Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

THE EX GIRLFRIENDS are an all girl, fun, electro pop all original MUSIC group based in Los Angeles California, starring Lupe Fuentes. check us out on http://www.theexgirlfriends.com

The official New Kids On The Block Soundcloud!

DJ. Producer. Artist. David Guetta is a musical trailblazer, an international icon and the most cherished electronic artist of our generation. He has over 75 million monthly listeners, 50 billion streams, 40 million albums sold worldwide, 14 Grammy nominations and 2 Grammy Awards plus 110m followers across his social channels. He has been voted the world’s best DJ in the DJ Mag ‘Top 100’ four times and has won the accolade for best electronic artist at the MTV Europe Music Awards six times. 

Guetta is the #1 streamed DJ on Spotify and steadily in the Top 10, with a peak at #4 of the most listened to artists in the world on the platform. Guetta has collaborated with the world's biggest stars including Sia, Nicki Minaj, Rihanna, Justin Bieber, Ariana Grande, Bruno Mars, Black Eyed Peas, Shakira, OneRepublic, Kid Cudi, J Balvin, Becky Hill, Raye, among many others. Such work has resulted in numerous hit singles both in the dance/electronic space as well as in the pop world, with 12 tracks achieving over 1 billion streams including “Hey Mama” (3.4 billion), “I’m Good (Blue)” (3.5 billion) and “Titanium” (2.8 billion). 7 of Guetta’s singles have also reached the #1 spot on the UK singles chart.

A master creative across genres, Guetta has also gone from strength to strength with his underground-focused Future Rave project and he is additionally working on new music for his underground alias Jack Back. 

As he continues to dominate the global charts and play some of the most exciting sets of his career, all while expanding his creative vision, exploring new sounds and evolving as an artist, David Guetta demonstrates time and time again why he is the most cherished electronic artist of our generation.

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