Wooooooowwwww. The entire piece is beautiful. 

اووف شو هالجمال !❤❤❤❤❤

your profile has been a discovery. a wonderful one! Keep on with the great work! <3

Chaela home

 It`s so﻿ fundamental.... Like roots of music  nice track.
 Enjoy 
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Majid Bekkas - African Blues

Free download.

Lovers' names, carved in walls
Overlap, start to merge
Some of them underneath
Maybe they appear

In graveyards
Maybe they fade away
Weathered and overgrown
Time has told

Meaningful hidden words
Suddenly appear, from the murk
Maybe they're telling us
That the end

Never was
Never will
The words have gone
But the meaning will never disappear 
From the wall


Original track: http://www.youtube.com/watch?v=nWQXKJTlAQc
Support Bibio: https://www.facebook.com/mrBibio

Download (bandcamp)

Bibio - Lover's Carvings (Haugli's Mix)

Work in progress - Mastered...almost there

Vocals by the lovely Yasmin Hamdan
taken from the movie Only Lovers Left Alive

If you like this type of music, check out my new project

https://soundcloud.com/one_release/rim-banna-the-sun-of-love-one-release-remix

Thank you all for your support and for liking this music

One Release vs. Yasmin Hamdan - Only Lovers Left Alive

La chanteuse indienne Kiran Ahluwalia est tombée sous le charme des rythmes et des guitares tamashek puisqu'elle a enregistré 1 titre avec Tinariwen et 2 autres avec Terakaft.

Tinariwen & Kiran Ahluwalia ʚïɞ Mustt Mustt

Yemen Blues - Trape Le Verite

BKO Quintet - Ntana

I spent a lovely weekend in the Baltic coast town of Luleå and I wrote this track on a Teenage Engineering OPZ while looking out over the habour.

Recorded in one take, no overdubs, light mastering. All sound from the OPZ.

Lule

Namnet försvann

Jonatan Derbaq - Lamma Bada Yata Sana

To the heart of old damascus , Bab Touma.
No one can forget the Jasmin smell and the old alleys of Bab Touma..
A piece of my heart is left there..

Bab Touma

Yom And The Wonder Rabbis - Kaddish For Superman

Best CD's and Gigs november 2016 by Que Tal Paris ?

Michel Camilo & Tomatito - Spain Forever (Impulse ! / Universal)

مسمعتش اروع من التراك ده jazz fusion و oriental  وهم بكل معني الكلمة 
بالمناسبة sull lull كلمة ايطالي ومعناها علي هدوء

(01) [Jan Garbarek, Anouar Brahem-Shaukat Hussain] Sull Lull

The Sahara Sessions was recorded deep in the desert. Sheltered only by an animal-skin tent and the vast canopy of midnight stars, Etran Finatawa played their guitars and sang straight from the heart. Each poignant song and every slap of the calabash drum articulating the deep-set divisions in the Sahel region that are threatening their Nomad way of life.

Read More/Buy Album: www.worldmusic.net/saharasessions

Simmering political troubles and excruciating economic hardship pose a dangerous threat to the nomadic way of life and the rich cultures of Niger. Divining their solution to these issues, Etran Finatawa celebrate their diverse heritage and call for its preservation to be a priority for Nigeriens and listeners the world over.

The Sahara Sessions opens with ‘Matinfa’, a gently rippling introduction peppered with traditional percussion; tendé, calabash and azakalabó (a calabash drum that floats in water) drums are all heard. The song title translates as ‘What Is This For?’ and is the first signifier of the album’s intent to comment on the tumultuous status of the Sahel region today. Although Niger has displayed a firm opposition to separatism that plagued neighbouring country Mali in 2012, the troubles have inevitably caused insecurity in the Sahel region and the threat to the countries rich and varied cultures is a very real concern. Etran Finatawa’s members are of Tuareg and Wodaabe heritages – neighboring tribes that both live as nomads. Water shortages and land disputes have led to deep-set economic issues that cause conflict and misunderstanding across communities. The work Etran Finatawa do to promote unity and understanding is invaluable. 

The album presents a collection of tracks: some fixed compositions developed and created by the band and others spontaneous improvisations that capture the spirit of the tent recordings.  Songs such as ‘An Mataf Germanawen’ (Union) and ‘Issuad’ (Let’s Come Together) patiently call for attention to be paid to the political situation.

Various guests also join then band on the album – arrangements that occurred organically and were spontaneously initiated. One of these, a Tuareg percussionist by the name of Ayouba arrived at the camp one night, revving out of the darkness on his motorbike. Before long Ayouba had set up his calabash drum and was spreading his contagious high-energy vibe like wildfire. His articulations can be heard on the three tracks ‘Matinfa’,  ‘Icheraid Azaman’ and ‘Toumast’. ‘Wa Oyan A Wa Imouss I Bastila’ is an excerpt from an improvisation with Abdourahaman Ag Ibrahim, a well-known local griot (praise-singer and oral historian), who came to visit the tent where Etran Finatawa were recording.

Etran Finatawa are as captivating as the horizon-stretching desert where the pitched their tent to record. Like the desert their music stretches out across the sands of time and culture.


Bab Touma

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