A 3 track snippet from the Album "Remote Jazz" by JONAS PALM & P.O. LUNDQVIST.

Tracklist
A1 Afternoon at the Loggia
A2Rain in Berlin - Part 2
B1 Sunset Rising in a Spacecraft

This is Djuring Phonogram 18 powered by Börft Records.

Jonas Palm & P.O. Lundqvist - Remote Jazz LP (dp18 2017)

Osmosis

May 11, 7:56 am, in the tunnel leading from Ogrody to Lake Rusałka. Piotr Delimata: cl. Michał Giżycki: bass cl. Jeff Gburek: melodica.

Resonance Regions I, Rusałka

Music Video: https://www.youtube.com/watch?v=H0VWR8aTuUg

Welding The Big Ring

RADIO RITUEL 05 - w/ Damcase June 22, 2018 on LYL RADIO

Based on Sylvia Plath's poem. 
Realisation by Sofia Tsamouti. 
Voice by Heidi Stewart. 

Released by Ressonus Records (ress03,2008) & emdy's album "Synchresis" in 2012.

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Red Moon Over Saint Petersburg

How do you follow up the end of the world? With something odd, of course!

This was composed using an iPad app called Fugue Machine, which I found thanks (a lot!) to R.Salchak here https://soundcloud.com/r-salchaks-mood-exhibit/mood-exhibit-invitation.

The app doesn't really create fugues, but makes it possible semi-improvise 4 hands at once all based on a single theme.  This piece does have some live elements. The strange sound is because it is a recording of a "performance" straight from the app. In future will use midi.

Post-apocalyptic fugue

A good friend of mine said this is a must see movie „ bande á part“ (jean luc godard) I think he is right
This piece was inspired by this film. 
I stole a few samples from this famous scene (woh woh woh) :
https://www.youtube.com/watch?v=u1MKUJN7vUk 
Bande à part (1964) - Dance scene  
and sampled my guitar.

bande á part

bande à part

The structure of Malakosha is based on a repetitive textile weave which, on each repetition, is proportionally augmented until it is 24 measures long. Melodic patterns and change within these patterns also follow the structure of the weaving pattern. The work takes its title from the pentatonic Indian raga on which the harmony and tonal range of the music is based. Each section expands by adding more notes to the repetitive melodic patterns. Over the course of the work the role of the "noisy patterns"  develops: initially they are in the background and then gradually become part of a louder soundscape with the live instruments.

2 April 2019,  Decibel ensemble, conductor Daniele Rosina, Composer / Artistic Director / Electronics Ed Bennett, The Lab, Royal Birmingham Conservatoire.

The piece was originally commissioned by an annual contemporary music international festival ARS Musica, Belgium, Brussels, 2018.

Malakosha_Decibel ensemble

Anastasios Kokkinidis is a sound artist, composer and producer, active at the era of electronic and electro-acoustic music. 
His compositions, with a clear-cut experimental agenda.
An amalgamation of a detailed sound design taking on various music styles, from electronic, contemporary classical and experimental music to cinematic, ambient and avant-garde, in several compositions.
Nowadays, teaches in Music Technology & Sound Engineering courses, works as a freelance composer, music producer and mastering engineer for various artists & labels releases. 
His music works have been presented live through live-electronics, theatrical & tape performances, releases and installations ….

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emdy

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