Music for the Brocéliande legend, the real story of King Arthur ;)

Epic Celtic orchestral soundtrack for upcoming movie......

Cover illustration: Alain de Maximy

Morgane la douce

Music for everyone, music for others. A life against the current. No genre in music! It is too simplistic to give a genre to everything!! Music is an expression of human emotions and it is necessary to learn to understand humanity in its complexity.

Born a long time ago, music has been maturing in my head for a long time. I finally managed to equip a studio and buy synthesizers. 

By the way, I am a big fan of analog and modular synthesizers. I like to look for the right sound and then the melody comes by itself.

My inspiration and role models are musicians from the old Berlin School, such as synth music legends Klaus Schulze, Tangerine Dream on the one hand and Vangelis, Jean-Michel Jarre, Brian Eno... on the other. However, I try to remain original and build my own style.

Almost all of my songs are original. I do everything myself, from composing and arranging to mastering and mixing. I use Studio One Pro 7.

I would like to have more time to create music, but my full-time job and daily obligations also require a lot of my time!. I hope that will change and I will have more time for music

A self-taught composer, who has found his voice in older and traditional forms and styles of music.
Currently mostly composing for piano, but I have grand ambitions for writing chamber music and symphonies.
My music has a lot of variety in a way that expresses all kinds of sentiments, both intrapersonal and extrapersonal, kept in a cohesion by an underlying narrative; every composition is its own journey or a adventure, and I invite any guests who stumble upon my page to take part in it. 
All my music so far is written in Sibelius 7 (recordings of live performace coming down the line)
My music is available for purchase on Bandcamp: https://dinoljubi.bandcamp.com/music
Sometimes I might write an essay or two:
https://renewalcollective.substack.com/p/beethoven-through-suffering-towards
For inquiries: dinoljub89@gmail.com
Also a father to an awesome little boy.

Christiane Hommelsheim sings and plays on sound objects, Ralf Haarmann electronics and mandoline. With a central interest in loops, they create intertwined acoustic layers. Through the looper all sounds loose their corporality, they resolve within themselves, they appear and
disappear, they become soundfields, and soundshadows. Ocassionally a sentences might appear out of nowhere, and lingers unfinished in the space, like a piece of thought-furniture, that might develop within the ear of the listener before it retreats back out of focus. HAARMANNHOMMELSHEIM create poetics of absence, poetics of nothing.

Wav 48/24 STEREO HIFI homemade records           without edit.      (Classical guitar works). 

Pieces from the classical and romantic period by composers such as F. Sor, J. K. Mertz, L. Legnani, J. Arcas, N. Coste, etc.. .

NO POST-PRODUCTION WORK HAS BEEN DONE ON  THE SOUND IN ALL THE TRACKS.
THE TRACKS ARE NOT MASTERED. 

I don't pay anyone for promoting my tracks.

I play a 2016 Heidi Pulfer guitar. 

Iacopo Maria Regazzo 

www.iacopomariaregazzo.it

A versatile composer mastering neo-classic, classic, soundtracks, ambient, and synthwave. XyXa's music transcends boundaries, blending timeless elegance with modern innovation. Dive into a world where every note tells a story.
Join me https://linktr.ee/XyXa?subscribe

Hi! I am Igor, a lefthanded guitarist from Serbia. I play and compose vintage art rock, melodic rock guitar instrumental music with high emotional depth and strong uplifting power, often ballad and sometimes virtuoso.
Hire me on airgigs.com:
https://www.airgigs.com/user/IgorLisul
Here on soundcloud I am also opened for collaboration. I'll supply you with keen and highly emotional melody, or some faster rock soloing in my vintage style, for a suitable fee, we can make a deal about the pricing, no worries.

Edoardo Gastaldi, born in 1998, is an award-nominated film-music composer based in Venice, Italy. 
His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope.
After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021, Edoardo started publishing his compositions and productions.
The influence of 17th-19th century pianists and the fascination for experimental edges make his music an ever-evolving equilibrium among Modern Classical, Ambient, and Post-Rock subgenres.

Gastaldi's philosophical approach is inspired by the sounds of foundational artists including Johan Söderqvist, Hammock, Tony Anderson, Leonard Petersen, Atli Örvarsson, Stephen Porter, Ronit Kirchman, Sigur Rós, John Cage and Nils Frahm.

Edoardo’s work deeply reflects his desire to explore human fragility, paradoxes, and the complexities of existence. Over time, his soundtracks were described as capable of delving into the big consequences and underlying roots we can’t avoid.

In 2024 Gastaldi scored the soundtrack for the multi-award-winning short film “Etilismo”, a story that delves into the sensitive issue of chronic alcoholism in youth.

Contact: edoardogastaldimusic@gmail.com

Can you put titles to my tunes? If not, my website reveals all at:

https://www.harveytwyman.com

My Latest Tunes are at: www.soundcloud.com/harvey-twyman

I have now minimised all my musical equipment down to a single arranger keyboard, the Yamaha PSR-SX900.

Originally I had created all the features of this keyboard using multiple pieces of MIDI equipment all controlled through a Windows tablet. I created a YouTube video describing it all:

https://www.youtube.com/watch?v=TekeXG_oe1g&list=PLzVsLVsxIwiZLfDwmRDZ1B8TnIrgwX7aC&index=2&t=1s

Music forever!
I've always loved music, more for playing it or, more precisely, inventing it (by which I mean writing it, composing it) than for listening to it. My inspirations range from ancient music to the most contemporary. I have no limits in my tastes, well not too many... As they say, there's good music and bad music, and only time can decide which is which... and often there are surprises.