Psalms and Sacrifice

Elohim Adonai (Kingdom Come)

Album Title: The Secret Tools of Creation
Artist: Akiva David & Divine Imagination Radio
Recorded Based on Shavuot 5785 Mystical Studies from the Upper Worlds with the Vilna Gaon (G’Ra) & Moshe Chaim Luzzatto (Ramchal)

Album Description

The Secret Tools of Creation is not merely music—it is a sacred orchestration of prophecy, exile, redemption, and reflection. Spanning 18 spiritually encoded tracks across multiple oratorios, this collection includes:

- Tools of Creation – A four-movement oratorio on fire, voice, the Shamir, and the hidden light.
- Threads of Return – A big band cinematic cycle healing the trauma of Yosef’s coat.
- Reflections Upon the Soul – A mirror-shattering opening to awaken inner reckoning.
- Makdim Refuah LaMakkah – A healing chant: “He made the cure before the wound.”
- Song of the Ramkhal – A devotional tribute to Rabbi Moshe Chaim Luzzatto, whose teachings inspired the entire transmission.

Spiritual Warning

This is not entertainment. This is a transmission of kavanot (intentions) and spiritual architecture received during the sacred nights of Shavuot 5785. These compositions are imbued with kabbalistic structures, sacred sound design, and hidden light.

Please do not listen casually.
Listen only with reverence (kavod) and intention (kavanah).
Do not sample, remix, or manipulate these tracks for secular or commercial purposes.

All tracks feature all-male voices and are produced with spatial audio considerations for sacred listening.


Track 4a Makdim Refuah LaMakkah (He Made the Cure Before the Wound)



1. Messe Royale de Versailles – D’après les Manuscrits de la Maison de Bourbon
(Royal Mass of Versailles – From the Manuscripts of the House of Bourbon)

2. Messe Solennelle pour la Chapelle Royale – Inspirée des Archives de la Maison d’Orléans
(Solemn Mass for the Royal Chapel – Inspired by the Archives of the House of Orléans)

Messes Royales de Versailles – Héritage des Manuscrits Secrets des Maisons de Bourbon et d’Orléans réunit deux messes baroques majestueuses, réinventées et complétées par Akiva David à partir de manuscrits historiques jalousement conservés par les lignées princières françaises. Découverts lors d’une rencontre familiale avec des cousins éloignés des Maisons de Bourbon et d’Orléans, ces trésors musicaux proviennent de la Chapelle Royale de Versailles et témoignent de l’éclat liturgique de l’Ancien Régime.

Sous la direction d’Akiva David, et interprétées par la Choral Society of Fête Saint-Hubert Hounds, ces messes recréent la grandeur sonore de Lully, Rameau et Delalande, avec instruments d’époque à diapason historique (A=415) et chœur en latin. Du murmure d’un hautbois solitaire à l’éclat triomphal des trompettes naturelles et des timbales, l’enregistrement, capté dans l’acoustique majestueuse d’une chapelle royale, restitue la dévotion, la pompe et la splendeur artistique d’un monde disparu.

Track 6 Messe Royale de la Maison de Bourbon – De la Gloire et de la Majesté Agnus Dei – Majestas Misericordiae

Errance à Travers des Pensées Intemporelles est une suite orchestrale en quatre mouvements, conçue comme un voyage intérieur à travers la mémoire, l’héritage émotionnel et les silences du passé.

Inspirée par la grandeur romantique de Schumann, la vitalité lyrique de Dvořák et le lyrisme cinématographique de Rachmaninov, chaque mouvement explore un territoire émotionnel unique — entre mélancolie, tension, ironie, et lumière retrouvée.

L’orchestration spatialisée en Dolby Atmos crée un monde sonore immersif où chaque instrument devient une voix dans un dialogue intérieur. De la tendresse intime de Romanza à la libération éclatante du Finale, cette œuvre symphonique propose une méditation sur le temps, le souvenir et les traces invisibles que la pensée laisse derrière elle.

1. Movement One

A genre-blending, soul-baring concept album that explores the emotional fallout of digital overload, compulsive longing, fractured identity, and the desire for escape. From the dark dopamine rush of food and dating apps in “Binge,” to the existential emptiness of arrival in “Uber Nowhere,” to the aching plea for silence in “Reset,” these tracks fuse pop, alt-rock, soul, and hip-hop into cinematic, deeply relatable anthems. Glam theatricality collides with raw soul and grand piano lines. All finished with sweeping arrangements to create a soundscape that’s as addictive as the compulsions it critiques. Every song is a cry for connection in a world that won’t stop buzzing. For everyone stuck between the scroll and the soul — this album hits home and hard.

8 Uber Nowhere

1 Reset

Ashes of a Man is one of Luminor’s most personal and emotional works.

It tells the story of a father broken by heartbreak, depression, and drink — a slow decline witnessed by his family, who tried to save him. By the time he was ready to accept help, it was too late.

Woven with lines from a personal poem written for him, the song is both a eulogy and a confession — a heavy but beautiful reminder that love and grief are inseparable.

This is Luminor stepping into darker, heavier territory, continuing the intimate journey that began with Little Kingdom and All That Remains.


I watched you fall when she walked away,
The love of your life, the price you paid.
The bottle whispered where words ran dry,
A broken heart that couldn’t hide.

Ashes of a man, slipping through my hands,
I tried to hold you, but I couldn’t understand.
The fire was fading, though I begged you to stand,
All I carry now… are the ashes of a man.

In all the world, none fair as thee,
Thy winsome ways, thy heart for me.
And yet the sadness deep within,
A storm you bore that none could win.

Ashes of a man, slipping through my hands,
I tried to hold you, but I couldn’t understand.
The fire was fading, though I begged you to stand,
All I carry now… are the ashes of a man.

We gathered close, we tried to save,
But the help you needed came too late.
By the time you reached for my outstretched hand,
The darkness had claimed the better man.

“Beneath it all, so hard to bear…
But known to only thee and me.”

Ashes of a man, slipping through my hands,
I loved you still, though I couldn’t understand.
The fire is gone, but the embers remain,
Your love survives, through the ashes of a man.

“Through the ashes… I remain.”

Ashes of a Man

Only the wise will understand but you don't listen to this album, this album listens to your soul. EXTREME SPIRITUAL PURITY & INTENTION IS REQUIRED EVEN TO LISTEN TO THIS EXCERPT


Track 1 ALBUM WARNING I

Track 2 WARNING, WARNING II

America Psychosis: The Democracy Dance Dysfunction (An Oratorio) is a symphonic pop manifesto — a 21st-century requiem for reason, remixed for the dance floor. Akiva David fuses Baroque oratorio, 1970s disco, 1980s glam, hip-hop, and Philip Glass minimalism into a fever-dream of beats, choirs, and political satire.

Across movements like “Democracy Messiah,” “Institutional Utility Obsolescence,” “Taxes, Money & Bribes,” “Legal Illusions, Power Delusions,” and “Will the White House Ever Be the Same?” the album transforms the language of governance into melody, protest, and transcendence. It’s both hymn and hallucination — Handel by way of Hollywood, and Bach through Dolby Atmos.

This is the sound of freedom dancing on its own reflection: seductive, intellectual, spiritual, and defiantly human.

6. Why Everyone Hates the Jews (a_k_a Jew Haters)

1. LONG COVID LAMENT Medical Open

International Music Composer/Producer, Author, Radio Host & Spiritual Counselor