NUNU (mixtape)

The Yussef Kamal Trio - Strings Of Light (BBC Rip)

Rye Lane Shuffle

Sunshine is out March 17 on Albert's Favourites.

https://soundcloud.com/alberts-favourites
https://soundcloud.com/hectorplimmer

Read more: http://hyponik.com/features/first-listen-hector-plimmer-i-wish/

Sunshine

First Listen: Hector Plimmer - 'I Wish' (Albert's Favourites)

A beautiful jazzed out number floating between hip hop and dub influences. Taken from the debut collaborative effort from South London musicians Joe Armon-Jones and Maxwell Owin. Out 8th September via @yamrecords.

Read more: http://bit.ly/JoeArmonJonesMaxwellOwinIdiom

Listen On YouTube

Joe Armon-Jones & Maxwell Owin feat. Oscar Jerome - Idiom (STW Premiere)

Carlos Niño & Friends - Going Home
release date October 20, 2017
VINYL + DIGITAL PREORDER 
https://leavingrecords.bandcamp.com/album/going-home

"OrganicSelf" featuring Deantoni Parks, Dexter Story, 
Josh Johnson, and Miguel Atwood-Ferguson
-- -- -- --

Revered Producer / Musician Carlos Niño engages 
the 5th album in his ongoing "& Friends" series with 
Going Home, a definitive six-song odyssey in tribute 
to "passing from the earthly realm" featuring 
Deantoni Parks, Dexter Story, Jamael Dean, 
Josh Johnson, Miguel Atwood-Ferguson, 
SK Kakraba, and New Age Legend Iasos.
--

Going Home Record Release Party / Performance 
Monday, October 20th at The World Stage 

Going Home Sonic Boom Love Wave Performance 
Wednesday, October 25th at Low End Theory 
-- 

November 2017 - On Tour Opening for 
and Dueting with Laraaji: 

08/11/17 Wed Berlin DE Kiezsalon 
10/11/17 Fri Antwerp BE Hetbos 
11/11/17 Sat Eupen BE Europalia @ Alter Schlachthof 
12/11/17 Sun The Hague NL Rewire x Korzo 
13/11/17 Mon Dublin IE Sugar Club 
16/11/17 Thu Aarhus DK Tape 
18/11/17 Sat Hamburg DE Uberjazz @ Kampnagel 
19/11/17 Sun London UK London Jazz Festival @ Jazz Cafe

VINYL + DIGITAL

Carlos Niño & Friends - OrganicSelf

The rising mega talent, multi-instrumentalist, striking bandleader and *actually* ambidextrous musician and producer returns to deliver Ley Lines – a true showcase of her talents. From the horns, to the choir, to the drums, to the rest, everything was written, produced, laid down and mixed by Emma-Jean.

“I wanted to step away from my work as a band leader and do something self-contained. I love improvising in the moment with a band, but wanted to take the chance to create at my own pace and be true to my own vision,” she says.

As a producer and musician, Emma-Jean’s work defies genre boundaries yet still holds deep roots in jazz. As well as being tipped “one of the UK’s most exciting new jazz artists” by Red Bull Music Academy, the one-woman-band production style of Ley Lines has been compared to Stones-Throw heavyweight Madlib.

Just as at home working with the London Symphony Orchestra as she is tearing it down at Total Refreshment Centre, Ley Lines follows Emma-Jean’s acclaimed Walrus EP and maintains her trajectory as one of the most talented young musicians in the business.

Ley Lines EP

Red Bush

Emma-Jean Thackray - Red Bush

Taken from the debut Kamaal Williams LP 'The Return'
Buy / stream here: www.smarturl.it/kw-thereturn

The Return 

Kamaal Williams - High Roller

The Sunflower is like no other. A flower of ultimate dedication, it basks in the glory of sunbeams all day, it’s head constantly and carefully tracing the source of light and warmth’s every move. A superb ally to nature anywhere it is found, it has unique nutritional value, oils and seeds available to all who cultivate it. It’s the reason they are found across the globe.

This is the ethos behind Ronin Arkestra. Formed in Tokyo in 2017, Ronin Arkestra brings together some of the finest and most creative players in Japan’s Jazz and and electronic scene. The collective includes members of Kyoto Jazz Sextet, WONK, Cro-Magnon, Root Soul, Sleepwalker, Sauce81, Kyoto Jazz Massive and, of course, band leader Mark de Clive Lowe. 

Kicking it all off is ‘Stranger Searching’, where lush electronics meet beautifully executed Jazz in full story mode. A constantly driving beat push this track along through its various chapters, with each member of the band given time tell their tale. Horns from Shinpei Ruike, Kohei Ando and Wataru Hamasaki tie everything together in beautiful harmony.

Ronin Arkestra - Stranger Searching

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Ronin Arkestra - Stranger Searching

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