L'AVIDE TRANCHÉE

https://soundcloud.com/velvetsomethingsuperdark/sets/cold-city-soundtrack
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Snow*Omen/Velvet Something Superdark collaboration.
Music: Snow*Omen @snow_omen (recording of a partly improvised live performance. Voice: Y.A., electric guitar: VSS). Mixing and production: VSS. All sounds Snow*Omen and VSS. Image: Möckernbrücke Subway Station, Berlin, at night (videostill: VSS). 

Cold City (lyrics: Y.A.)
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Cold city wires us up
to the crispy 
winter lanes
to the chimes and bells of rust

We are fragile

Are we still warm in her hands?
Are we the aftermath of her night?
Are we her crumbling body of bread?

Cold city swallows us up
every morning
she takes us down
with her first coffee cup

We are fragile

Are we her little wicked friends?
Are we her nausea at breakfast?
Are we her crumbling body of bread?

She dusts the crumbles
off her teeth 
her pointed teeth
puts on her million fancy gowns

We are fragile

Are we her foxy lady friends?
Are we her agents of the dawn?
Or just her crumbling body of bread?

Cold city is the ageless queen
snowless
and dark 
with icicles she writes upon our skin 

That we are fragile

Cold City: Icicles

A second chance at love, and lowering combustion temperatures, therefore reducing NOx emissions, while protecting areas along river banks with electric fencing on Tuesdays and Thursdays.

Pneuma Chaos Relapse

This track was created for the Naviar Haiku group.
582
https://www.naviarrecords.com/naviarhaiku582-here-and-there/

2025-02-27

here and there (Naviarhaiku 582)

out of the blue
of early morning light:
a paulownia leaf

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta: https://thepoetryhour.com/poets/oshima-ryota/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF leaF [naviarhaiku583]

Submission for # 583 Naviar's Haiku @ https://www.naviarrecords.com/haiku-music-challenge/#haiku-posts
One take recording using Twin3 Synth and FabFilter, Minimal Audio, Output fxs. Harmony Bloom sequencer. 

Inevitable Life (NaviarHaiku583)

Sunday Meditation_01

XFALVLEXPERIMENTALPSYCHEDELICMMXIXXIIXVIDRUMS

MMXIXXIIXVILVL

Doce Encanto [Bossa Nova Sound Concept]

Drawing from the warmth of vintage jazz clubs and the precision of modern lo-fi production, this collection creates a sonic environment where elegance meets accessibility. Each song has been selected for its ability to enhance without overwhelming, to accompany without demanding, and to elevate without pretension. This is jazz for the contemporary soul: refined, restrained, and remarkably resonant.

Chamber Jazz

Subscribe my channel: https://www.youtube.com/@rfviolao

Lamentos (Pixinguinha) — Solo Guitar

A modern, intimate take on the 1928 choro: a singing melody over a syncopated 2/4 sway, with walking bass and tasteful rubato.
Details: solo classical guitar • standard tuning • key: D major • instrumental (no lyrics).
Credits: arrangement & performance by Ricardo Farão.
Score: https://www.sheetmusicdirect.com/en-US/se/ID_No/1824606/Product.aspx
Public Domain (US) source; recording © Ricardo Farão.

L'AVIDE TRANCHÉE

ADZEA

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