Distance2022 AKIE

Recordings from SHTGN 2023 -There are plenty of fish in Kristýna lake
@laurabcr

Buy tickets 2024

There are plenty of fish in Kristýna lake - Laura BCR

This set was recorded at La Nature Festival somewhere in a forest in Belgium. This three hours set took place in the middle of the afternoon on June 22 during the summer solstice week-ender yet on a grey & moody day. Dive in!

Laura BCR at La Nature Festival 2024

2018’s chilled-out Kiran LP was a first step towards Konduku’s inevitable fate as electronic music producer par excellence. The Dutch performer’s right brain rhythms were perhaps aptly timed, touching a spot made tender by the period of introspection forced upon us by an unprecedented global pandemic. These were spartan experiments in sound that reverberated within the cavernous space isolation prised open but didn’t stay that way for long. With the return to normality came another side to Konduku’s work, productions and real-time sets that focused on a heavier, more techno-leaning sound; though they still took inspiration from bass, sometimes house, and the plangent loops of mid-2000s Italian hypnotica. These beats found a perfect home on Spazio Disponibile, Delsin’s Mantis as well as DJ Nobu’s Bitta label, and even claimed a sublabel all his own on Rotterdam’s Nous'klaer Audio, the music and photography outlet K Series. A highly satisfying alliance of liquid basslines and layered echoes put his name on the rise, and today his relentlessly chugging and nimble beats are very much a known quantity, a unique and welcome proponent for cerebral, subaqueous loops. Bassiani Podcast 223 is top-form Konduku recorded live at the club back in May, three hours of forward-thinking techno that’s thick with ideas and rattling rhythms, far-out frequencies for the temporal lobe that surprise at every turn.

@kondukukonduku

BASSIANI PODCAST SERIES

Bassiani invites Konduku / Podcast #223

Dreaming 037 to 040 are a series of recording from special joint party "NIAGARA x MOLDIVE" held at NOON, Osaka on September 15, 2024.
The third part, three hours long set is by Elevator.
ffan (Nyapi, Seoul) and yamarchy (Mitsuki, Tokyo) made their debut as a limited duo "Elevator" in Osaka. Such an elevation...or what a sensation! Please get in, and see how higher (and deeper) they will take you.

@ffan @yamarchy-ymd

Mastering by @dj-guchi-link

DREAMING 039 : Elevator (ffan & Yamarchy) - NIAGARA x MOLDIVE@NOON 2AM-5AM, 15 Sep 2024

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website:  https://openlab.fm/news/observatory-90-sungate-with-nao-moy-santana

Welcome to episode number 90 of Observatory by Sungate Rural organiser and resident Nao steps up on hour 1 with her signature groovy yet hypnotic style Sungate co-founder Moy Santana follows suit with a fractal beat forest of kaleidoscopic deep techno.
Art and animation by Abel Fernandez

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Observatory 090 - Sungate [with Nao & Moy Santana]

Nao, the resident at rural, has been touring Europe, the U.S., and Latin America with us this year. In this year at rural, She was in charge of the late night time slot. Her shimmering set was transforming with the floor, organically harmonized with the space lit up in extreme colors with beautiful flowers, leading people into a deep hypnotic state. Lose yourself in her techno-based set, a blend of diverse sounds that overflows with her unique style.

ruralのレジデントとして欧州や米国・中南米でのツアーにも同行するNaoが、今年のruralでは前夜祭の夜更けの時間スロットを担当。フロアに合わせて変幻自在に煌めく彼女のセットは、美しい花々と共に極彩色にライトアップされた空間と有機的に調和して、人々を深い催眠状態へと導きました。テクノを基調としながらも、多様なサウンドがブレンドされた彼女のスタイルが溢れ出るセットに身を委ねてみてください。

Nao at rural 2024

A sticky-dripping sonic web of sound. 

https://www.instagram.com/naomyan610

Honey Trap with Nao @ The Lot Radio 10-31-2024

The longtime Perlon affiliate goes for big basslines and big grooves. 

It's 1996, and a young Fumiya Tanaka is shelling out hefty yet minimal percussive techno at Club Rockets in Osaka to an audience enraptured. Released as Mix-Up, the 90-minute recording captures Tanaka sounding rather like Jeff Mills or Surgeon. It's far cry from the sound he's known for today.

Fumiya Tanaka's creative arc has seen him move away from these thunderous sounds to warmer shades of house and minimal. Since 2016, he's found a home on the inimitable German minimal label, crafting out a distinctive sound within the labels roster with an affection for tumbling basslines and spooky atmospheres. 

From 1996 to 2023, Tanaka ran a party series in Tokyo, Osaka and Berlin called "Chaos," which encapsulates the ethos of freedom Tanaka brings to a party. "When you hear music you've never heard before and encounter unknown territory, you will be so happy and totally absorbed," he told us back in 2019. "I want to keep that feeling."

RA.964 achieves exactly that. Nearly three decades removed from his burst onto the scene, and after a good few years of asking, Tanaka's RA Podcast captures him in full house mode. Recorded at a Slapfunk party in Manchester, the Perlon maestro keeps the vibe funked-up, chunky and warm, punctuated by the occasional big breakdown and the odd lick of garage rudeness. No tracklist for now—but as Tanaka knows well, half the fun lies in the mystery. 

@fumiyatanaka_official

Read more at ra.co/podcast/964

Distance2022 AKIE

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