13.12.2021
öenm / Chungki Min
Solitär, Universität Mozarteum Salzburg

https://alexanderludwigbauer.wordpress.com/zwei-bander-2021/

zwei bänder (2021)

NOUVELLES AVENTURES CICLE – KONZERTHAUS WIEN

Berio-Saal
Wiener Konzerthaus
Friday, April 22, 2022

Schallfeld Ensemble
Leonhard Garms, Conductor

The octet version of "les instances" is projecting an electrified sound world emerging from the musical synergies and the coexistence of an amplified ensemble with a synthesized, electronic soundscape. A continuum of interchangeable drives it, phrasal collages comprised of distinct sonic and rhythmical structures, both in the acoustic and the electronic parts. The structure is formulated by repetitive blocks and timbral constructs that engage horizontally and vertically (harmonically) and eventually forge the behavior and the dramaturgy of the music. At the core of my creative thinking lies the notion of repetitive exhaustion and dissolution of sonic material in frameworks of organic sound complexity. I am deeply interested in the impact of recursion on our perception of details and musical events at a micro and macro time level. The piece is heartily dedicated to George E. Lewis.

Les instances - octet version, for amplified ensemble and diffused, synthesised sounds (2019/20)

mix (142) by @christiearson

‎‧₊˚✧[𝐓𝐑𝐀𝐂𝐊𝐋𝐈𝐒𝐓]✧˚₊‧

01. toiret status - #31 Feat. DJWWWW
02. –––––––––––––––––––––––  - –––––––––––––––––––––––  (actually the name of the artist and song lol)
03. Píccolo & Acounta - Braze Bwoy
04. SOPHIE - Get Higher 
05. DJ Lifeline - II
06. Samurai Breaks - Sucker Punch
07. DJ Klaptrap - Dowry Gofundme
08. Gateterror - Chainswang
09. HUBZY  - jingle
10. Commiehog - Swell Into Something Less Horrible
11. Sokudo & YUKIYANAGI -Luvredux
12. 3PM Sub encoder x Nninety 
13. Machine Girl - Speaker Stretch
14. Playboi Carti - Kelly K (Slikback Remix)
15. Hudson Mohawke - Come a little Closer
16. Danny L. Harle - Take my heart away (s1m0nc3ll0 Remix)
17. Lobsta B & DJ G2G - Everytime We Touch Like a G6 (edit)
18. Qebrus - ◙◙◙
19. WijjY - Break Stuff Remix
20. Shitmat - Illegal soundz of tthe vibe
21. Windowshopping - Baby angel typhoid Mary
22. CDR - Pork frank Jungle
23. drunkdriving - I COULD BEAT THE SHIT OUT OF MOZART
24. Kid606 - Ecstacy Motherfucker
25. MC Boing - Boing Beat (edit)
26. Steve Reich -Clapping Music (Cherry Chip Remix)

(*ᴗ͈ˬᴗ͈)ꕤ*.ﾟ

(142) Cherry Chip

Ship Sket - England as a Succubus EP
ID008
Release date: 07-06-24

illegaldata.bandcamp.com/album/englan…s-a-succubus

"Listening to Ship Sket feels like being dragged to hell and back." - DAZED

You cannot separate pleasure from pain. Grotesque drums hiss and boom inside drill’s stricture, voices utter shattered phrases to each other in a darkening chain of whispers, synthetic violins mourn their last and rush towards singularity. Drawing upon the ‘self indulgent, purple prose’ of Angela Carter, the staggering works of composers Villa Lobos and Xennakis, the fissure between pagan mysticism of England past and its feckless, soul consuming present; ‘England as a Succubus’ is a lustful spirit that writhes and vibrates against a backdrop of lurid sonic pressure. 

Raised amongst the trees of the North Dorset countryside and presently residing in Manchester, Ship Sket grapples with a frenetic and maximalist style that subverts and perverts expectations of UK bass music with equal measure.

His new EP 'England as a Succubus' will be out on 7th June 2024 on Illegal Data.

DOWNLOAD

Ship Sket - Cat Ears Pyschoanalysis

Ensemble Risonanze Erranti, under the direction of Peter Tilling 

Maschinenangst (2019) - for prepared ensemble and two string quartets

Avaz (Bilkent Symphony Orchestra)

for eleven musicians and electronics

Ensemble Next
Dir.: Flavien Boy

Federico Altare, flûte
Youjin Jung, clarinette
Simon Munch, saxophone
Alessandro Rinaudo, percussions
Pierre Venissac, piano
Bastien Pouillès, accordéon
Youngseo Kim, violon 1
Karen Nonomura, violon 2
Nadine Oussaad, alto 
Yi Zhou, violoncelle
Jules Bauer De Milleret, contrebasse


21.03.2025 - Conservatoire National Supérieur de Musique et de Danse de Paris

zerre | Ensemble NEXT (2025)

ééttuuddee (binaural mix)

commissioned by open music for „Junge Stücke“

Gerald Preinfalk, saxophone
Krassimir Sterev, accordion
Dimitrios Polisoidis, viola
Philipp Kienberger, double bass

netzhautflimmern

ghosts

DJ Rashad & DJ Manny - Drums Please

Akın Kilis was born on June 13, 1998 in Adana. In 2016, he became a composition student at Mimar Sinan Fine Arts University. Here, he worked with Özkan Manav, Hasan Uçarsu, Mehmet Nemutlu, and Ahmet Altınel, and graduated in 2020. In 2020, as part of the Erasmus+ program, he worked with Gordon Kampe at the Hochschule für Musik und Theater Hamburg. At the same time, he also worked with names like Alexander Schubert, Sebastian Sprenger, Roberta Vidic, and Catarina Fourcassie. In the same year, he started his master's degree education at Mimar Sinan Fine Arts University Istanbul State Conservatory as a student of Özkan Manav. In the academic year 2022-2023, he worked with Klaus Lang at Universität für Musik und darstellende Kunst Graz as part of the Erasmus+ program, and had the opportunity to work with names such as Beat Furrer, Franck Bedrossian, and Clemens Gadenstätter multiple times. In the academic year 2023-2024, he will continue his second master's degree education at the same school with Clemens Gadenstätter.
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Some ensembles performed his works and some performed pieces: Ensemble Multilaterale (France) "C Major Trauma", Quatuor Diotima (France) "Bounded Mobility", Ensemble Oerknal (Netherlands) "Parodies of a Ballade", Appasionato Ensemble (Italy) "If We Had Not Get Divided...", Gilgamesh Ensemble (USA) "Epope", Klaipėda Chamber Orchestra (Lithuania) "Brancusi", Klasik Keyifler (Turkey) "Konçerto Pera", Diskant Ensemble (Turkey) "Stepwise to the Tenebrous Aura", Anadolu Wind Quintet (Turkey) "Insomnia".
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Some awards he received in competitions: 2nd Prize at the 9th Mersin International Music Festival Composition Competition (2017), 3rd Prize at the 11th Mersin International Music Festival Composition Competition (2019), Audience Special Award and Honorable Mention at the Süleymanpaşa Municipality Bisanthe Gülsin Onay Piano Composition Competition (2019), Honorable Mention at the IV. International Composition Competition 2020 "Appasionato Ensemble" (2022), 3rd Prize at the 2nd International Balsys Composition Competition 2021, 3rd Prize at the Gilgamesh Composition Competition (2022), 6th Prize at the 2nd International contest of choral composition UAH 2022, 1st Prize at the 4th International Composition Competition New Music Generation, Jury Special Award at the Aima 25th Anniversary Composition Award (2023).
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Names he has worked with so far: Onur Türkmen, Mahir Cetiz, Yiğit Aydın, Michael Ellison, Ülkemin Akbaş, Pieter Snapper, Shih-Hui Chen, Hideki Kozakura, Michael Edward Edgerton, Samir Todeh-Tamimi, Kamran İnce, Gordon Kampe, Klaus Lang, Beat Furrer, Franck Bedrossian, Yann Robin, Francesco Filidei, Clemens Gadenstätter, Klaus Lang, Jean-luc Herve, Pierluigi Billone, Marco Stroppa, Martin Matalon, Mark Andre.
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Festivals he has attended: 10th, 11th, and 13th Journey of Sound: Young Composers Festival (2017, 2018, 2021), The Second Everlasting Hope: Gustav Mahler & Terezin Composers Festival (2018), Bilkent Composition Academy (2017-2019), Istanbul Bilgi University Bilgi New Music Festival (2021), Barcelona Modern Academy, Impuls Composition Academy (2023).
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Seminars he attended: Onur Türkmen, Tolga Yayalar, Mahir Cetiz, Pieter Snapper, Hanna Eimermacher, Noel Zahler, Eivind Buene, Stefan Lienenkamper, Ken Ueno, Michael Edward Edgerton, Hideki Kozakura, Helena Tulve, Kamran İnce, Tolga Tüzün, Leopold Hurt, Moritz Eggert, Franck Bedrossian, Yann Robin, Francesco Filidei, Clemens Gadenstätter, Klaus Lang, Marton Illes, Annesley Black, Min Tzao, Jean-luc Herve, Pierluigi Billone, Clara Iannotta, Bernard Lang, Marco Stroppa, Martin Matalon, Mark Andre.
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A significant portion of his experience in composition has been gained through his relationship with the Istanbul Composers Collective. He considers them as his most valuable school and companions on this journey, especially Mithatcan Öcal, Emre Dündar, Mehmetali Uzunselvi, and Uğurcan Öztekin. The composer expresses gratitude to his dear friends Emircan Pehlivan and Mithatcan Öcal for their music discussions and collaborations.

Avaz (Bilkent Symphony Orchestra)

Akin Kilis