Dark, abrasive, bass heavy electro breaks.
A soundtrack for empty bus shelters at 3am, wet tarmac, clicking exchanges, abandoned buildings and dirty alleyways
From the ashes of projects past, Exsil grew in the pandemic.  A reaction to isolation, and hysteria, empty streets and half remembered dance floors.
Dense, claustrophobic and complex electro breaks, glitched and bass heavy, but always with a driving insistent pulse, fragments of haunted melody strung around its core.
Pulling in threads of 80's electro analog warmth, and outboard production techniques, but with contemporary intensity, and refusing to be limited by genre boundaries, this isn't music that is trying to "emulate" anything, but push forward, instead of cashing in on empty nostalgia.
Old school values, new school production.

 If "Exsil" means anything, it is "outsider".

Standing on the fringes, and not looking in,  but looking out.

- TV ON -
- SOUND OFF - 
- SUBTITLES ON - 
- GUITAR + VOCAL IMPROVISATION -

(TV paintings by Ceri Pritchard)

https://ceripritchard.com/

Followers of A kid called Squids