 
Anything you want to know sabboy@yandex.ru