This week on WATB Radio we have Belgium techno duo, Filterheadz providing their unmistakable sound! This is ahead of their debut release on our forthcoming compilation album 'Electric Soul Music Vol. 2'.

1. Avision - 79 Jump Off - [Mindshake Records]
2. Raxon - Orbit - [Drumcode]
3. Filterheadz - Emphasis - [We Are The Brave]
4. Coyu - Clarke At The Loft 2005 - [Suara]
5. Tiger Stripes - Jack The Garage - [Drumcode]
6. Dekeyden - Unspoken Attraction - [AWRY]
7. Coyu - El Arbol De Baum - [Suara]
8. Filterheadz - Meditation - [Unity]
9. Overture - Oscillate - [ODD Recordings]
10. Lilly Palmer - Slaves to Technology - [Octopus Records]
11. Filterheadz - Motivation - [Agile]
12. Troy - Surge - [Klockworks]
13. Overture - Vibrate - [ODD Recordings]
14. Risa Taniguchi - She - [Second State]
15. Truncate _ Missing (Skov Bowden's jackin' edit)
16. Tenzella x Josef - The Funk - [ODD Recordings]
17. Blovk - Amianto - [AWRY]
18. Phara - Primrose Gold - [Voltag]

We Are The Brave Radio 115 (Guest Mix by Filterheadz)

dj chief unique is the wolf counselor style of giving praise to the creator of disco

My DJ sets & favorite music of all times✊🏽Get your funk & groove on🥰feel free to comment below!!!!

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

Tour Dates & Music: alanfitzpatrick.komi.io

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

Ich sags mal einfach so raus: Freut mich außerordentlich das es Euch freut wenn es uns freut das es Euch freut usw... Echt faire Unternehmung das Soundcloud :)) Da lacht das Musik-interessierte Herz :) HINWEIS FÜR DIE NETTEN MENSCHEN/DJs/PRODUCER etc.: In Gottes Namen benennt Eure freigestellten Tracks bzw. Sets doch auch bitte mit Namen wie DJsoundsoundso-After Party irgendwann im nirgendwo usw...!!!! Da Ihr ja alle werben wollt mit Euren Stücken wäre es echt angebracht daran zu denken das Ihr diese Geschenke auch ordentlich tituliert, ist mein Gedanke bei vielen downloadablen Stücken und dann kann ich, wenn mal auf der Platte gespeichert, leider oft nicht mehr sagen wer welch geilen Mix von Euch Meistern/innen all over the world gestiftet hat und teilweise wäre es aber angebracht, als Sammler aller edlen Sessions like yours are for example, auch sogleich möglichst noch viel mehr an Stücken von dem/derjenigen runtersaugen zu können was aber bei null Info (oft nicht einmal der DJ-Name!!)echt schwer möglich ist... lol Da fängt Werbung erst an... oder hört sogleich wieder auf... ;))  Und nachschauen nachträglich wird sich nie wer für eine Benennung eines Sets antun das der Namensträger nicht der Mühe wert fand zu signieren, auch klar. Na dann... ;)) Und mit der Bitte im Voraus auch weiterhin so verdammt dufte Muke zu produzieren/aufzulegen und dann zumindest teilweise frei zu geben! Ich höre mir nämlich mit Sicherheit jedes meiner 100 - 200.000 Sets zumindest einmal an und ehre jede gute DJ-Arbeit mit Freude am Hören und Mundpropaganda im engsten Freundeskreis bzw. wird fleissig mit meinen followern auf SC gechanged... Somit schließt sich der einzigartig gut dastehende Kreis der Soundcloud-User und jeder hat seine Freude dabei liebe Freunde der volkstümlichen Techno-Folklore und ähnlichem "Soundcloudsheaven"! So long! Rock on! Just use your brain (just try at least ;)!) and dont go scary or insane! RESPECT TO ALL DJs who make me often much happier than without the sets!! THX A LOT YOU DJ-FRIENDS ALL OVER THE WORLD! May the ryhthm be always with you ;) ... bless the rhythm and hope together people, that we let always the rhythm move us forward to enjoy also hot music on rockin partys with cool dancin people and funfunfun!... Harry
AND NEVER FORGET __Carpe Diem__
cause the dices have to be rolled and we are here to rock and especially TO ROLL them. and share the good sites in this absolutely perfekt moment in this age we are the "Lucky-Ones" or something like this .. ;) thats fair or not no matter cause no ways goal was ever written before main part walks on the steps of that... Love as much as you can in each situations you can get senses  you can use in any private best way for you...

A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).