Psalms and Sacrifice

Elohim Adonai (Kingdom Come)

Italia Senza Vergogna is a fierce, sensual, and unapologetically bold Italian pop collection that reimagines la dolce vita through modern eyes and vintage orchestration. Blending the lush drama of Nino Rota, the orchestral seduction of 1960s Cinecittà, and the raw lyrical heat of contemporary desire, these songs celebrate love, betrayal, sex, power, and beauty across Rome, Naples, Venice, and beyond. From the haunting elegance of Roma to the feverish defiance of Bottona and the romantic chaos of Venezia è Piena di Fogna, this is Italy as it’s never sounded—flirtatious, cinematic, and burning with life.

Track 7 Sutta ‘sta Luna (Notte di Sposa)

Sex-O-Rama is an explosive genre-defying project fusing raw West Coast rap energy with lush orchestral arrangements and golden-era pop elegance. This high-concept album dives into the sacred and profane, exploring themes of hookup culture, sexual addiction, fantasy, power, and vulnerability.  Each track is a cinematic experience.

From the cinematic eroticism of "SexORama" to the soul-exhausting rituals in "Hook Up Blues", and the orchestral bravado of "Lube Love" to the lust-drunk euphoria of "Everlasting Cum Shot", this album isn't just about pleasure—it's about survival through desire.

A soundtrack for the modern sinner. Intimate. Operatic. Unapologetically explicit.

Headphones on. Lube up. Press play.

1 Sex-O-Rama

Errance à Travers des Pensées Intemporelles est une suite orchestrale en quatre mouvements, conçue comme un voyage intérieur à travers la mémoire, l’héritage émotionnel et les silences du passé.

Inspirée par la grandeur romantique de Schumann, la vitalité lyrique de Dvořák et le lyrisme cinématographique de Rachmaninov, chaque mouvement explore un territoire émotionnel unique — entre mélancolie, tension, ironie, et lumière retrouvée.

L’orchestration spatialisée en Dolby Atmos crée un monde sonore immersif où chaque instrument devient une voix dans un dialogue intérieur. De la tendresse intime de Romanza à la libération éclatante du Finale, cette œuvre symphonique propose une méditation sur le temps, le souvenir et les traces invisibles que la pensée laisse derrière elle.

1. Movement One

A genre-blending, soul-baring concept album that explores the emotional fallout of digital overload, compulsive longing, fractured identity, and the desire for escape. From the dark dopamine rush of food and dating apps in “Binge,” to the existential emptiness of arrival in “Uber Nowhere,” to the aching plea for silence in “Reset,” these tracks fuse pop, alt-rock, soul, and hip-hop into cinematic, deeply relatable anthems. Glam theatricality collides with raw soul and grand piano lines. All finished with sweeping arrangements to create a soundscape that’s as addictive as the compulsions it critiques. Every song is a cry for connection in a world that won’t stop buzzing. For everyone stuck between the scroll and the soul — this album hits home and hard.

8 Uber Nowhere

1 Reset

Ashes of a Man is one of Luminor’s most personal and emotional works.

It tells the story of a father broken by heartbreak, depression, and drink — a slow decline witnessed by his family, who tried to save him. By the time he was ready to accept help, it was too late.

Woven with lines from a personal poem written for him, the song is both a eulogy and a confession — a heavy but beautiful reminder that love and grief are inseparable.

This is Luminor stepping into darker, heavier territory, continuing the intimate journey that began with Little Kingdom and All That Remains.

Ashes of a Man

Only the wise will understand but you don't listen to this album, this album listens to your soul. EXTREME SPIRITUAL PURITY & INTENTION IS REQUIRED EVEN TO LISTEN TO THIS EXCERPT


Track 1 ALBUM WARNING I

Track 2 WARNING, WARNING II

America Psychosis: The Democracy Dance Dysfunction (An Oratorio) is a symphonic pop manifesto — a 21st-century requiem for reason, remixed for the dance floor. Akiva David fuses Baroque oratorio, 1970s disco, 1980s glam, hip-hop, and Philip Glass minimalism into a fever-dream of beats, choirs, and political satire.

Across movements like “Democracy Messiah,” “Institutional Utility Obsolescence,” “Taxes, Money & Bribes,” “Legal Illusions, Power Delusions,” and “Will the White House Ever Be the Same?” the album transforms the language of governance into melody, protest, and transcendence. It’s both hymn and hallucination — Handel by way of Hollywood, and Bach through Dolby Atmos.

This is the sound of freedom dancing on its own reflection: seductive, intellectual, spiritual, and defiantly human.

6. Why Everyone Hates the Jews (a_k_a Jew Haters)

This album is a minimalist theatrical song cycle exploring ambition, self-doubt, longing, and the moment of inner arrival. Blending contemporary Broadway emotion with Philip Glass–inspired repetition and modern cinematic pop, these tracks trace the psychology of desire—from endless wanting, to self-sabotage, to the quiet power of feeling whole.

Written for high, exposed male voices (countertenor and male soprano), the songs move through hypnotic piano patterns, gradual orchestral builds, and restrained anthemic releases. Rather than chasing spectacle, the album builds intensity through repetition, incremental change, and emotional accumulation—turning questions into declarations and longing into integration.

This is music for those who have chased dreams, achieved them, dismantled them out of fear, and finally asked what remains when the chase stops. Intimate, obsessive, luminous, and unresolved, the album lives at the intersection of musical theatre, minimalist composition, and modern confessional pop.

Perpetual Dissatisfaction

International Music Composer/Producer, Author, Radio Host & Spiritual Counselor

Perpetual Dissatisfaction

Divine Imagination Radio

Related tracks