"feel" is a smooth and soulful track that blends lush melodies with a laid-back rhythm, creating a deeply emotive and immersive listening experience. Rooted in neo-soul and R&B influences, the song incorporates ambient textures and intricate electronic beats to craft a soundscape that feels both intimate and expansive. Its flowing structure and groovy undertones evoke a sense of reflection and tranquility, making it perfect for a late-night drive, relaxing moments, or simply vibing to its rich atmosphere.

feel

Sergey Melody songs https://www.youtube.com/watch?v=6MUUJPPPHyY

MilkyWay embrace

"Whatever"is an '80s-style rock song. It talks about the world of disposable and temporary things we live in, where nothing lasts long enough to become real. Friendships, relationships, love — everything is plastic and fleeting. A time without memories.

Whatever (Tanto Faz)

It’s just like that, the way I recall,
Blurred-out words, nothing real at all.
I hit the street, but I’m not there,
Can’t see you — green or red, I don’t care.
I walk ahead, try not to glance behind,
Where I go, you don’t cross my mind — that’s fine.
What’s gone is gone, it won’t return,
The future waits, no need to burn.
It’s gone, it’s done — no more glory,
The fire wipes out every story.
Time just moves, it won’t relent,
Chasing wins, it kills the present.
And memory? It fades, it dies,
Just disappears before your eyes.

++++++++++PORTUGUES

Tanto faz é um rock estilo anos 80. Fala sobre o mundo de coisas descartáveis e temporarias em que vivemos, onde nada dura tempo suficiente para se tornar verdadeiro. Amizades, relacionamentos, amores...tudo é plastico e passageiro. Um tempo sem memórias.

Tanto Faz

É bem por ai, é como eu me lembro;
Palavras difusas, tudo fake;
Descubro a rua e não me vejo;
Não te enxergo, verde ou vermelho;
Sigo em frente sempre tento não olhar pra trás;
Pra onde ando não te percebo, tanto faz;
O que passou, passou. Não volta jamais;
O futuro te espera, fica em paz;
Passou, passou, não tem mais glória.
O fogo varre toda a história.
O tempo sempre segue em frente, buscando a vitória despreza o presente.
A memória se diluí, se desfaz.

Whatever (Tanto Faz)

"Only One, Bad Move" by A-laise is a track that blends a powerful beat with emotional depth, conveying a sense of firm resolve never to return, yet also revealing a faint trace of lingering feelings for the other person. With a lively, infectious rhythm that fuses elements of dance-pop and R&B, the song carries an undeniable groove.

Only One, Bad Move

A-laise - Only One, Bad Move

Azul:  Vocals
Ben Juul:  Drums, Mix & Master at Tone Hill, NY
Dirk Taubenheim:  Guitars, Bass, Keys, Vocs

This song is more relevant than ever, even though it was released in 1983.

Original version by Men at Work. Thanks for your attention!

Overkill  ft. AZUL

The Garden

The Garden (Original Mix)

Glorious Awakening | Epic Orchestral Cinematic Music 2025

🔥Glorious Awakening | Epic Orchestral Cinematic Music 2025

L-August Improvisation

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

do it again

This song was inspired by the idea that pleasure cannot be measured by size, and the boundaries of self-expression were intentionally pushed. Every line was crafted to allow sensations to be described without judgment, and the rhythm was designed to be felt rather than counted. Repeated words and deliberate pauses were employed to give the listener space to interpret, and the imagery was chosen to convey intimacy without reliance on conventional metrics.

A sense of empowerment was woven into every verse, and attention was paid to how the body’s language could be evoked through sound. Hands were imagined walking, tongues speaking, and pulses skipping, and these movements were intentionally highlighted to create a layered, immersive experience. The chorus was reinforced with repeated phrasing to emphasise confidence, and the words were structured so that meaning could be experienced both audibly and emotionally.

The final effect was meant to feel expansive, yet personal, and the song’s progression was intentionally nonlinear to reflect the complexity of sensation. Mirrors were used metaphorically, and magic was suggested as something to be claimed internally rather than externally. Every line was placed to be both visual and tactile, and the listening experience was constructed to allow full immersion into a celebration of self, pleasure, and confidence, free from measurement.

SPELL SEX WITHOUT XS!

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