Cerpintxt is an electroacoustic progress report concerned with generating an invented language of a particular strain of softness through phonetic entropy and augmented instrumentation. Working with cut-ups, dialectics, and chaos magick to decimate language and linear constructs of temporality. In an entropic process of lingual erosion into protoconversation, the textural counterparts of her sound include wind instruments, broken turntablism, tape recorders, granular and modular synthesis. She curates the London-based event ‘Boundary Condition’ investigating the parallelization between darkjazz, hauntology, and music concrete as nostalgia-centric sonic practices, previously hosting Esperanza Spalding, Shabaka Hutchings, Machinefabriek, Carlos Casas and more. She is a resident on Radio Alhara, Radio syg.ma and Mutant Radio.

bookings: alaayussry@antisense.co.uk

Saxophone as a raw material for sonic alchemy. Channeling overtones and fast arpeggios through live electronics, stretching into a machine of layered echoes and resonant hums

For bookings: meagreresource@hotmail.com

Mark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His work explores themes of magnetic memory, audio archaeology, voyeurism and nostalgia. 

His solo music projects have been published through labels including Kye, Glistening Examples, Flaming Pines, Misanthropic Agenda, Gagarin, Sonoris, Granny, Psychetropes, Persistence of Sound, Flag Day, Entr’acte, Discrepant, Futura Resistenza, Vice de Forme, Calling Cards and Canti Magnetici. 

He co-runs and curates Glasgow art radio station, Radiophrenia and has produced programmes for stations internationally.

Naturally active person, in 2014, Nathalia founded Experiment Intrinsic – a hidden art dimension organically blended with the visual and musical imagination.

A pivotal change, in which she pursued a path of deeper self inquiry and progression of sound, shifted her from the electronic dance-floor oriented music and into ambient soundscapes. 

Her influences drew increasingly from experimental electronic, as well as traditional and spiritual genres. 

The following years were dedicated as developing the project into a dynamic and constantly evolving audio-visual platform.

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