DEPTH & EDGE  1 - 70 BPM

BASKET CASE THEORY

Use Your Despair to Find Freedom

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#214 - Pensées vs circonstances 2.0: Meta-cognition / Meta-communication

Gratification

"End Of The World" from the album Quieter by Carla Bozulich

Album out 11 May 2018
Constellation
CST132 • 180gLP/DL
cstrecords.com/cst132

"End Of The World"
Written by Marc Ribot
Marc Ribot: guitar
Carla Bozulich: voice
François Lardeau: sound engineer

Quieter

Carla Bozulich & Marc Ribot • "End Of The World"

Inspired by Toshikatsu Endo / Untitled 1985.

Wood,tar,water,fire

Plains

Rainsong

Spotted Laughing Thrush and other songbirds call in a frozen Himalayan meadow in Nepal. 

This is an excerpt from the album "Himalayan Dawn" available as a FLAC or mp3 download for $6.95 from https://wildambience.com/albums/himalayan-dawn/

Himalayan Meadow

Himalayan Meadow - Recorded in Langtang National Park, Nepal

Glass Wolf (A Piano Story)

In 1968, Dr. Bernie Krause was leading a booming music career. A prodigiously talented musician and early master of the electronic synthesizer, Krause was busy working with artists like the Doors and the Beach Boys and performing iconic effects for blockbuster films. Then Warner Brothers commissioned him to create an album incorporating the sounds of wild habitats, so he headed into Muir Woods with his recording equipment. What he heard changed his life and triggered a fifty-year odyssey.

Then and there, Krause decided that he wanted spend the rest of his life recording and archiving the music of wild animals and wild places. He quit Hollywood and began traveling the world. The soundscapes he recorded were full of epiphanies about the origin of our own culture and music, about the profound connectedness of creatures, and about the unseen tolls of human activity. Previous wildlife recordings isolated the calls of individual creatures, but Krause recorded habitats as a whole. He soon proposed a new theory of ecosystem functioning: that each species produces unique acoustic signatures, partitioning and occupying sonic niches such that the singing of all of the creatures in a healthy ecosystem can be heard, organized like players in an orchestra. 

Today, Krause’s astonishing archive contains sounds made by more than 15,000 species. It is, as The New Yorker aptly put it, “an auditory Library of Alexandria for everything non-human." Fifty percent of the recorded habitats no longer exist due to habitat destruction, climate change, and human din. We spoke with Krause about the beauty of and perils facing wild music, the extraordinary science of soundscape ecology, and how sound impacts the welfare of animals. The music in this episode is from Wild Sanctuary (www.wildsanctuary.com).

Ep. 39 - Bernie Krause on saving the music of the wild

Artist, DJ, WaveLord. 🌊👑 Architect of the Meaningwave® Universe enquiries@meaningwave.com

Use Your Despair to Find Freedom

AKIRA THE DON