Professional Club DJ specializing in all forms of House Music and Disco. Known for creating a sense of drama on the dance floor with my signature eclecticism 

My career in NYC began in 1981 at the Underground and River Club. My long association with Fire Island Pines was at The Pavilion in the summer of 1982. I was made house DJ by owner John Whyte in 1990-2000. Other New York clubs include Ice Palace, Studio 54, Red Zone, The Red Parrot, The Roxy, Twilo, Tunnel

I am perhaps most famous for my work with The Saint. Worked as a regular there from May of 1982 until it closed in 1988. Noted for my Saint At Large Black Parties from 1991- 1996, 1999, 2000, 2002, SAL Black Tea 2004, 2006, 2007

Another highlight for me was playing the fabulous gay Sundays at Palladium 1985-1987. 

Circuit parties all over the United States too numerous to name them all but including GMHC Morning Party, Victory Party, Hearts Party, Blue Ball, Fire Ball, Real Bad SF,
Winter Party, NYC Pride Pier Dance, Pride Parties in LA, SD, Boston, DC, Gay Games in Amsterdam

In the last few years I only accept gigs that truly interest me such as The Pavilion in Fire Island Pines and the Trippin' On The Moon parties given by Christina Visca as well as my own event Evolution of a Dancer which I share with John Ceglia and Susan Morabito

I once again feel the pull to re-invent myself once again. Time for me to evolve, re-engage with my love for the music, the craft and most importantly, with the crowd. To take my musical esthetic and apply it to today’s scene in the hope of creating something new and unique.

A man who won't die for something is not fit to live.

Multi Media / Visual / Performance Artist
The performances are explorations into time and struggle. Interests in themes of imprisonment, solitude, exposure, gender and sex relations have dominated my mediums – performance art, dance, painting, video art, installation, photography.

Event Producer/ Art Direction/ Artist
Responsible for the oversight and coordination for an event, from its initial concept to the management of maintenance workers, staff or performers once the event has ended.

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