Vous pourez découvrir la version de RUBY par le SOFT WINDS trio.
Voici leur interprétation de la belle balade enregistrée par l'organiste Jimmy Smith et Kenny Burell en 1963.

Ruby

1er son, si vous avez des conseils et bonne écoute.

Nostalgik

Love of my live

Stay for a While

Le chant des sirènes

Your Love

Fluff (Cover)

Komponist: Elin Johanne Rønningen
Tekst: Elin Johanne Rønningen
Piano og vokal: Elin Johanne Rønningen
Produksjon: Elin Johanne Rønningen

Balladen om lyset som skal komme

さよならの手前 [Cloud Mix]

Un peu nostalgique

Riffs for the restless mind and the heavy heart. Songwriter. Erstellung der Musik mit Hilfe von KI.
Songs written by Bocchicchio T. ;  Music generated with the creative input of AI

MALI er lyden av Elin Rønningens heimlaga låter. 

MALI er fornavnet til en lang rekke av hennes formødre i den nord-trønderske grena av slekta, tilbake til 1700-tallet. 

Elin spiller piano, noe gitar og synger på låtene. På enkelte låter har hun lagt på melodika, bass, tuba og rytmeegg i hjemmeproduksjonen. Hun planlegger å lære seg å spille fiolin, kontrabass og helst også trompet før fylte åtti, og en gang spille i korps. Sjanger: Visepop?

Now, I wouldn't claim to possess any remarkable musical gifts, save for a decent ear and a rather handy knack for picking things up. My musical education is nothing to write home about either – just the standard school curriculum, you see, plus a handful of piano lessons with a jazz fellow from Parma.

All the same, I've always had a soft spot for music, the whole kit and caboodle, and I can usually find something to appreciate, some spark of talent, in most genres (though I draw the line at trap, which, by its very definition, seems to thrive on a distinct lack of it).

I have a bit of a tinker on the piano, my guitar playing is frankly atrocious, and I can coax some vaguely agreeable sounds out of a saxophone. But now and then, if the mood takes me, particularly when faced with those black and white keys, something – a little idea, perhaps – manages to surface.

Of course, there's a world of difference between that and producing a proper tune, which demands proper talent, technique, instruments, know-how, and, crucially, a jolly good amount of time (technical note, mind you: synthesisers, digital instruments, sampling, and loopers are now part and parcel of the 'traditional method').

Perhaps one of my few genuine talents lies in a comfortable familiarity with all things technological, meaning I can generally get technology to do precisely what I jolly well want it to.

Nowadays, there are some truly astonishing tools about, based on this so-called GenAI and these 'AI agents' which, to put it simply, in a great many applications, take on (rather effectively, I might add) all the tedious, manual labour involved in proofreading a text, or generating a video, or producing music.

An artificial intelligence, whether used to create or to pilot sophisticated instruments, does our bidding if you feed it the right ideas, the right starting material, and the right questions (in other words: if you establish the correct context and the desired outcome).

My Monogatari project is intended to be a bit of a social experiment, really. Aside from finally bringing some long-held ideas of mine to fruition in a reasonable timeframe, I'm keen to understand the genuine impact of this technology on a distinctly creative and artistic field.

That is to say: is artificial intelligence merely a substitute, or is it simply an exceptionally advanced expressive tool?

The streaming platforms will deliver the verdict, I suppose.

https://open.spotify.com/playlist/4PJwLyhOd8lXuF5s5asT2Q?si=bRPGVHSGRp6OLXJ-x0P_Qw&pi=28N6_ms7QROvI

https://open.spotify.com/artist/1WUUVffjpXySaTnsYfB7JK?si=w046cjYNS7-mXzwZQ6637w

https://youtube.com/channel/UCeKdGZd4HByVTSLt-RceDSA?si=dBetVjmIeryQFJTz

New tracks tagged #BALLADE