Toda nuestra discografía disponible en www.hermanoskapiya.com
Todo comenzó cuando se interesaron por la música cañera después de visitar por primera vez la discoteca Masía en 1999. A partir de ahí comenzaron a hacer sus primeras mezclas en casa. Un año mas tarde empezaron a producir sus primeras maquetas con el ordenador y a pinchar juntos.
Participaron en varios concursos de deejays por separado llegando a la final del concurso de deejays de Masia.

Por el 2003 pasaron a formar parte del sello discográfico HPS y Red Vinyl, a partir de aquí empezaron a hacer bolos por varias discotecas y sacaron varios vinilos a la venta.

En 2005, Dr. Evil les propuso formar parte del sello Newstyle Corps de Masia y fue a partir de aquí cuando fue un no parar de actuaciones visitando salas de toda España como Manssion, Central, Chasis, Chocolate, Fantasy, Virtual, Set4dos, Pirámide, New Axis, KDW, Órbita, MR, Radical, Panic, Sifos, Non, etc.

Han sacado vinilos por otras discográficas como Global Noize, CHR, Frenetika …
Han hecho varias colaboraciones en varios programas de radio llegando a tener su propio programa: “Planeta Newstyle” en Radio Única.

En 2011 ganaron el premio Dj Oners del mejor tema Newstyle por la revista Dj One: Hermanos Kapiya Vol.6 “Look at this”

Con la revolución digital y la caída del vinilo crearon su propio sello para sacar temas a la venta por Internet, HK Records, con sus últimos lanzamientos: The Junior, Hnos. Kapiya Vol. 7, 8, 9..... También han hecho varias colaboraciones con el sello discográfico Masia Records y en la web pudes conseguir todas sus últimas producciones.

Actualmente forman parte del equipo de Residentes de la Discoteca Masía y tienen muchos proyectos en marcha, como colaboraciones con otros deejays y próximos lanzamientos de recopilatorios. Siguen al pie del cañón visitando las mejores salas y festivales con música actual y remember.

Las tendencias musicales actuales siguen siendo principalmente el Newstyle con toques de otros estilos “Hard” aunque sin perder la esencia que caracteriza su autentico sonido Hermanos Kapiya!!!

Productor almeriense de todo tipo de generos del hard

Instagram:
https://instagram.com/thementalcollectors_tmc?igshid=MzMyNGUyNmU2YQ==

Lo mejor de la makina & hardcore, hardcore classics y uptempo.

https://linktr.ee/dkr_dj
Instagram: @dkr_alejaandro
Bookings: classics.bookings@hotmail.com

Blending Uptempo HC with Steampunk aesthetics.🎩⚙️⏳

💿 Bookings: 📧 -> kay@bkjnbookings.com

💿 Young Guns Label

🎩 ANYTIME IS LEKKERTIME 🎩

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

☆KING OF NEWSCORE ☆
*DJ / PRODUCER OF NEWSCORE 
*TOXIC KORE COMPONENT

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