-Sub.mission//LDH Records// Macrocell//Bassweight Cuts

My name is Alan but everyone calls me Bean. I deal mostly in dubstep but also love most bass music. Stay tuned!

The Qarah derives its name from the Hebrew word ‘qarah’ (kaw-raw), which essentially means ‘right place, right time’. It also means to encounter or come across something of significance. The Qarah was founded through Ramsay Moore’s desire to find a voice for his music. Ramsay initially had his start playing acoustic gigs at coffee houses, churches, and community venues - most of which were connected to various social justice events. He primarily played his own original material and over time saw the need to put together a record. Realizing the cost involved with bringing a project from concept to reality, he began to build his own recording studio. What then came to be was an extraordinary first EP, birthed from humble beginnings and a steep learning curve both technically and musically.
 
The Qarah released the EP "Hesitate", with single "Breath of Life" leading the way. "Breath of Life" describes the contrast between hopelessness in purposeless living and then the moment you grab onto faith and find purpose in a power greater than yourself. The follow-up single "Break These Chains" deals with letting go of the toxic things that chain us down and keep us from being all we are meant to be. Overall, the EP “Hesitate” is full of life’s lessons sung with extreme intensity and the music to match.

I grew up listening to reggae, and some local hiphop artists like  trick daddy and rick ross. These artists influenced my style today, although my plan wasn't to be a rapper, i was more into basketball and visual art. I got my name from my height, almost 6'9 inches tall. Please support my video here => https://www.youtube.com/watch?v=APm_erh9z40

Bookings: aopelschmidt@gmail.com

Dopel — The Architect of Weight
Dopel doesn’t simply produce bass —he constructs it like a man welding steel beams in the dark. His work is heavy but intentional, every frequency braced like a cathedral for subwoofers. You don’t hear Dopel’s sound design, you inhabit it, like trudging through some alien factory where the machines breathe. He’s not chasing trends; he’s changing them, with deep slabs of sonic gravity.

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