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I NEVER USE ANYTHING LIKE SUNO AI.
EVERY SUNDAY UPLOAD THE  LATEST TRACK
Composition and Sampling collage by Synline
Instant theatrical music tweets everyweek. 
”The song that is born today can only be born today.” That's why I keep writing it down in the computer every day like a diary.
Music is a kind of feeling I can not express in words. I will write that feelings with Synthesizers. 
I am glad I can share it with you.

I think, as Ryuichi Sakamoto said, AI should be used not for composing music but for solving global issues such as weather forecasting and population problems.

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

I find improvisation the absolute revelation of the "present". Unrepeatable, true. In that moment everything vibrates, emotion, souls and our bodies, thus becoming part of "Being". The approach to my compositions is always the result of an extemporaneous flow that takes on a more granite form only at the end of the session. The musicians who collaborate with me embrace this method, leaving carte blanche to their inner voice and my creativity.

________________________
Contact/business inquiries: albertomarsonmusic@gmail.com

We are an electronic pop duo with a connection to nature and trees, which have great healing powers🙏🦉🌳


Main & backing vocals & lyrics & connection with nature & the hidden people of the forest & Mixes & Remixes & near field recording & pictures
Heidi K: https://soundcloud.com/heidijks

Music production by Jeamland
https://soundcloud.com/mortenjeamland

℗2025 Lumi Records

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

🎶 About My Music — DestKorn

My music tells stories without words—rooted in emotion, shaped by melancholy, quiet strength, and cinematic depth.
With piano, strings, understated electronics, and expressive vocals, I craft soundscapes that move you and leave space for your own thoughts.

Every piece is handcrafted: I write, arrange, and produce using professional virtual instruments and real elements.
I work with Spitfire Audio, Virharmonic, Kirk Hunter Studios, Native Instruments, EastWest, and 8Dio, combined with my own recording and sound-design workflow.

I use voice synthesis (ACE Studio) only in rare cases—specifically when no suitable singer can be found.
Whenever synthesis is used, I state it clearly in the track description.
It’s a subtle color, never a substitute for composition or expression, and always within a framework I fully compose myself.

The creative vision, the musical structure, and the emotion are 100% mine.
I believe in music that sounds real—because it is real.

Thank you for listening—and for feeling.

– DestKorn 🎶❤️🎶

هر نغمه‌ای که از دل برخیزد، بر دل نشیند
(Every melody born of the heart speaks to the heart.)

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification, or distribution of these works is strictly prohibited and will be prosecuted under applicable law.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord — established 2012

Smiley Rojas’s music is an invitation to awaken to the infinite power of the soul. A mystic at heart, he calls his craft Medicinal Hip-Hop, a fusion of rhythm, poetry, and spirit that channels profound messages of healing and transformation. Blending the energy of nature, ancestral wisdom, and deep self-love, Smiley’s songs feel like transmissions for the heart. Born in the vibrant heart of New York City to Dominican immigrant parents, his journey led him from the intensity of urban life to the tranquil shores of Mexico, where his music blossomed into an offering for those seeking purpose, healing, and connection.

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

Edoardo Gastaldi, born in 1998, is an award-nominated film-music composer based in Venice, Italy. 
His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope.
After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021, Edoardo started publishing his compositions and productions.
The influence of 17th-19th century pianists and the fascination for experimental edges make his music an ever-evolving equilibrium among Modern Classical, Ambient, and Post-Rock subgenres.

Gastaldi's philosophical approach is inspired by the sounds of foundational artists including Johan Söderqvist, Hammock, Tony Anderson, Leonard Petersen, Atli Örvarsson, Stephen Porter, Ronit Kirchman, Sigur Rós, John Cage and Nils Frahm.

Edoardo’s work deeply reflects his desire to explore human fragility, paradoxes, and the complexities of existence. Over time, his soundtracks were described as capable of delving into the big consequences and underlying roots we can’t avoid.

In 2024 Gastaldi scored the soundtrack for the multi-award-winning short film “Etilismo”, a story that delves into the sensitive issue of chronic alcoholism in youth.

Contact: edoardogastaldimusic@gmail.com

Hello my dear friends. I seek and love music that gives me goosebumps.  I 'm looking for it through experiments with rhythms, sounds and harmony.  So far I haven't succeeded yet.  Music is my life. I’m Fred, 70 years, born in Diest, Belgium on August 8, 1954.  I am grateful for all the given likes and comments, for all the listeners and followers here on SC or on all the other streaming services where my music is publiced. I’m also grateful to all these artists and musicians who put their beautiful music on SC.  Thanks everyone.  Keep it healthy.  Take care of each other and sow peace!

From Wikipedia: In Greek mythology, a satyr, sater (UK /ˈsætə/, US /ˈseɪtər/;[1] Greek: σάτυρος satyros,[2] pronounced [sátyros]) is one of a troop of ithyphallic male companions of Dionysus with goat-like features and often permanent erection.[3] Early artistic representations sometimes include horse-like legs, but in 6th-century BC black-figure pottery human legs are the most common.[4] In Roman Mythology there is a concept similar to satyrs, with goat-like features: the faun, being half-man, half-goat, who roamed the woods and mountains.[5] In myths they are often associated with pipe-playing. Greek-speaking Romans often used the Greek term saturos when referring to the Latin faunus, and eventually syncretized the two. (The female "Satyresses" were a later invention of poets.)
With the characters A and T, my initials, stops every similarity between this description and myself.

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Alberto Marson